Cultural History

VT Seeks Candidates For Native American Commission

admin

A new law that sets up a process for state recognition of Native American tribes in Vermont has revised the makeup of the Vermont Commission on Native American Affairs and has that panel seeking nine new members.

The law, also known as S222, increased the number of members on the VCNAA from seven to nine, and also imposes a Vermont residency requirement for the first time.

“This law establishes a completely new Native American Commission with new responsibilities,” said Giovanna Peebles, State Historic Preservation Officer and director of the Vermont Division for Historic Preservation.

Governor Jim Douglas will be appointing 9 new members to the VCNAA by September 1, provided that a sufficient number of qualified candidates have submitted applications to the Governor.

The new law requires that eligible applicants must have lived in Vermont for a minimum of three years and that appointments should “reflect a diversity of affiliations and geographic locations in Vermont.”

The division will compile a list of candidates from recommendations from Native American communities residing in Vermont. Individuals may also apply to the Division.

All applications will be due at the Vermont Division for Historic Preservation by August 15, 2010.

The VCNAA will implement the new process, as set forth by the Vermont legislature, for recognizing Native American tribes in Vermont that includes review by the commission, an independent review committee of experts, and approval by the legislature.

Applications for appointment to the Vermont Commission on Native American Affairs will be available on-line July 22, 2010, at the Vermont Division for Historic Preservation website: www.historicvermont.org or the VCNAA website: http://vcnaa.vermont.gov/.

A full-text review of S222 can be found online [pdf].

History of American Musical Theater Program

admin

The Franklin County Historical & Museum Society presents &#8220America’s Song: A History of American Musical Theater in Word and Music,&#8221 a collaboration between Drew Benware and members of the Ithaca College School of Music, on Tuesday, July 13, 2010 at 7 pm. Admission is $10.00 per person, to benefit the Franklin County Historical Society. The program of toe-tapping favorites will be held in the Bobcat Cafe in the Joan Weill Student Center at Paul Smith’s College.

Drew Benware is a native of the North Country, having grown up in Malone, New York. Upon graduation from Franklin Academy, he enrolled at the Ithaca College School of Music where he received a degree in Music Education with a concentration on Trumpet in 2003. For the next three years, Drew served as the Director of Instrumental Music at Saranac Lake High School where he worked with the Concert Band, Jazz Ensemble, Pep Band, Parade Band, and annual Musical Theater Productions. Drew returned to Ithaca College to pursue a Master of Music degree in Choral Conducting, working with the renowned Larry Doebler and Janet Galvan. Among the high points of this period was a performance of Verdi’s &#8220Requiem&#8221 at Alice Tully Hall in Lincoln Center in New York City. Drew’s choral degree was put to use during the 2008-9 academic year during which he served as Director of Choral Activities at the Peru Middle/High School. Since that
time, he has been on the faculty at the Ithaca College School of Music as an Assistant Professor of Music Education, instructing courses in woodwind and brass techniques, instrumental conducting, wind instrument pedagogy, and acting as supervisor to both Junior and Senior level teachers. Drew also works closely with the nationally acclaimed Ithaca College Department of Theatre Arts, serving as faculty accompanist for the Musical Theater Workshop and performing in Pit Ensembles. Drew continues to serve as an active pianist, performing as music minister at All Saints’ Church in Lansing and as a frequent artist-collaborator including the 2009 Saranac Lake First Night Celebration. He
is active as a singer also, performing with the Saranac Lake Madrigal Singers and the Cayuga Vocal Ensemble, Ithaca’s only professional choir. He has provided musical direction or pit performances for several works of Musical Theater, among them &#8220Children of Eden,&#8221 &#8220Parade,&#8221 &#8220A Little Night Music,&#8221 &#8220Once On This Island,&#8221 &#8220The Music Man,&#8221 and &#8220Les Miserables.&#8221

The program will also feature performers from the Ithaca College School of Music and Department of Theatre Arts.

&#8220America’s Song&#8221 is co-sponsored by The Franklin County Historical & Museum Society and Paul Smith’s College. The Franklin County Historical & Museum Society, founded in 1903, preserves the history of Franklin County, NY through its House of History Museum and Schryer Center for Historical & Genealogical Reseach, located in Malone. It is supported by membership dues and donations, grants, and municipal support. Paul Smith’s College, the College of the Adirondacks is the only four-year private college in the Adirondack Park and is commited to experiential, hands-on learning.

For more information, please contact Anne Werley Smallman at 518-483-2750. Visit the Paul Smith’s College website for directions.

