Ogdensburg, Fort La Presentations Founder’s Day Weekend

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Stepping into the past at Founder’s Day Weekend in Ogdensburg, NY July 18-19 is an opportunity for visitors to witness the crafts and trades of our ancestors beyond the activities of the French and Indian War re-enactment. To kick off the weekend, there will be a free concert of colonial music Friday evening in Library Park. Linda Russell, an 18th-century balladeer, will perform courtesy of the St. Lawrence County Arts Council. Ms. Russell will also perform Saturday and Sunday on Lighthouse Point.

After an absence of many years, lace making is returning. In the 1700s, lace was an essential fashion statement on the clothes of well-to-do men and women. Girls learned at an early age to make lace that brought extra income to a family.

New this year is a demonstration bakery. The homey smell of fresh-baked bread usually brings a flood of good memories. A unique part of New France will come to life in the scent and sight of crusty loaves and buns.

The blacksmith and tinsmith are basic to Founder’s Day Weekend. As the blacksmith describes his trade, he will no doubt be hammering, riveting or welding some traditional piece of equipment ordered by a re-enactor. The tinsmith displays lanterns, candlesticks, and tinderboxes once indispensable in a colonial household, and now found in the camps of re-enactors or the homes of collectors.

Collectors, too, may take a fancy to the pottery to be made and sold on site. Jugs, mugs, bowls and other essentials will be turned on the potter’s wheel with an eye to tradition and practicality.

Re-enactors add to their kits and replace lost items by purchasing items at Founder’s Day Weekend. They patronize the sutlers, the canvas-covered vendors that spring up at re-enactments selling just about everything a person from the 18th century or the 21st century may need or fancy.

Vital to the weekend are the re-enactors portraying the French, British and Native troops of the mid 1700s. Their uniforms, arms, camps, drills and battle tactics give substance and color to our history. Re-enactors also spend money in the community, so expect to see them in their colonial garb in the stores and restaurants of Ogdensburg.

The display of antique naval arms and equipment that debuted last year is coming back to round out the riverside aspect of Founder’s Day Weekend. Traditional boats in the navy camp are expected from Quebec, Ontario and New York. The historically accurate bateaux will race Saturday morning and engage in battles on the river Saturday and Sunday afternoon.

The armed boats are likely to join in a cannonade at 8:30 P.M. Saturday evening. The guns of Fort Wellington in Prescott, Ontario will duel with the re-enactors’ artillery on Lighthouse Point. The larger Canadian guns will fire slowly, but there will be rapid fire from the smaller guns on the point. The public will be able to watch from Riverside Park and the marina.

Following the artillery pyrotechnics, a free-admission ball featuring English country dance will be held at the Freight House Restaurant in walking distance of Lighthouse Point. “No dancing experience is required,” said the organizer George Cherepon. “Easy-going dance instructors will teach the steps before playing the music, and they then call the steps as the music plays.”

Founder’s Day Weekend is larger this year as the Fort La Presentation Association prepares to host the final New York State 250th anniversary commemoration of the end of the French and Indian War in 2010. Information about Founder’s Day Weekend can be found at www.fortlapresentation.net.

Photo: French boats armed with swivel guns drive away a British boat while skirmishing off Lighthouse Point during a battle re-enacted on the St. Lawrence River at Founder’s Day Weekend in Ogdensburg.

Home On The Hudson:Women and Men Painting Landscapes 1825-1875

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Boscobel House and Gardens in Garrison, New York (www.boscobel.org) has opened a new exhibition, Home on the Hudson: Women and Men Painting Landscapes, 1825-1875. This is the second major exhibition in the new state-of-the-art exhibition gallery on the lower floor of the historic Boscobel House. The exhibit, open to all visitors to Boscobel, will be on display through September 7.

The term “Hudson River School” is in wide circulation. It references a group of landscape artists who painted the scenery in and around the Hudson Valley in the years from about the 1825 through 1875, and established themselves as America’s first native school of art. Their artistic careers correspond to an historic moment when New York City was emerging as the economic capital of the country and its center for the arts. Although there have been many books and exhibitions about the Hudson River School, this focused exhibition and its accompanying publication promises a fresh perspective integrating the fine and popular arts of the time.

The curator has taken a two-pronged strategy to the exhibit. First, the focus is shifted away from New York City to the homes of the artists and their patrons up the river- maps their country residences, and links them with their local scenery. Second, Home on the Hudson: Women and Men Painting Landscapes, 1825-1875, expands the canon to include women such as Eliza Pratt Greatorex, Julie Hart Beers, and Julia McEntee Dillon, who are generally excluded from consideration.

The objects and materials featured in the exhibition are specimens of work these artists did in the vicinity of their residences. Included are watercolors, prints, and photographs to complement the spectacular and in some cases little seen oil paintings. Hanging side by side, they demonstrate the kinship that existed among the artists. Even when they shared a subject, however, we discover that the pictures have different looks, as each artist gave their own individual stamp of style and approach.

