Documenting the Birthplace of Mathew Brady

What follows is a guest essay by Glenn L. Pearsall who recently confirmed the birthplace of Civil War photographer Mathew Brady in Warren County, NY. The essay originally appeared in the Warren County Historical Society newsletter.

On November 10, 2011 the Town of Johnsburg Historical Society commemorated the birthplace of famed Civil War photographer Mathew Brady. They had a cast iron historic marker made and placed at the entrance of the C. Ernest Noxon Community Center in Wevertown, Warren County, NY. Brady was born in Johnsburg Township about 4 miles south of Wevertown in 1822 or 1823. A story of that dedication ceremony was featured in the Glens Falls Post Star and then picked up by the Associated Press. From there the story was distributed nationally and online versions of the story appeared across the country including the Wall Street Journal, New York Daily News and the New York Times.

The research into documenting Brady birthplace in Johnsburg began in 2006 and reads like a detective story or an episode of the PBS show “History Detectives”.

Mathew (only one “t”) Brady was an internationally known figure and much of what we know of the Civil War and famous leaders of the 19th Century comes from his photographs. Mathew Brady’s photographs of the dead at the battle of Antietam, featured in his New York City Gallery on October 1862, brought home to America for the first time the true horror of the Civil War. His corps of photographers documented that war with tens of thousands of photographs. His February 9, 1864 picture of Abraham Lincoln was featured on the U.S. $5 bill since 1928 and when that bill was re-designed in March of 2008 a new picture of Lincoln was used, taken by Brady that same day in 1864. Although most famous for his Civil War work, Brady’s Gallery of Illustrious Americans featured luminaries from Andrew Jackson to Andrew Carnegie. Brady’s work helped record and preserve American history, and yet, until just recently, the birthplace of this famous American remained a mystery.

Mathew Brady’s personal letters indicate that he was born north of Lake George, NY of “poor Irish immigrant parents”. Most Brady biographies are silent as to his exact place of birth. Others list his birthplace as Lake George, or just Warren County, New York. Local folklore here in the southeastern Adirondacks has said for years that he was born in Johnsburg, NY, but there was no documentation to substantiate that claim.

In 2006 I began research for my first book Echoes in These Mountains: Historic Sites and Stories Disappearing in Johnsburg, An Adirondack Community (Pyramid Press, 2008, recipient of a “Letter of Commendation” from the 35 county Upstate History Alliance in 2009). In writing that book I took on the challenge to try to actually document the place of Brady’s birth.

The Federal Census in the early 1800s does not include the names of children. I began, therefore, with Mathew Brady’s father. It is commonly acknowledged that Mathew Brady died in New York City January 15, 1896. With his name and date and place of death it was easy to obtain a certified copy of Mathew Brady’s death certificate from the New York City Dept of Health (New York City Death Certificate #1746). That certificate lists his father as Andrew and mother as Julia. The death certificate notes his place of birth only as “U.S.”.

An inspection of the 1830 Federal Census of towns north of Lake George indicated that the only Andrew Brady listed was in the Census for the Town of Johnsburgh (then spelled with a “h”). That census lists Andrew Brady with 5 children- three boys and two girls. Two of those boys are listed in that 1830 census between the ages 5 to 10. Most sources list Mathew Brady as being born in 1822 or 1823 so he would have been 7 or 8 in 1830. The only reference to an exact date of birth is on www.NNDB.com which lists his date of birth as January 15, 1823, but there is no documentation listed for this and the exact date of January 15th may be confused with his date of death on January 15, 1896, 72 years later).

The next challenge was to determine exactly where he might have been born. In the early 1980s I had visited regularly with Lewis Waddell, then Town of Johnsburg Historian (now long since deceased). Lewis had told me about where the old foundation site was, but we never got around to visiting it together so I was not sure of its exact location. In the Johnsburg Historical Society files, however, I found a sketch that Lewis Waddell had made as to the location of the foundation. It was not to scale, however, so it took some exploring. Bushwhacking around the base of Gage Mountain my wife Carol and son Adam and I located the old road that went from the Glen to Wevertown (the road was later straightened and is now NYS RT 28). Referencing the other foundations along that old road that Waddell had sketched in, we located what I believe to be the foundation of the house where Mathew Brady was born in 1822 or 1823.