Last Call: The Rise and Fall of Prohibition

admin

During Prohibition my grandfather’s brother Denis Warren, a veteran of some of the bloodiest American battles of World War One, was left for dead on the side of Route 9N south of Port Henry on Lake Champlain. He was in the second of two cars of friends returning from Montreal with a small supply of beer. Going through Port Henry local customs agents gave chase and the car he was in hit a rock cut and he was badly injured in the accident. Figuring his was dead, or nearly so, and worried he would go to prison, one of Denis’s best friends rolled him under the guardrail, climbed into the other car, and sped off.

Joe Kennedy, never really enthusiastic about World War One, spent the war as an assistant general-manager of Bethlehem Steel and used the opportunity to buddy up to Franklin D. Roosevelt who was then Assistant Secretary of the Navy. During Prohibition Kennedy went to England and with the help of FDR’s eldest son James Roosevelt secured the exclusive American rights for Gordon’s Dry Gin and Dewar’s Scotch. Contrary to rumors, Kennedy wasn’t a bootlegger, he imported his British booze legally under a permit to distribute medical alcohol. Kennedy was of course, the father of John F. Kennedy.

The story of these two Irish-Americans serves as a kind of microcosm of the story of Prohibition, when all of America seemed upside down. &#8220In almost every respect imaginable, Prohibition was a failure,&#8221 Daniel Okrent writes in Last Call: The Rise and Fall of Prohibition. &#8220It deprived the government of revenue, stripped the gears of the political system, and imposed profound limitations on individual rights. It fostered a culture of bribery, blackmail, and official corruption. It also maimed and murdered, its excesses apparent in deaths by poison, by the brutality of ill-trained, improperly supervised enforcement officers, and by unfortunate proximity to mob gun battles.&#8221

The medical exemption to Prohibition, along with the sacramental wine exemption, and the fruit exemption for homemade wine and cider, meant that Prohibition was fairly doomed from the start according to Okrent. In fact it’s a wonder that Prohibition even got started. In the late nineteenth century drinking was at an all time high, a central part of American life. But immigration was also at an all time high, along with the Protestant Christian reformers, xenophobia, and racism. An unlikely alliance emerged to battle &#8220Demon Rum&#8221 that included racists (including the Klan), progressives, suffragists, and populists.

Okrent lays out the story of this coalition in a readable way, avoiding much of the political minutiae, while still illuminating the personalities &#8211 people like Mother Thompson, Frances Willard, axe-wielding Carry Nation, bible-thumping Billy Sunday, William Jennings Bryan (who helped bring the Democratic party on board), Wayne Wheeler (the long-forgotten man considered the father of Prohibition), and Mabel Willebrandt (the Assistant US Attorney General despised by the nation’s drinkers).

The usual suspects are all here: the rise of organized crime from scattered minor street gangs, the rum runners contributions to boat design, the rise of Sam Bronfman’s Seagrams empire. The most interesting parts of the book however, detail how leading suffragists sought the vote after being denied leadership positions in the temperance movement and then used that vote to secure first the income tax (considered crucial to weaning the government off the alcohol excise tax teet) and finally Prohibition. Okrent also clearly presents the brewers’ failure to band together with the distillers, and their lack of action against the Prohibitionist until it was too late. Mostly German-Americans, World War One sealed their fates.

Also illuminating is Okrent’s telling of how the Eighteenth Amendment, which along with the Thirteenth Amendment outlawing slavery is the only constitutional amendment to deal with personal property and the only one to have been repealed, came to be reversed. Last Call chalks it up to a few primary factors. The ease of access to booze which was no longer regulated, and so could be found everywhere, not just at bars (the old joke went &#8220Remember before Prohibition? When you couldn’t get a drink on Sunday?&#8221). The presidential campaign of solidly wet New York Governor Al Smith (defeated by mostly dry anti-Catholics) that changed the political mood of the country’s immigrants [video]. The Great Depression, and the need for the billions in excise tax (which helped fund the New Deal) that gave Repeal a push. But the biggest factor was perhaps the right-wing wealthy anti-tax (and future anti-Roosevelt) Pierre S. DuPont who believed so profoundly that Repeal would mean an elimination of the income tax that he bankrolled the fight himself. Fundamentally though, it was the Democratic title-wave that swept FDR into office [music] that changed the make-up of the Congress that allowed the crucial Repeal vote.

