Dangerous Jobs in NY History: Produce Manager?

While researching stories that deal with history, I enjoy finding offbeat items, things that have happened in the past, which allows me the liberty to stretch the definition a bit and label them as history. Work can’t be all dullness and difficulty, and these items help make it fun. Which brings me to a list of some historically dangerous occupations: farming, logging, mining, and … produce manager?

Sounds ridiculous, right? Thousands have entered those other three occupations knowing full well the potential downside. Produce manager, on the other hand, seems pretty safe. But what would you choose—a job with the risk of injury, or a job that might one day “produce” your worst nightmare?

If you’re squeamish, you’d have to be bananas to choose the latter. But who in the Adirondacks and North Country, on our own home turf, ever expects to be attacked by scorpions or tarantulas? But it has happened, and far more than once.

Here are a few tidbits from the world of those bravest of souls: produce managers.

In 1891, a fruit vendor in Watertown was handling bunches of bananas when a scorpion slammed its stinger into his hand. Few scorpions can actually kill humans, but that hardly makes any scorpion attack more acceptable. In this case, quickly applying a tourniquet and rendering first aid lessened the victim’s suffering. The scorpion was said to be about six inches long.

In 1933, a two-inch scorpion stung Herb Sloan of Heuvelton (St. Lawrence County) three times. Suffering what was described as excruciating pain, he received first aid from a doctor and was then rushed to the hospital as his body temperature rose dramatically. He was accompanied by his attacker, who rode along in a jar.

Sloan later described what happened. “I ran my hand in among the bananas, when I suddenly felt a sharp, burning sting. When I yanked my hand out, I saw this ugly-looking thing attached to my fingers. Its jaws were clamped tight and its tail was whipping around. Three times it whipped its tail and ran the sharp needle at the end of it deep into my finger. I finally shook it off, and managed to get Dr. Mulholland without delay, then lost no time in getting to the hospital.”

In 1937, Medric Gandron, manager of the Whitehall (Washington County) A&P, likewise suffered a scorpion attack on his finger, requiring medical treatment and a recovery period.

Another job hazard for fruit handlers was tarantulas, and St. Lawrence County has had more than its fair share of incidents. Claude VanPelt of Gouverneur was bitten by one in 1901, and when William Kory of Potsdam was hanging bananas in his store, a tarantula with a six-inch leg-span fell to the floor. Kory escaped unscathed.

Like Kory, others had close calls but weren’t actually bitten, though the shock of finding a tarantula likely had lasting psychological effects. In 1910, at Long’s fruit store in Alexandria Bay, employee James Pollock was startled when one latched onto his shirt and tried to bite through the sleeve. And Fort Jackson’s Gladys Nichols, after grabbing fruit from a bag over a period of several days, discovered she had all the time been reaching into a tarantula’s adopted home.

Less lucky was Cliff McIntosh of Morrisburg. Talk about your nightmares?a tarantula got inside his clothes and bit him several times before it was killed. He endured extreme pain and swelling and was treated by a doctor.

Ed Chase, a store clerk in Whitehall, was bitten in 1920 by a tarantula that latched on so tightly, he couldn’t shake it off. A stick was used to remove it, and a doctor later amputated the tip of Chase’s injured finger.

Sol Drutz, owner of the Star Market in Saranac Lake, was unfortunate enough to have two spider stories connected to his store within a two-year span. Employee Margaret Duquette was bitten during the first episode, requiring “extensive medical treatment” before she recovered.

Then, in 1935, according to the Lake Placid News, “A lady tarantula, dreaded spider of the tropics, chose a Saranac Lake meat market as the ideal spot to hatch her young.” It was the store-owner’s mother, Annie Drutz, who had the pleasure of discovering the intruder.

In each and every instance above involving scorpions or tarantulas, there was one consistent factor: bananas. So remember that if a problem arises, you heard it here first?eating bananas can lead to serious health issues.