The actual site of Brady’s birthplace lies 4.1 miles south of Wevertown off of NYS Rt 28. The house foundation lies about 275 yards off the west side of the road (GPS N 63 degrees 36’00.6”x W 73 degrees 52’44.4”) on private property.

It has been written that Brady left the area at age 16 (in 1838 or 1839). Some sources indicate that his first stop was Saratoga Springs, N.Y. where he met famed portrait painter William Page. Brady became Page’s student and in 1839 the two of them travelled to Albany, N.Y. In 1844 they continued south to New York City where Brady’s instructions were supplemented under the tutelage of Samuel F. B. Morse (portrait painter and inventor of the single wire telegraph system). Morse was enthusiastic about the new art of capturing images through daguerreotype having met Louis Jacques Daguerre in Paris in 1839. Soon Brady was also excited about the new process and established his first photographic studio at the corner of Broadway and Fulton Street. In 1849 he established a studio in Washington D.C. so that he could photograph the famous men of his time there.

In 1896, depressed by the death of his wife Juliet (“Julia” Handy) 9 years earlier and suffering from alcoholism and loneliness, Mathew Brady died in the charity ward of the Presbyterian Hospital in New York City. Penniless at the time of his death, his funeral was paid for by veterans of the famous 7th New York Volunteer Infantry. He is buried in Congressional Cemetery in Washington, D.C.

Photos: Above, Glenn Pearsall at the re-discovered Mathew Brady foundation in Johnsburg- middle, a hand drawn map by former Town of Johnsburg Historian Lewis Waddell showing the possible location of the Brady homestead (not to scale)- below, the newly installed historic marker in nearby Wevertown, NY. (Photos courtesy Glenn Pearsall).

Womens Rights NHP Showing Top Secret Rosies

Women’s Rights National Historical Park will show the documentary film Top Secret Rosies this Friday and Saturday, March 30 and 31, at 12:00 noon.

Top Secret Rosies documents the lives of the female mathematicians who designed ballistics tables and programmed computers for the United States Army during World War II. This film is 60 minutes long.

The film is being shown as part of Women’s Rights National Historical Park’s first Winter Film Festival. The park exists to commemorate and preserve the events of the First Women’s Rights Convention that was held in Seneca Falls in 1848. &#8220We are proud to be part of the National Park system, and we invite everyone to join us in celebrating our shared history and culture through film,&#8221 said Superintendent Tammy Duchesne.

The park is also showing the film as part of its celebration of Women’s History Month in March. &#8220We are inspired by the courage of Elizabeth Cady Stanton, Susan B. Anthony, and countless other women and men who struggled for equal rights in this country,&#8221 said Duchesne. &#8220Their stories continue to resonate with people across the globe.&#8221

Top Secret Rosies is approximately 60 minutes long and intended for a general audience. All Winter Film Festival movies will be shown at 12:00 noon on Fridays and Saturdays, November through April, in the Guntzel Theater, located at the Women’s Rights National Historical Park Visitor Center at 136 Fall Street in downtown Seneca Falls. Because film lengths vary, visitors are encouraged to call if they are interested in a particular showing. All park programs are free and open to the public. For more information, please visit call 315.568.0024.

You can also follow the park’s social media sites for Facebook and Twitter to learn more about their upcoming events and programs.

William Kennedy’s Prohibition Story:An Interview with Exec Producer Dan Swinton

The passage of the Volstead Act and prohibition against intoxicating liquor caused a profound change in American culture by breaking the traditional mold of heroes and anti-heroes. Popular media has romanticized the anti-hero “gangster” role, and some of the greatest actors of the movie-making era have portrayed names like Al Capone, “Bugs” Moran, “Bugsy” Siegal and “Machine Gun” Kelly on the silver screen. In many instances, thugs, authorities and officials become the puppets of the crime boss, or the authorities become as violent as the criminals do.
Read more

Washington Irving Film Screening, Benefit

washington irvingKaren Kelleher, a writer and filmmaker currently finishing a documentary about Washington Irving’s literary journey is holding a screening and seeking your support at the Warner Library, in Tarrytown, Thursday November 10th. Kelleher discovered that no film on Washington Irving (1783-1859) existed, the man widely hailed by some as the founding visionary of authorship in the United States. She was inspired by this omission to direct her documentary on Irving and believes that her film will change the impression of Irving as both an author of not just “Sleepy Hollow” but also all of his works especially those works produced in Spain “The Life of Christopher Columbus,” “The Civil Wars of Granada,” and “Tales of the Alhambra.”