Okrent avoids the obvious comparisons to today’s Drug War, but even the causal reader, can’t miss them. The seemingly limitless supply, the institutionalized hypocrisy of legal tobacco and alcohol while pot smokers go to overcrowded prisons. The overzealous and expensive enforcement on the one hand (particularly in the inner cities), alongside marijuana buyers clubs and lax enforcement that amounts to a defacto local option.

It took about 10 years to understand that Prohibition only increased lawlessness, corruption, greed, and violence. Last Call leaves the astute reader wondering how long it will take us to come to the same conclusion about the War on Drugs.

Note: Books noticed on this site have been provided by the publishers. Purchases made through this Amazon link help support this site.

Arto Monaco Historical Society Seeks Volunteers

admin

The board of the Arto Monaco Historical Society is seeking a small number of qualified volunteers to help coordinate two special projects. The first, will be organizing and documenting collections that will be transferred to the Adirondack Museum and other institutions. The society is seeking well-organized and responsible individuals with museum, library, or related experience who can help coordinate the work of additional volunteers.

The second is restoring and maintaining historic structures and grounds. Members of the society are looking for well-organized and responsible individuals with construction, maintenance, or related experience who can help coordinate the work of additional volunteers.

The work of Arto Monaco in designing the areas theme parks has become a central part of the history of tourism in the Adirondacks. Monaco was a local artist who designed sets for MGM and Warner Brothers, a fake German village in the Arizona desert to train World War II soldiers, and later his own Land of Makebelieve. Monaco died in 2005, but not before the Arto Monaco Historical Society (AMHS) was organized (in 2004) in order to preserve and perpetuate Monaco’s legacy, assemble a collection of his work, and stabilize and restore the Land of Makebelieve which was closed in 1979.

Since they first went into the woods with tools in 2006, volunteers of the AMHS have hacked the now overgrown Land of Makebelieve out of the encroaching forests in hopes of saving what’s left of Monaco’s legacy there from the ravages of nature.

If interested, please contact Anne Mackinnon at [email protected].

Free Kids Programs at Schuyler House in July

admin

The Friends of Saratoga Battlefield present a series of Children’s Programs at 1pm on Thursdays in July at the historic Schuyler House located on Route 4 in Schuylerville. These free programs are open to children ages 5 and up and offer fun ways to experience what children’s lives were like during the time of the American Revolution.

July 1: “We’re Cooking Now!” — What did children eat at the time of the American Revolution? Was it really cooked on an open-fire? Find out, as participants discuss open fire cooking, fire safety, and food practices.

July 8: “Fun and Games and Toys!” — Learn about games children enjoyed and toys they played with &#8211 after their chores were done, of course.

July 15: “Come Dancing!” — Dancing was an important social skill for adults and children alike. Participants will experience fwhat dance looked like over 200 years ago.

July 22: “Let’s Dress Up!” — Dress like girls and boys did during America’s Revolution. Try on a ball gown, long coat, a soldier’s regimental uniform, or a camp follower’s clothes, and see how you look. You can also try laundry with out a washing machine!

These programs are presented by educator Shari Crawford, a certified K-12 teacher who is also an experienced re-enactor. She has been involved in living history and children’s historical programs a numerous schools and historical sites.

Programs will be held rain or shine. Parents: have your children dress in clothes you don’t mind if they get dirty. The Schuyler House is located on Route 4 at the south end of the Village of Schuylerville.

For more information on these and other events at Saratoga National Historical Park, the National Park in your backyard, call the Visitor Center at 518-664-9821 ext. 224 or check the park website at www.nps.gov/sara.

Wild, Wild East: NYs Westward Expansion Lecture

admin

New York’s early frontier was America’s first &#8220Wild West&#8221 with Westward Expansion, blocked by two &#8220obstacles&#8221: Native Americans and Nature. Combining dramatic images and fresh research, Robert Spiegelman details this forgotten New York, where settler dreams encounter native lifeways during a free lecture on Thursday, June 24, 2010 at 7 pm at the Fort Montgomery Historic Site.

Spiegelman will explore a &#8220magical crossroads&#8221 where immigrants change into nomad farmers, neighbors into rivals, colonists into fighters, soldiers into settlers, land speculators into &#8220second creators,&#8221 Indian Country into military tracts named for Roman conquerors, and untamed forests into real estate grids.