Lawrence Gooley has authored 11 books and dozens of articles on the North Country’s past. He and his partner, Jill McKee, founded Bloated Toe Enterprises in 2004. Expanding their services in 2008, they have produced 24 titles to date, and are now offering web design. For information on book publishing, visit Bloated Toe Publishing.

New-York Historicals World War Two in NYC Exhibit Opens

The most widespread, destructive, and consequential conflict in history will be the subject of WWII &amp- NYC, a major new exhibition now on view at the New-York Historical Society through May 27, 2013. Restoring to memory New York’s crucial and multifaceted role in winning the war, the exhibition commemorates the 900,000 New Yorkers who served in the military and also explores the ways in which those who remained on the home front contributed to the national war effort. Read more

Jay Heritage, County Reach Agreement on John Jay Property

Responsibility for the full restoration and long–term maintenance of the historic John Jay property in Rye, NY, the boyhood home of a Founding Father and the nation’s first Chief Justice, will be turned over to the Jay Heritage Center (JHC), under terms of a license agreement announced late last week by Westchester County Executive Robert P. Astorino at a news conference at the site.

According to a statement issued to the press the agreement is designed to ensure the preservation of the nationally significant property and serve as a model of cooperative stewardship that can be emulated nationwide. &#8220It will also advance shared goals of New York State, Westchester County and non-profits like JHC to promote heritage tourism by making historic resources more accessible to the public,&#8221 the statement said.

“It has been over 20 years since the county, working with New York State, came to the rescue of the Jay property, saving it from demolition,” Astorino said. “Now the county is stepping in again with an innovative public/private partnership to preserve it for future generations in a way that doesn’t fall on taxpayers. In these challenging economic times, these are the kinds of solutions that are essential.”

The property is located adjacent to the county’s Marshlands Conservancy. Westchester County and New York State jointly own 21.5 acres of the site- the Jay Heritage Center owns the other 1.5-acre parcel, which contains the 1838 Jay House, built by Jay’s son on the site where his father grew up.

The new license agreement will transfer oversight for the upkeep of the property and investment in significant capital infrastructures to the Jay Heritage Center, which will raise funds as a private 501(c)3 and also apply for grants. Tax deductible donations from individuals and corporations will be accepted to help restore the historic meadow, the gardens, the apple orchards and rehabilitate historic structures for public educational uses as lecture halls, classical music spaces and art galleries.

At a press conference at the site, Astorino was joined by Rye City Mayor Doug French and Suzanne Clary, president of the Jay Heritage Center (JHC), as well as New York State Parks Deputy Commissioner Tom Alworth to announce the agreement, which must be approved by the county’s Parks Board, the Board of Acquisition and Contract, and the State Comptroller’s Office.

The Jay Property was designated a National Historic Landmark in 1993 as part of the Boston Post Road Historic District. It was also named to the Westchester County African American Heritage Trail in 2004.

Most recently in 2009, it became 1 of only 100 Congressionally funded sites in the Hudson River Valley National Heritage Area based on the importance of its architecture, its landscape and themes of freedom and dignity that its 10,000-year-old history embodies.

“This is an unparalleled opportunity for us to restore one of America’s greatest landscapes and open it to the public at a time when families are looking for places of beauty and history to inform and inspire their daily lives,” said the JHC’s Clary.

Deputy Commissioner Alworth also praised the agreement, saying: “Partnership agreements such as this one have been highly successful in enhancing the quality of parks and historic sites for the visiting public. The Jay Heritage Center has done an impressive job restoring the historic house, and I’m confident they will continue their excellent stewardship of the site. This public-private partnership will ensure the John Jay property remains a valued recreational and cultural resource for Westchester residents and visitors alike.”

The main terms of the agreement are:

· The county and state, as owners, will grant a 10-year license, which is renewable after the initial term, to the Jay Heritage Center for the use of the property. This will give the JHC the ability to raise funds to operate the park and make improvements.

· The county and state will have the right to approve or disapprove any physical alterations to the property.