The Dutch legacy is one that includes diverse cultures and Irving did not miss the opportunity to explore foreign lands. Irving is the first American writer who authored so many popular storybooks, biographies and historical volumes that bookshops, printers and publishers could establish profitable businesses in New York City and Westchester and thus the industry was partly founded on Irving’s personal genius and creative contributions.

Washington Irving also operated with incredible personal integrity and his long friendship with John Jacob Aster is explored in specific consideration of Irving’s unique appointment as a trustee of Astor’s last will. The current version of the film meets many of the objectives projected thus far. The additional funds are hoped to enable one more shoot date with two authors who agree to read a story from “Tales of the Alhambra” and discuss how this story impacts America’s literary tradition and why it is important include “Tales of the Alhambra” in courses and school programs on Washington Irving. Washington Irving produced more works while living in Spain that any other nation.

Interviews Kelleher has completed so far include Kathleen Eagen Johnson, Curator at Sunnyside and author of Washington Irving’s Sunnyside and Visions of Washington Irving: Selected Works from the Collection of Historic Hudson Valley; Washington “Rip” Irving III, poet and adjunct professor at Salve Regina University – as well as a descendant of the 19th century author Washington Irving; John ‘Jock’ Elliott, who has died aged 84 in 2005, was arguably one of the most significant advertising account managers of the 20th century and an expert on Washington Irving’s literary influence upon the modern Christmas holiday; Andrew Burstein, Charles Phelps Manship Professor, History Professor at Louisiana State University and author of The Original Knickerbocker: The Life of Washington Irving; Maria del Mar Villafranca, Director of the Patronato of the Alhambra. Karen Kelleher has developed and produced feature films and television programs for Paramount Pictures, Miramax Films, A&E Networks and PBS.

Photo: Daguerreotype of Washington Irving.

Historic Saranac Lake to Hold Annual Meeting

Historic Saranac Lake will hold its Annual Meeting on November 1 at 7:00 PM, in the John Black Room of the Saranac Laboratory Museum in Saranac Lake. The meeting will feature a presentation of historic films by Jim Griebsch, featuring newly digitized footage of the Trudeau Sanitorium in 1929. The Kollecker film footage is shown courtesy of the Adirondack Room of the Saranac Lake Free Library.

An independent film and video director, Jim has spent time digitizing, restoring and editing 16mm spools of film from the 1920’s through the early 60‘s which have been archived in the Saranac Lake Free Library’s Adirondack Room.

Born in Saranac Lake, Jim is an award winning producer, director and director of photography with numerous film, television and interactive credits to his name during his 40+ year career. He co-founded and owned Heliotrope Studios Ltd., in Cambridge, Mass. He worked on the feature film Cold River in Saranac Lake. His work has taken him around the world. Jim and his wife Carol have returned to Saranac Lake to live and as he continues to travel to Boston to work with MediaElectric Inc., on a variety of projects.

Jim Griebsch recently joined the Board of Directors of Historic Saranac Lake. In its 31st year, Historic Saranac Lake is an architectural preservation organization that captures and presents local history from its center at the Saranac Laboratory Museum.

The meeting is open to all members of Historic Saranac Lake and the public at large. Light refreshments will be served. For more information, please contact Historic Saranac Lake at (518) 891-4606.

New York Photo League Exhibit Slated

Drawing on the depth of two great Photo League museum collections, The Jewish Museum in New York City and the Columbus Museum of Art in Ohio are collaborating on an exhibition of over 140 vintage photographs. The Radical Camera: New York’s Photo League, 1936-1951, a formidable survey of the group’s history, its artistic significance, and its cultural, social and political milieu, will premiere at The Jewish Museum from November 4, 2011 through March 25, 2012. The Radical Camera exhibition will then travel to the Columbus Museum of Art, Columbus, OH (April 19 &#8211 September 9, 2012)- the Contemporary Jewish Museum, San Francisco, CA (October 11, 2012 &#8211 January 21, 2013)- and Norton Museum of Art, West Palm Beach, FL (February 9 &#8211 April 21, 2013).