Participants will revisit Syracuse and Buffalo’s emergence from the ashes of attempted Indian removal and controversial land treaties that have shaped today’s Empire State. Then grasp Manhattan’s rise to prominence via the Erie Canal, which in turn, inflames a religious upheaval across Central New York that America calls &#8220The Burnt Over District.&#8221 The lecture will end with an appreciation of how &#8211 against all odds &#8211 indigenous New Yorkers retain a toehold in their deforested ancestral homelands.

The Fort Montgomery Visitor Center is located at 690 Route 9W,1/4 mile north of the Bear Mountain Traffic Circle in Fort Montgomery, Orange County, NY 10922. For more information call (845) 446-2134.

Why New Netherland Matters Lecture by Joyce Goodfriend

admin

The prevailing history of the Dutch settlers in America has been illustrated with depictions of quaint Dutch villages, and tales of characters such as Rip Van Winkle and St. Nicholas . Dr. Joyce Goodfriend offers a new look at the story of the Dutch settlement called New Netherland.

On Saturday, June 12th, 2:00 pm, at the Schenectady County Historical Society, Dr. Joyce Goodfriend will give a talk titled, “Why New Netherland Matters.” Her presentation answers fascinating questions about our founding myths and legends, including a new look at the lives of slaves in New York. Celebrations throughout 2009 of Henry Hudson’s discovery of the Hudson River in 1609 inspired many researchers, Dr. Joyce Goodfriend among them, to bring to our attention the latest research on the history of early New York.

Dr. Goodfriend’s scholarly research into contemporary traveler’s accounts and her examination of period artwork reveals a more complete picture of our nation’s early
multicultural history. Dr. Goodfriend’s talk is based on an essay by the same title, in which she writes: “New Netherland may have been dissolved as a political reality by 1674, but it remained a cultural reality well into the nineteenth century, and in this guise indelibly influenced the course of history in the mid-Atlantic region.” The audience for her talk on Saturday, June 12th, will be treated to a broader understanding of the importance of early New Amsterdam and the Dutch in New York.

Dr. Goodfriend has written extensively on the subject of New Netherland including articles on religion and women’s roles. Her books include Before the Melting Pot: Society and Culture in Colonial New York City, 1664-1730– Going Dutch: The Dutch Presence in America 1609-2009 and Revisiting New Netherland: Perspectives on Early Dutch America, as well as numerous articles in collective history on Dutch New York. Goodfriend is a professor of history at the University of Denver and received her B.A. from Brown University and her M.A. and PhD from UCLA.

Only 75 tickets are available for this event. A $5.00 donation per person is requested. For reservations call (518) 374-0263, and for more information e-mail [email protected].

Grateful Dead Exhibit at the NY Historical Society

admin

Tracing the career and achievements of a band that became one of the most significant cultural forces in 20th century America, the New-York Historical Society presents The Grateful Dead: Now Playing at the New-York Historical Society. The exhibition, on view until July 4, 2010, represents the first large-scale exhibition of materials from the Grateful Dead Archive, housed at the University of California Santa Cruz.

Through a wealth of original materials, the exhibition will explore the musical creativity and influence of the Grateful Dead from 1965 to 1995, the sociological phenomenon of the Deadheads (the band’s network of devoted fans) and the enduring impact of the Dead’s pioneering approach to the music business. Among the objects in the exhibition will be documents, instruments, audio and video recordings, album art, photographs, platinum records, posters, programs, newsletters, tickets, and t-shirts and other merchandise. Highlights will include the band’s first record contract, tour itineraries, backstage guest lists, decorated fan mail, rare LP test pressings, drawings for the fabled Wall of Sound amplifier array, scripts for the Grateful Dead ticket hotline, notebooks of Dead archivist Dick Latvala, life-size skeleton props used in the band’s “Touch of Grey” video and large-scale marionettes and other stage props.

“Despite the Grateful Dead’s close association with California, the band and New York have been an important part of each other’s history from the first time the Dead played here in 1967 to the band’s year-on-year performances in New York from the late 1970s through 1995,” commented Dr. Louise Mirrer, President and CEO of the New-York Historical Society. “This exhibition not only celebrates the band’s relationship with New York but its tremendous impact on American culture.”

&#8220The Grateful Dead Archive is one of the most significant popular cultural collections of the 20th century,&#8221 said Christine Bunting, the head of Special Collections and Archives at the University Library at UC Santa Cruz. &#8220We are delighted that the Historical Society is presenting this unprecedented exhibition, providing the public and the thousands of fans with such an exciting overview of the band’s musical journey.”