· The property will continue to be operated and maintained as state and county parkland and will be accessible to the general public. The JHC may establish admission fees, subject to approval by the state and the county consistent with county fee structures.

· JHC will create and pay for a specific maintenance and restoration schedule detailed in the agreement, dealing with landscape, invasive plant removal and restoration of historic structures, among other things.

· The county will continue to police the property.

· The county will no longer spend approximately $25,000 annually to maintain the property, and JHC will be responsible for ongoing maintenance and the capital improvements that the property requires.

· The county will remain responsible for the costs of any environmental remediation that may be required on the property for conditions that existed prior to the license agreement. Any environmental remediation required as a result of JHC’s restoration work will be the responsibility of JHC.

Photo:Top Row: JHC Board members Emma Hanratty, Jim Kelsey (JHC Vice President,) Lauren Lambert, Michael Kovner (JHC Vice President)- Bill Mooney, Senior Assistant to County Executive, Joe Sack ,Rye City Council

Second Row: Deputy County Executive, Kevin Plunkett, Frank Sanchis, World Monuments Fund and JHC Advisory Board, JHC Board member Cathy Rosenstock, Julie Killian, Rye City Council and Tom O’Handley, Audubon NY

Third Row: JHC Board Member Charlene Laughlin, Anne Van Ingen, Preservation League of NY State, Patricia Mulqueen, Con Edison Community Relations Westchester, JHC Founder, Kitty Aresty, Steve Otis, former Mayor of Rye

Front Row: Tom Alworth, New York State Parks Deputy Commissioner of Natural Resources, Suzanne Clary, JHC President and Rob Astorino, Westchester County Executive.

Central Park’s Woodlands Stewardship Event Friday

The Cultural Landscape Foundation (TCLF) and the Central Park Conservancy (CPC) will host Bridging the Nature?Culture Divide II: Stewardship of Central Park’s Woodlands conference tomorrow, Friday, October 5, 2012, at the Museum of the City of New York (registration now open).

The one-day conference, co-curated by TCLF Founder and President Charles A. Birnbaum and CPC Associate Vice President for Planning Lane Addonizio examines the management of nature and culture in the stewardship of Central Park. The conference will feature speakers from public institutions and landscape architecture firms across the country, and follows up on the sold out, similarly themed conference held last year at the Jay Heritage Center in Rye, New York.

The conference will be followed on October 6-7 by What’s Out There Weekend New York City, featuring free expert led tours of parks and opens spaces in the city’s five boroughs (tours are free, registration is required).American Society of Landscape Architects (ASLA) CEUs will be available for the conference. The 843-acre Central Park, originally designed by Frederick Law Olmsted, Sr., and
Calvert Vaux, with a succession of additions and refinements by Samuel Parsons, Jr.,Michael Rapuano, Gilmore Clarke and others, is also host to 230 bird species, along with turtles, fish, and countless species of butterflies, dragonflies, and other insects. The Central Park woodlands are among the most historically significant designed landscapes in the country, providing valuable refuge for wildlife and New Yorkers alike. In the 1960s and 1970s, Central Park experienced an unprecedented decline, suffering from neglect and a lack of management. Litter filled its waterbodies- its Great Lawn was a great dust bowl- its woodlands were avoided, not celebrated. The Central Park Conservancy, a private, not-for-profit organization created in 1980, has skillfully and successfully reawakened, restored and maintained a world-class icon.

Nevertheless, managing a park that is both a culturally significant landscape and natural habitat is delicate- this conference specifically examines sustainability, the agendas of different constituencies, diversity, the role of people, and public education.

Creating a progression of varied landscape experiences was a primary goal of Central Park’s designers. Within the landscapes themselves, horticultural diversity was also a goal. In the Ramble, both exotic and native plants were to provide a sense of lushness and intricacy, realizing Olmsted’s intended &#8220wild garden&#8221effect. Neglect of the Park’s woodlands over a prolonged period resulted in a lack of horticultural and social (as well as scenic) diversity. What park stewards know is “letting nature take
its course” is not sustainable. While the woodlands serve to provide the experience of escape from urban life, they are in fact designed urban landscapes that require consistent management.