Artists in the Photo League were known for capturing sharply revealing, compelling moments from everyday life. Their focus centered on New York City and its vibrant streets &#8211 a shoeshine boy, a brass band on a bustling corner, a crowded beach at Coney Island. Many of the images are beautiful, yet harbor strong social commentary on issues of class, child labor, and opportunity. The Radical Camera exhibition explores the fascinating blend of aesthetics and social activism at the heart of the Photo League.

The innovative contributions of the Photo League during its 15-year existence (1936-1951) were significant. As it grew, the League would mirror monumental shifts in the world starting with the Depression, through World War II and ending with the Red Scare. Born of the worker’s movement, the Photo League was an organization of young, idealistic photographers who believed in documentary photography as an expressive medium and powerful tool for exposing social problems. It was also a school with teachers such as Sid Grossman, who encouraged students to take their cameras to the streets and discover the meaning of their work as well as their relationship to it. The League had a darkroom for printing, published an acclaimed newsletter called Photo Notes, offered exhibition space, and was a place to socialize, especially among first-generation Jewish-Americans.

The first museum exhibition in three decades to comprehensively look at the Photo League, The Radical Camera reveals that the League encouraged a surprisingly broad spectrum of work throughout extraordinarily turbulent times. The organization’s members included some of the most noted photographers of the mid-20th century &#8211 W. Eugene Smith, Weegee, Lisette Model, Berenice Abbott and Aaron Siskind, to name a few. The Photo League helped validate photography as a fine art, presenting student work and guest exhibitions by established photographers like Eugene Atget, Henri Cartier-Bresson, and Edward Weston, among others.

These affecting black and white photographs show life as it was lived mostly on the streets, sidewalks and subways of New York. Joy, playfulness and caprice as well as poverty and hardship are in evidence. In addition to their urban focus, Leaguers photographed in rural America, and during World War II, in Latin America and Europe. The exhibition also addresses the active participation of women who found rare access and recognition at the League.

The Radical Camera presents the League within a critical, historical context. Developments in photojournalism were catalyzing a new information era in which photo essays were appearing for the first time in magazines such as Life and Look. As time went on, its social documentary roots evolved toward a more experimental approach, laying the foundation for the next generation of street photographers. One of the principal themes of the exhibition is how the League fostered a multifaceted and changing identity of documentary photography. &#8220A mixture of passion and disillusionment characterizes the Photo League’s growth, which led photographers away from objective documentary images and toward more subjective, poetic readings of life,&#8221 said Mason Klein, exhibition co-curator and a curator at The Jewish Museum. &#8220The tenets of truth in documentary photography laid down by League members were also challenged by them and ultimately upended by members of the New York School,&#8221 he added. Catherine Evans, exhibition co-curator and a curator of photography at the Columbus Museum of Art, observed that &#8220This museum partnership is an extraordinary opportunity to showcase two in-depth collections. Because the images continue to have relevance today, it is especially important that the exhibition will be seen in four U.S. cities, reaching as broad an audience as possible.&#8221

In 1947, the League came under the pall of McCarthyism and was blacklisted for its alleged involvement with the Communist Party. Ironically, the Photo League had just begun a national campaign to broaden its base as a &#8220Center for American Photography.&#8221 Despite the support of Ansel Adams, Beaumont and Nancy Newhall, Paul Strand and many other national figures, this vision of a national photography center could not overcome the Red Scare. As paranoia and fear spread, the Photo League was forced to disband in 1951.

The exhibition has been organized by Mason Klein, Curator of Fine Arts, The Jewish Museum, and Catherine Evans, William and Sarah Ross Soter Curator of Photography, Columbus Museum of Art.

Photo: Sid Grossman, Coney Island, c. 1947, gelatin silver print. The Jewish Museum, New York. Courtesy Howard Greenberg Gallery.