The Grateful Dead: Now Playing at the New-York Historical Society provides unique glimpses into the political and social upheavals and artistic awakenings of the 1960s and 1970s, a tumultuous and transformative period that shaped our current cultural and political landscape, and examines how the Grateful Dead’s origin in northern California in the mid-1960s was informed by the ideology and spirit of both the Beat Generation and the burgeoning Hippie scene, including the now-legendary Acid Tests. The exhibition also explores how the band’s refusal to follow the established rules of the record industry revealed an unexpected business savvy that led to innovations in a rapidly changing music industry, and also to a host of consumer-driven marketing enrichments that kept fans in frequent contact with the band.

Co-curated by Debra Schmidt Bach, Assistant Curator of Decorative Arts, and Nina Nazionale, Director of Library Operations at the New-York Historical Society, the exhibition will be organized thematically, beginning with an examination of the Grateful Dead’s early days in the Bay Area and its first performance in New York City. Other major exhibition themes include the band’s musical artistry, the business of the Grateful Dead, and the band’s special relationship with its fans.

Materials in the exhibition will be drawn almost exclusively from the extraordinary holdings of the Grateful Dead Archive, established in 2008, along with a small number of objects on loan from Grateful Dead Productions and private collectors. A series of public programs will complement the exhibition.

About the Grateful Dead Archive

The Grateful Dead Archive, housed at the University of California at Santa Cruz, University Library, represents one of the most significant popular cultural collections of the 20th Century. It documents the Dead’s incredible creative activity and influence in contemporary music history from 1965 to 1995, including the phenomena of the Deadheads, the band’s extensive network of devoted fans, and the band’s highly unusual and successful musical business ventures.

The Archive contains original documents, clippings, media, article and other publications about the Dead and its individual members, its tours and performances, productions, and business. Among the resources that will be invaluable for researchers are show files, programs, newsletters, posters, cover art, photographs, tickets and stickers. These artifacts document three decades of the band’s recordings and its performance of thousands of concerts. A collection of stage props, tour exhibit material, and, of course, tee-shirts gives dimension and visual impact to the collection. An unusual feature of the Archive will be the correspondence and art contributed over the years by supportive Deadheads and held as very important by the Dead.

The Archive, when processed, will be widely and freely accessible to fans and scholars It will be housed on the UCSC campus, and material from it will be prominently displayed and available for listening, viewing, and research in a dedicated Grateful Dead room located in UCSC’s new and renovated McHenry Library.

It is expected to take two years to process the Archive- parts of the collections will be debuted in stages as processing progresses. Material in the Archive will be physically preserved, its content described in detail in an electronically available finding aid, and digital copies, when appropriate, will be offered for viewing and listening from a UCSC Grateful Dead web site.

Photo: Amalie Rothschild, Fillmore East Marquee, December 1969. Special Collections, University of California, Santa Cruz. Grateful Dead Archive. Provided.

Folklore Society Sponsoring Events for Latino Artists

admin

The New York Folklore Society will be sponsoring three gatherings for Latino artists in New York State. Supported by a grant from the National Endowment for the Arts, the gatherings will take place on three locations on three separate dates over this fall and next spring.

Designed for musicians, dancers, craftspersons, and others who are practicing a traditional artform with its origin in any of the Spanish-speaking communities of North and South America, the gatherings will assist artists in sharing resources and experiences. They will provide an opportunity for future collaborations and technical assistance. For additional information, or to find out how to become a &#8220delegate&#8221 for the gatherings, contact Lisa Overholser at the New York Folklore Society.

The gatherings will be held as follows:

October 24, 2010 at Long Island Traditins, Port Washington
March 19, 2011 at Go Art!, Batavia
May 14, 2011 at Centro Civico, Amsterdam

Adirondack History Center Annouces 2010 Schedule

admin

The Adirondack History Center Museum, located in the old school building at the corner of Route 9N and Hand Avenue in Elizabethtown, Essex County, has announced it’s 2010 Season of events and exhibits.

In addition to the season’s events, the museum displays artifacts from over two centuries of life in Essex County and the central Adirondacks. The diverse collection includes 18th century artifacts, an 1887 Concord stagecoach, an iron bobsled from the 1932 Olympic Games, a 58 foot Fire Observation Tower to climb, a colonial garden patterned after the gardens of Hampton Court, England and Colonial Williamsburg, and more.

The Museum is open 10am &#8211 5pm, 7 days a week from late May through mid-October. The Brewster Library is open all year by appointment only. Admission: Adults $5, Seniors $4, Students $2. Ages 6 and under are free.