Home on the Hudson includes a map of the river that pinpoints where the artists lived and the motifs they painted from New York City to Albany. A display case and a website offer a look at illustrated guide books that instructed painters in the importance of particular sites, along with 19th century ferry and train schedules. Prints add another important dimension to the exhibit. They were less expensive and therefore more commonly owned by 19th century Americans: art for the middle class. Selections are included from The Hudson River Portfolio which consists of twenty hand-colored aquatints. Such portfolios established the canon of places that the painters followed in their work. The exhibit also features Fanny Palmer, the woman who made more prints for Currier & Ives than any other artist in the firm.

“Home on the Hudson” refers not only to the dwellings of the artists but also to the domestic settings where these landscapes hung and how the paintings functioned within interior spaces. A folding screen is decorated with a view of the river at Albany, a variation on the theme of landscape pictures as decorative objects. Painted china and a range of domestic objects that carried Hudson River imagery from fine arts into the domestic arts are also showcased.

Most exhibitions of Hudson River art are held far from the landscape that gave rise to it, and therefore lack specificity of place. Situated directly on the river just opposite West Point, a frequently painted view, Boscobel gives visitors the opportunity to move from the natural belvedere on the grounds into the galleries to see the scenery portrayed. This is an important opportunity for viewers to compare and contrast physical motif with paintings and prints inspired by the landscape.

The run of Home on the Hudson is perfectly timed to coincide with the 400th Anniversary of Henry Hudson’s discovery &#8211 while sailing in his ship the Half Moon &#8211 of the river that bears his name. Some of the material in the exhibition will manifest this historical event.

The Exhibition Gallery at Boscobel, over 1200 square feet in size, will be open during regular Boscobel hours, Wednesday – Monday, 9:30am-5pm. Admission for House tour, Grounds and the Exhibition Gallery is $16 for adults- $12 for seniors- and $7 for children. Admission for the Grounds and the Exhibition Gallery only is $12, children (6-14) $5. From June 16-September 6 the Exhibition Gallery will remain open until a half hour before curtain time to accommodate attendees at Hudson Valley Shakespeare Festival performances, at a special fee of $5.

Home On The Hudson: Women and Men Painting Landscapes 1825-1875 runs from June 6 through Sept. 7, 2009 at Boscobel House & Gardens, 1601 Route 9D, Garrison, NY. For more information please call 845-265-3638 or visit www.boscobel.org.

Home on the Hudson: Women and Men Painting Landscapes, 1825-1875 has been organized by guest curator Katherine Manthorne, Prof. of Art History, Graduate Center, City University of New York, and students from her Art History Seminar.

Photo: Julie Hart Beers, Hudson River at Croton Point, 1869- Oil on canvas-

Courtesy Hawthorne Fine Art, Collection of Nick Bulzacchelli

Experience War of 1812 Sinking of Hamilton & Scourge

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Thursday, July 16, 2009, at 6 pm, War of 1812 sailor Ned Myers will be telling his lively tale of the sinking of the Hamilton & the Scourge at the Great Lakes Seaway Trail Discovery Center in Sackets Harbor, N.Y. To be completely accurate, an authentically costumed James H. Fischer will relate the story of the famous shipwrecks’ survivor in this presentation for the 2009 Great Lakes Seaway Trail Experience Series. Fischer’s presentation will also include a series of Jacques Cousteau slides of lake bottom vessels.


Seaman Myers lived to tell his story to noted American author James Fenimore Cooper. Fischer, a marine consultant who has studied the underwater history of Lake Ontario for 22 years, draws on Myers’ narrative as told to Cooper for A Life Before the Mast. Fischer shares fascinating details of the moments before a squall surprised captain and crew.

The wrecks of the two merchant ships &#8211 Hamilton, built as Diana in Oswego, NY, and the Scourge, originally Lord Nelson, were discovered in 1973 and are considered to have national historic significance to both the U.S. and Canada.

The $5 program fee benefits educational programming at the Great Lakes Seaway Trail Discovery Center, Ray and West Main Streets, Sackets Harbor, NY. For more information, visit www.seawaytrail.com or call 315-646-1000.

Photo: James H. Fischer in 19th century sailor’s dress is seen below the bust of U.S. merchant ship Diana purchased in Oswego and converted in Sacketts Harbour in 1812 as the US naval warship Hamilton.

Crown Point Pier and Champlain Lighthouse Reopened

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Restoration work on the Crown Point Pier and Champlain Memorial Lighthouse has been completed and both facilities are once again open to the public. Restoration work on the pier included reenforcement of the bulkhead and piers, removal of zebra mussels, refurbishing of the metal trusses and decking, repair of the roof &#8212- including replacement of broken slate shingles, thorough cleaning of exterior and interior surfaces and placement of new signs.