NY Suffrage Writer Hits PBS in September

Writer Louise Bernikow uncovers the long Suffrage Campaign in New York City, a place she says &#8220where the urban landscape became a prop for incomparable political spectacle. The Statue of Liberty, the transit system, Fifth Avenue, Wall Street, parks and streetcorners&#8211 all became venues for a complicated, shifting alliance across lines of race and class, ending in a historic victory in 1917.&#8221 Read more

State Capitol Fire of 1911 Commemoration

In the early morning hours of March 29, 1911, a fire broke out in the New York State Capitol at Albany. By sunset, the vast collection of the New York State Library, then housed in the Capitol, had been reduced to ashes.

To commemorate the centennial of the fire, coauthors Paul Mercer and Vicki Weiss, both of the New York State Library, have published The New York State Capitol and the Great Fire of 1911 (Arcadia Press, 2011) including rare images and documents from the special collections of the modern library, which arose from the ruins of the 1911 fire.

The public is invited join Executive Deputy Chief Warren Abriel of the Albany Fire Department to mark the 100th Anniversary of this historic event on Tuesday, March 29, from 6:00 to 8:00 p.m. at the University Club of Albany. The reception will feature light fare and cash bar, and authors Mercer and Weiss will discuss and sign the book. Royalties from book sales benefit the Friends of the New York State Library.

The event will also feature a preview of a documentary set to air on March 31 on WMHT, The New York Capitol Fire. Robert Altman, President and CEO of WMHT Educational Communications, will introduce a clip of the video, which draws on interviews, archival materials and reenactments. This WMHT documentary was created in collaboration with the New York State Museum, the New York State Archives, the Albany Institute, the New York State Library, the City of Albany and the Commission on the Restoration of the Capitol.

The cost for the reception, book signing and video preview is $20 per person. Reservations are required and may be made by calling the University Club at (518) 463-1151.

A portion of the proceeds from this event benefit the University Club Foundation, formed to recognize and maintain the unique historic and architectural significance of the University Club building and property, its historic neighborhood and the city of Albany, where it has been located since its inception in 1901.

Support for educational programming presented by the University Club of Albany Foundation, Inc. is provided by AT&T.

Photo: Fire-destroyed reading room in State Capitol, Albany, NY, 1911. Courtesy New York State Archives.

Cayuga Museum Film Fest Seeks Entrants

The 2011 Theodore Case Film Festival seeks entrants. Auburn’s only home-grown film festival honors the work of sound film pioneer Theodore Case and his Case Research Laboratory. Its mission is to further the experimental legacy of the Case Lab by promoting original visual media in Central New York. Festival organizers are actively seeking entries, spreading the word in movie houses, colleges, high schools and middle schools throughout Central New York. The work of area student and adult filmmakers will be screened at the Auburn Public Theater on June 10 and 11. The theater is on Genesee Street in downtown Auburn, the city which is proud to proclaim itself “The Birthplace of Talking Movies.”

Central New York residents are invited to submit their recent work (post January 2009) of thirty minutes or less. Entries should be on DVD. Entry forms may be picked up at the Cayuga Museum, 203 Genesee St., in Auburn, or downloaded from either the Theodore Case Film Festival’s website or the Museum’s website. Work in all genres is welcome and there is no entry fee. Deadline for entries is May 2, 2011.

Two Short Films Celebrate IBMs Centennial

The international corporation IBM, based in Armonk, Westchester County, is celebrating it’s 100th Anniversary this year. The company was founded in 1911 as the Computing Tabulating Recording Corporation, following a merger of the Computer Scale Company of America and the International Time Recording Company with the Tabulating Machine Company. The conglomerate adopted the name International Business Machines in 1924, a name the company had used in Canada.

A recently produced video to celebrate their centennial anniversary, 100&#215-100, tells IBM’s history through the eyes of 100 different individuals beginning with a 100-year-old and ending with a newborn baby. The video has been posted to YouTube.

A second IBM film was directed by famed documentation Errol Morris. The 30-minute documentary, They Were There was scored by Philip Glass and chronicles many of the influential people involved at IBM throughout its history.

Illustration: The original IBM Logo. Courtesy Wikipedia.