The conference features two panels addressing this stewardship dilemma- the first (the morning session) focuses on “lessons learned” by public sector stewards at Prospect Park (Brooklyn), New York Botanical Garden, and The Presidio (San Francisco)- the second (afternoon session) will be comprised of landscape architects in private practice with experience in urban parks (complete list below).
Speakers and Moderators:

• Eric W. Sanderson, Senior Conservation Ecologist, Wildlife Conservation
Society (moderator)
• Christian Zimmerman, Vice President for Design & Construction, The Prospect
Park Alliance, Brooklyn, NY
• Michael Boland, Chief Planning, Projects & Programs Officer, The Presidio
Trust, San Francisco, CA
• Todd Forrest, Arthur Ross Vice President for Horticulture and Living
Collections, The New York Botanical Garden
• Elizabeth K. Meyer, Associate Professor, University of Virginia, School of
Architecture, Landscape Architecture (moderator)
• Dennis McGlade, President/Partner, OLIN, Philadelphia, PA and Los Angeles,
CA
• Margie Ruddick, Margie Ruddick Landscape, Philadelphia, PA
• Keith Bowers, Biohabitats, Baltimore, MD

Registration is $150 and is available at the conference Web site.  The Central Park Conservancy is the presenting sponsor, with additional support provided by Landscape Forms and the Museum of the City of New York.

About the Central Park Conservancy

The mission of the Central Park Conservancy is to restore, manage and enhance
Central Park in partnership with the public, for the enjoyment of present and future
generations. A private, not-for-profit organization founded in 1980, the Conservancy
provides 85 percent of Central Park’s $46million park-wide expense budget and is
responsible for all basic care of the Park. Since 1980, the Conservancy has overseen
the investment of more than $650 million into Central Park. For more information on
the Conservancy, please visit centralparknyc.org.

About The Cultural Landscape Foundation
The Cultural Landscape Foundation provides people with the ability to see, understand and value landscape architecture and its practitioners, in the way many people have learned to do with buildings and their designers. Through its Web site, lectures, outreach and publishing, TCLF broadens the support and understanding for cultural landscapes nationwide to help safeguard our priceless heritage for future
generations.

Fort Ticonderogas Chocolate History Symposium

A weekend-long celebration of chocolate, wine, and spirits, will be held October 12-13 at Fort Ticonderoga’s “Chocolate Covered History” Symposium. Participants will have the opportunity to learn about the origins of chocolate and its role in the 18th century military history of Fort Ticonderoga.

The weekend event combines wines, spirits, chocolate, and history and includes a Veuve Clicquot Champagne and dessert reception, full day symposium, and gala dinner. Breakout sessions will provide opportunities to taste various foods prepared using American Heritage Chocolate, an authentic colonial chocolate recipe made only from ingredients available in the 18th century, made by Mars Chocolate.

Following a Friday evening champagne-dessert reception at The Sagamore Resort, October 12, the symposium will begin on Saturday, October 13, at Fort Ticonderoga with Chocolate in the Americas: Connecting History from the Amazon to New England presented by Rodney Snyder, Chocolate History Research, Director for Mars Chocolate, NA, Mars Incorporated. Christopher Fox, Curator of Collections at Fort Ticonderoga, will present the second session entitled Breakfasting on Chocolate: Chocolate in the Military During the French & Indian War and American Revolution. Afternoon breakout sessions include Wine and Chocolate: Perfect Pairing led by Janine Stowell of Banfi Vintners- Baking with American Heritage Chocolate with Chef Gail Sokol- Tuthilltown Spirits Whiskey Seminar with Ralph Erenzo, Co-Founder of Tuthilltown Spirits- and A Revolution in Chocolate: 18th-Century Energy Drink, led by Fort Ticonderoga’s Director of Interpretation, Stuart Lilie.