The 2010 Schedule includes:

Exhibits

A Sign of the Times May 29- October 31

Curators have mined the museum’s collection, scoured the region, and called upon the citizens of Essex County to gather SIGNS! The exhibit focuses on SIGNS &#8211 all things that convey ideas, information, commands, designations or directions. Displayed wall to wall and ceiling to floor this exhibit prompts the viewer to discuss and ponder facts, purposes, qualities, and gestures conveyed by signs.

Swan Furniture June 19 – October 31

This exhibit highlights the Swans and their craftsmanship as important symbols of Westport and Wadhams cultural heritage. The furniture places the Swans into historical context as representatives of our human landscape. A unique blend of pieces provides visitors an opportunity to reflect on the furniture as art objects and artifacts in a museum setting.

ACNA Cover Art Show Sept. 20 – October 31

The 23rd year of the Arts Council for the Northern Adirondacks (ACNA) Cover Art Show featuring local artists. Thirty donated artworks for a Silent Auction are included in the exhibition. The winning Cover Art show piece is to be raffled at &#8220Field, Forest and Stream Day&#8221 on September 25th, 2010.

Events

Can History be Reconciled? A Conversation on Compassion & Courage

July 9, 4pm

Whether we’re reading the esoteric histories of others or dealing with our own, some issues are difficult to grasp and process. Don Papson, President of the North Country Underground Railroad Historical Association, will engage the audience in a discussion on compassion and courage in light of oppression, slavery and liberation.

Lecture: Captain Brown’s Birthday Party by Amy Godine

July 11, 4 pm

From 1922 into the 1960s, black pilgrims from northern cities joined ranks with white Adirondackers to honor the May 9 birthday of the militant abolitionist John Brown with speeches, concerts, sermons and prayers, earning Lake Placid a reputation as an oasis of interracial tranquility in the age of Jim Crow. How was each group able to find common cause in John Brown? How did each group use the other to promote its own agenda? And whose version of John Brown prevails at his home and gravesite in North Elba, a state-managed historic site since 1897? Join us to hear Historian Amy Godine answer these questions and examine the struggle it both enabled and concealed over John Brown’s public image and the meaning of freedom itself.

Fundraiser: Elizabethtown Historic Slide Show for the Town Hall Stained Glass Window Project

July 18, 4 pm

Back with added photographs and materials, local historian, Margaret Bartley, is offering the Elizabethtown Historic Slide Show for a second year as part of the Elizabethtown Day celebration. Proceeds from this event benefit the restoration of the Elizabethtown Town Hall stained glass windows, a project of Historic Pleasant Valley and the Essex County Historical Society. Any and all donations are welcome.

Museum Benefit: Come as you ART

July 24, 8pm

An evening of dance, delicacies, and expressive dress. Design and create your own clothing. Let your artistic side or a work of art inspire your attire. Music provided by the Chrome Cowboys.

Performance: Bits & Pieces

About a Bridge

Fridays: July 30, Aug 6 & 13, 11am / Sunday August 1, 4pm

This theatrical elegy weaves together voices from the life of the Champlain Bridge.

Lecture: Asanath Nicholson: Adirondack Teacher and World Humanitarian by Maureen Murphy

August 8, 4 pm

Maureen Murphy, Professor of Curriculum and Teaching in the School of Education in Health and Human Services at Hofstra University conveys the history of Asenath Hatch Nicholson, an early 19th century woman, schoolteacher, health reformer, traveler, writer, evangelist, social worker and peace activist. Asenath Hatch Nicholson (1792-1855), born in Chelsea, Vermont, made her way across Lake Champlain to Elizabethtown, New York. At age 21, she started a boarding school on Water Street for students from the town and neighboring farms. While in Elizabethtown, she met her husband Norman Nicholson, a local widower with a young family. The couple moved to New York City where Nicholson became a disciple of the health reformer Sylvester Graham. Nicholson opened a Grahamite boarding house and worked among the poor. After she was widowed, she set out from New York on a fifteen-month visit to Ireland to “investigate the condition of the Irish poor,” reading the Bible to country people, and sharing their hospitality, leaving us with a glimpse of Ireland on the eve of the Great Irish Famine in her book Ireland’s Welcome to the Stranger (1847).

Festival: Field, Forest & Stream Sept 25, 10-3:30

A harvest festival sponsored by the Arts Council for the Northern Adirondacks and the Elizabethtown-Lewis Chamber of Commerce featuring demonstrations and exhibits by regional craftspeople, antique dealers, storytellers and musical performances.