Work on the lighthouse included restoration of the Rodin sculpture, thorough cleaning and repair of outer stonework and thorough cleaning, resealing and painting of the interior. The Rodin sculpture has not been placed back on the lighthouse, but will be prior to the Quadricentennial Celebration in September.

The facilities are located on the shore of Lake Champlain in Essex County on the grounds of DEC Crown Point Public Campground. Other nearby by historic features are the Crown Point Reservation, which includes Fort Crown Point and Fort St. Frederic, the Crown Point Bridge and the Toll Keeper’s House.

The Lake Champlain Quadricentennial celebrates the 400th anniversary of the French explorer Samuel de Champlain’s 1609 sighting of the lake that now bears his name. Champlain is noted as the first European to have recorded his exploration of the lake and the surrounding region.

While celebrations and events will occur throughout the summer, New York’s premier Quadricentennial Celebration will be hosted at the DEC Crown Point Campground and the OPHRP Crown Point Reservation on September 18-20. New York will celebrate the role that Lake Champlain and the Champlain Valley played in the history of our country and the state, and the natural wonders and recreational opportunities of the lake.

The Crown Point steamboat pier was constructed in 1929, serving as a point of embarkation and disembarkation passengers accessing Crown Point from one of the many large steamboats that plied up and down Lake Champlain during that era.

The Champlain Memorial Lighthouse was originally constructed in 1858 and the surrounding land was acquired in 1910 by the New York State Conservation Department &#8211 predecessor to the DEC. In 1912, the States of New York and Vermont and the Province of Quebec worked together to reconstruct the lighthouse as a monument to Samuel de Champlain, in recognition of the 300th anniversary of his explorations.

The Champlain Memorial Lighthouse, the Crown Point Pier and the Toll Keepers House are eligible for listing in the State and National Registers of Historic Places. The entire Crown Point Reservation is also a National Historic Landmark.

Explorers, Fortunes and Love Letters: A Window on New Netherland

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In 1609 the sailors aboard Henry Hudson’s ship the Half Moon laid their eyes upon the entrance to what would come to be known as the Hudson River, and within 15 years the Dutch began to settle the newly discovered land, creating the colony of Explorers, Fortunes and Love Letters: A Window on New Netherland (Mount Ida Press, 2009) is a compilation of new essays that together explore the fascinating story of this diverse and enterprising colony and its enduring cultural impact.

Join contributors to the book at the Museum of the City of New York on Tuesday, July 14, at 6:30 PM for a discussion moderated by Charles Th. Gehring, Ph.D., Director of the New Netherland Project and the translator of the 17th-century Dutch documents that have opened the world of New Netherland to the 21st century. Participants will include Noah L. Gelfand, Peter G. Rose, and David Voorhees, Managing Editor of de Halve Maen and Director of the Papers of Jacob Leisler Project at NYU

RESERVATIONS REQUIRED: $12 Non-Members, $8 Seniors and Students, $6 Museum Members (including NNI members). A two dollar surcharge applies for unreserved, walk-in participants. For reservations and information please call 212.534.1672, ext. 3395.

This event is presented in conjunction with the exhibition Amsterdam/New Amsterdam: The Worlds of Henry Hudson (through September 27). To mark the anniversary of Henry Hudson’s 1609 voyage to the area now called New York , Amsterdam/New Amsterdam investigates the epic journey and the transatlantic links it set in motion. The exhibition explores the colony of New Amsterdam as it evolved under the wing of the dynamic city of Amsterdam during the Dutch Golden Age. It reveals the character of the young settlement’s economy, culture, politics, and built environment through rare 17th-century paintings, maps, navigational instruments, documents, Native American artifacts, household objects,and archaeological remnants of daily life in New Amsterdam .

Presented in partnership with the Nederlands Scheepvaartmuseum Amsterdam and the New Netherland Project.

Another Setback for Rensselaer Co. Historical Society

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The Albany Times Union is reporting today that the beleaguered Rensselaer County Historical Society (RCHS) is losing the interim executive director, Rachel Tooker, less then six months after she took the post. Members of the organization, including Renssealer County Historian Kathy Sheehan, (who also serves as the society’s Registrar) touted her as the leadership necessary to steer the non-profit back to solvency. She will be moving to California where her partner has taken a museum job.

In March, RCHS sent an e-mail warning of dire consequences for the society: &#8220What may have seemed &#8211 even ten years ago &#8211 a reasonable endowment with sustainable cash reserves has now dwindled to the point where we are no longer able to pay our bills. Without an immediate and substantial infusion of funds (upwards of $150,000), it appears that we will be required to close our doors while we work to implement a prudent fiscal strategy.&#8221 No communication with members, supporters, or the press suggested Tooker would be leaving before the Times Union’s report today.