“Chocolate Covered History” will be topped off with a Saturday evening gala at The Sagamore Resort and will include a cocktail reception and four course meal integrating chocolate into every recipe. Guests will have a once in a life-time opportunity to enjoy dishes such as Native Corn Stew paired with Chocolate Dusted Pine Island Oysters- Preserved Ducking, Pickled Fall Vegetables, Dandelion Greens with Chocolate Huckleberry Conserve- and Lavender and Knotweed Honey Marinated Lamb Chops with Roasted Rutabaga Mash and Chocolate Sassafras Sauce. Rum Spiked Chocolate Cake with Bergamot Tea Infused Pumpkin Custard and Mulled Cider Glaze will complete the meal. Each dish will be paired with appropriate wines.

Monies raised through the “Chocolate Covered History” symposium and gala will support Fort Ticonderoga’s educational and interpretive programs. Fort Ticonderoga is a not-for-profit historic site and museum whose mission is to ensure that present and future generations learn from the struggles, sacrifices, and victories that shaped the nations of North America and changed world history.

More about this event can be found online or by calling 518-585-2821.

Illustration: An 18th Century Chocolate Mill from Denis Diderot’s L’Encyclopedie (courtesy the Confectioners Mill Preservation Society).

The Civil War: A Musical Journey

Four Seasons, Four Years is a new Old Songs production featuring eleven singers and musicians from the Adirondacks performing a selection of songs extant in America between 1850 and 1865. This performance takes place at View (the former Old Forge Arts Center) this Saturday, September 29, 2012 at 7:30pm.

The show includes both popular songs of the period as well as songs composed in response to the Civil War itself and events leading up to it. The songs are interspersed with historical narrative specific to New York State and the New York Volunteer Regiments.

Old Songs’ presentation of Four Seasons, Four Years – The Civil War: A Musical Journey brings the songs and sounds of the Civil War back to life without stinting on the truth, the tragedy and the horror. Selections from letters, historical papers and soldier’s diaries are read between the musical passages, creating a seamless flow of narration and song.

The cast of singers and musicians include Greg Artzner, Dan Berggren, Betsy Fry, Steve Fry, Reggie Harris, Terry Leonino, John Roberts, Bill Spence, Toby Stover, Susan Trump and George Wilson. All known in their own right as fine working musicians, they have joined forces to present this unique show in observance of the 150th anniversary of the Civil War.

The songs of this period include Negro spirituals, shape-note hymns, marching songs, sentimental songs and songs and parodies written by 19th century writers such as Stephen Foster, George F. Root, the Hutchinson Family and Henry C. Work. The cast performs in individual and ensemble performances bringing these songs alive with great gusto, emotional impact and exceptional musicianship.

The production has been produced, compiled and directed by Old Songs, Inc. Executive Director Andy Spence in collaboration with the musicians. View their website at www.oldsongs.org  to learn more.

You may purchase tickets by calling View at 315-369-6411 or via email [email protected].

Tickets are $25/$20 members, and can be purchased by calling View at 315.369.6411. To learn more about View programming, visit www.ViewArts.org.

Lippard and Conceptual Art Focus of New Exhibit

Materializing &#8220Six Years&#8221: Lucy R. Lippard and the Emergence of Conceptual Art, the first exhibition to explore the impact of the feminist writer, curator, and activist Lucy R. Lippard on the Conceptual art movement, is on view at the Brooklyn Museum through February 3, 2013.

Using Lippard’s influential 1973 book Six Years, which cataloged and described the emergence of Conceptual art in the late sixties and early seventies, as a critical and chronological framework, the exhibition illustrates the dynamics of Lippard’s key role in redefining how exhibitions were created, viewed, and critiqued during that era of transition. Read more

NYS Museum Opens Civil War Exhibit

The exhibit &#8220An Irrepressible Conflict: The Empire State in the Civil War&#8221 has opened at the New York State Museum, commemorating the 150th anniversary of the Civil War.

The pivotal role New York State played in the war is the focus of the 7,000-square-foot exhibition. As the wealthiest and most populous state, the Empire State led all others in supplying men, money, and materiel to the causes of unity and freedom. New York’s experience provides significant insight into the reasons why the war was fought and the meaning that the Civil War holds today. An Irrepressible Conflict will be open through September 22, 2013 in Exhibition Hall. Read more

Northeast Open Atlatl Chamionsphip Begins Today

People from all over the northeast begin gathering today at the Chimney Point State Historic Site on Lake Champlain in Addison, Vermont, for this weekend’s annual Open Atlatl Championship. The event is back at Chimney Point after two years at Mount Independence, due to the site’s closure during the Lake Champlain Bridge construction project.

The atlatl is the ancient tool used the world over before the bow and arrow to effectively project darts and spears for hunting. During the bridge project archeology work, a number of projectile points were found here, indicating the atlatl was used historically on the very location of this championship, now in its 17th year. The event is a highlight of September’s Vermont Archaeology Month and is part of the Festival of Nations with the Crown Point, New York, State Historic Site. Come watch or participate in this unusual and interesting event. Competitors range from enthusiasts interested in trying their hand to some of the best in the country. Admission includes the museum with the 2012 exhibit on bridge archeological findings, new exhibits on the 1929 bridge, and shop with books and other items on the area’s Native American, French, and early American history. $3.00 for adults, free for children under 15.

The weekend at Chimney Point features:

Friday, September 21: atlatl workshop with Robert Berg of Thunderbird Atlatl, $65 fee includes materials and instruction, pre-registration required, noon to 5 pm. Berg teaches all over the United States and Europe. Call 802-759-2412 to pre-register.

Saturday, September 22: atlatl competition, from 10:30 until contestants have finished. $5.00 fee for competitors. Girls, boys, women, and men’s categories. All skills and abilities welcome. International Standards Accuracy Competition first, then shooting at painted animal targets to test accuracy, and lastly distance. Demonstrations of Woodland pottery making with Charlie Paquin and atlatl, flintknapping, cordage making and more with Thunderbird atlatl.

Sunday, September 23: small International Standards Accuracy Competition at 10:00, followed by master coaching (approx. 11:00 am). Flintknapping workshop with Charlie Paquin from 10:00 to 3:00—limited slots to participate, pre-registration required, observers welcome.

Saturday afternoon at Crown Point (518-597-4666) offers at the stone outdoor pavilion:

1:30 &#8211 2:30: Va-et-Vient live acoustic concert with Vermont musicians Carol Reed, Suzanne Germain, and George Dunne.

2:30: Clinton Community College Professor David Graham speaks on the French heritage of the United States, particularly New York. Graham was project manager for the second edition of the 2012 book J’aime New York. Book signing follows talk.

The Chimney Point State Historic Site presents the history of the region’s three earliest cultures—Native American, French Colonial, and early American. The site was used by Native Americans for thousands of years, was the location of the 1731 French fort, and the museum is in the c.1785 tavern building. It is located at 8149 VT Route 17W in Addison at the foot of the new Lake Champlain Bridge. The site is open 9:30 to 5:00, Wednesdays through Sundays, with the last day of the season being Columbus Day, October 8. Call 802-759-2412 for information.

For more information about the Vermont State-Owned Historic Sites visit www.historicsites.vermont.gov. Join the Vermont State Historic Sites conversation on Facebook.

Kathleen Hulser: History in 100 Objects

1853 Singer Sewing Machine

Material culture stormed the British airwaves several seasons back when the BBC broadcast &#8220A History of the World in 100 Objects.&#8221 Accompanied by a popular website which actually allows listeners to see images of the objects selected from the world class collections of the British Museum, the series fed an untapped appetite for history in small bites. Neil MacGregor, director of the British Museum observed &#8220Telling history through things is what museums are for.&#8221 Read more