According to the Times Union, &#8220Tooker said the historical society has charted a new course that will help it correct its financial difficulties. The New York Council of Nonprofits will provide managerial leadership for the historical society.&#8221

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This Weeks Top New York History News

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Weekly New York History Blogging Round-up

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Adk Museum Presents The Adirondack Mining Village

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Mining was once a major industry in northern New York State. Small iron mines and forges appeared along Lake Champlain in the late 1700s. In the 1820s, the industry began to grow rapidly, reaching its peak in the mid-to-late 1800s. The story of mining is much more than minerals found and ores extracted. This Monday, July 13, 2009 Dr. Carol Burke will explore human aspects of Adirondack mining in an illustrated program entitled &#8220The Adirondack Mining Village&#8221 at the Adirondack Museum at Blue Mountain Lake, New York.

Part of the museum’s popular Monday Evening Lecture series, the presentation will be held in the Auditorium at 7:30 p.m. There is no charge for museum members. Admission is $5.00 for non-members.

Burke’s presentation reflects an ongoing project that documents accounts of the daily lives or ordinary people who lived and worked in the now abandoned mining villages of Tahawus and nearby Adirondac (known in the 1950s as &#8220The Upper Works&#8221). Dr. Burke will share photographs and recollections of everyday life in these former company towns.

Carol Burke, a Professor at the University of California at Irvine, is a folklorist and journalist whose ethnographic work has produced books that document the lives of Midwestern farm families, female inmates in our nation’s prisons, and most recently, members of the armed services. Six months ago she was embedded with an army unit in northern Iraq.

Dr. Burke spends her summers in the Adirondacks and is currently documenting the everyday life of the once-flourishing mining village of Tahawus. Before joining the faculty at the University of California at Irvine, Professor Burke taught at Vanderbilt University, Johns Hopkins University, and the United States Naval Academy.

The broad story of mining in the Adirondacks is one of fortunes made and lost, of suicide, madness, and ambition, and the opening of one of America’s last frontiers. Mining shaped the physical and cultural landscape of the Adirondack Park for generations. The Adirondack Museum plans to open the completely revitalized exhibit &#8220Mining in the Adirondacks&#8221 in 2012 to share this incredible history.

Photo: Adirondack Village, Near the Upper Works. From Benson J. Lossing’s The Hudson, from the Wilderness to the Sea, 1859.

Underground Railroad Educational and Cultural Grants

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The purpose of the Underground Railroad Educational and Cultural (URR) Program is to help preserve the Underground Railroad’s legacy and to help demonstrate how the Underground Railroad’s widespread operations network transformed our Nation. In addition, the URR also promotes the formation of public- private partnerships to help disseminate information regarding the Underground Railroad throughout the United States, including lessons to be drawn from the history of the Underground Railroad. Applications are due by July 30, 2009.

Eligible Applicants: Nonprofit educational organizations that are established to research, display, interpret, and collect artifacts relating to the history of the Underground Railroad. Other: Each nonprofit educational organization awarded a grant under this competition must create an endowment to fund any and all shortfalls in the costs of the on-going operations of the facility.

Grantees must establish a network of satellite centers throughout the United States to help disseminate information regarding the Underground Railroad. These satellite centers must raise 80 percent of the funds required to establish the satellite centers from non-Federal public and private sources. In addition, grantees must establish the capability to electronically link the facility with other local and regional facilities that have collections and programs that interpret the history of the Underground Railroad.

Applications for grants under the Underground Railroad Educational and Cultural Program&#8211CFDA number 84.345A&#8211must be submitted electronically using e-Application, accessible through the Department’s e-Grants Web site at: http://e-grants.ed.gov/. While completing your electronic application, you will be entering data online that will be saved into a database. You may not e-mail an electronic copy of a grant application to us.

As part of the application process, applicants will be required to document their ability to create an endowment, establish satellite centers, and establish the electronic capability described above. For specific requirements on reporting, please go to Reporting Forms

Document Type: Grants Notice
Funding Opportunity Number: ED-GRANTS-061509-001
Opportunity Category: Discretionary
Posted Date: Jun 15, 2009
Creation Date: Jun 15, 2009
Original Closing Date for Applications: Jul 30, 2009
Current Closing Date for Applications: Jul 30, 2009 Applications Available: June 15, 2009. Deadline for Transmittal of Applications: July 30, 2009.
Archive Date: Aug 29, 2009
Funding Instrument Type: Grant
Category of Funding Activity: Education
Category Explanation:
Expected Number of Awards: 2
Estimated Total Program Funding: $1,945,000
Award Ceiling:
Award Floor:
CFDA Number(s): 84.345 &#8212- Underground Railroad Educational and Cultural Program
Cost Sharing or Matching Requirement: Yes

Full Announcement [pdf]