Highland Adventures of William Thompson Howell

Friends of the State Historic Sites of the Hudson Highlands’ Annual Meeting features presentation on “The Highland Adventures of William Thompson Howell”

The Friends of the State Historic Sites of the Hudson Highlands (FSHSHH) will gather for their Annual Meeting at the Temple Building at New Windsor Cantonment on Saturday, April 17th at 2pm. Following the brief meeting, this year’s program will include a presentation on “The Highland Adventures of William Thompson Howell.”

FSHSHH, a group of local supporters, meet year-round to benefit the activities of three Revolutionary War historic sites: New Windsor Cantonment, Knox’s Headquarters, and Washington’s Headquarters. FSHSHH works to supplement the educational, public event, and collections needs, and to increase public awareness of each sites’ historical significance. This year’s presentation on “The Highland Adventures of William Thompson Howell,” highlights the author, naturalist, photographer, outdoorsman and preservationist.

New Windsor Cantonment State Historic Site is where the Continental Army under General George Washington spent the last winter and spring of the Revolutionary War. In October 1782, General Washington moved his northern army to New Windsor to establish winter quarters. Some 7,500 soldiers and 500 women and children civilian refugees encamped here. By late December 1782, they had erected nearly 600 log huts into a &#8220cantonment,&#8221 a military enclave.

Nearby, John Ellison’s Georgian-style house in Vails Gate served at the military headquarters of Major General Henry Knox, Commander of the American artillery in 1780-81, and then as headquarters for General Horatio Gates, commandant of the New Windsor Cantonment in 1782-83. And in Newburgh, during those critical last months of the war, General Washington made some of his most important contributions to shaping the American republic at his headquarters in the Jonathon Hasbrouck House, the first publically owned historic site in the nation.

In addition to the special programs and activities, the National Purple Heart Hall of Honor and the New Windsor Cantonment Visitor Center are open. These buildings feature the history of the New Windsor Cantonment- Behind Every Great Man: The Continental Army in Winter, 1782-83, Revolutionary War artifacts, the exhibit The Last Argument of Kings, Revolutionary War Artillery and the story of the Purple Heart. A picnic grove is available and there is plenty of free parking. The site is open to the public Saturday April 17 from 10:00 AM to 5:00 PM. Also be sure to visit Washington’s Headquarters in Newburgh, a short drive from the New Windsor Cantonment.

New Windsor Cantonment State Historic Site is part of the Palisades Interstate Park Commission. The Palisades Interstate Park Commission administers 27 park, parkways and historic sites for the Office of Parks, Recreation and Historic Preservation in New York as well as the Palisades Interstate Park and parkway in New Jersey. For more information about New York State parks and historic sites, please visit our website at www.nysparks.com and follow the links for historic sites.

Update on NYC National Archives Move

Here is an update from Roger Joslyn a Fellow of the American Society of Genealogists, regarding the recent news about the National Archives – Northeast Region, Manhattan Branch. You’ll recall that I ran Joslyn’s first letter of concern that the NYC National Archives was under threat on February 17th. I ran more news of the Archives move on March 15th. Here is the latest from Joslyn:

Hello, again

Thank you for the many responses to my letter concerning the possibility of losing our National Archives–Northeast Region as an important research facility. The response was overwhelming and I regret I could not answer all the many e-mails. I understand my letter was circulated pretty far and wide and some persons wrote me from other countries. Many of you conveyed good thoughts about the issue, telling of similar experiences, and several wrote to offer, “What can I do?”

My apologies if I missed sending first my letter to a few people who are receiving this one, and if so, please let me know and I shall send the earlier one if you want to see it.

The main purpose of my first letter was to let you know what I knew and had heard about the planned move of NARA’s New York regional facility. At the time of my first letter, NARA had put nothing out to the pubic about the intended move, about any reduction in space and on-site research materials, and so forth. As I then wrote, some of the plans were told to Stuart Stahl by NARA’s Diane LeBlanc for him to pass the word. So, “officially,” that is the best information there was at the time, but one might also still consider any of those details to be “rumor” at that point.

Since the first letter, NARA has responded, and I have been told or led to believe that a positive result of my letter was that it put things in action sooner than later. I have had telephone conversations with Diane LeBlanc and other NARA personnel about the move of the New York regional facility and I refer you (below) to NARA’s official word about the move and also to some NARA-prepared FAQs. As you will see, some of information is different and/or a little more detailed than what had been said and circulated earlier.

http://www.archives.gov/northeast/nyc/move-notice.html

http://www.archives.gov/northeast/nyc/move-faq.html

Also since sending my first letter, I have been able to visit what will be NARA-NYC’s new home in the Customs House in lower Manhattan. There is no question the building is a lovely place and, when the space is renovated, will provide pleasing accommodations for researchers, staff, and programs. NARA’s Public Programs Specialists Dorothy Doughty is quite excited about the possibilities for the latter, not only for large and small presentations and workshops, but also because there is room for (for example) genealogical/historical fairs and so forth, using space NARA will share with other agencies in the building. (And without a lockup in the building as there is at 201 Varick Street, the security staff in the Customs House is more welcoming to visitors.)

While there is no question the new location will be a nicer home for NARA-NYC for the above reasons, the amount of storage space for textual records and microfilm will be greatly reduced.

I would like to add from my conversations with Diane LeBlanc some additional points that are of interest and/or concern to us as researchers.

Ms. LeBlanc said that NARA-NYC is “going through a process” in preparation for the move, which will likely take place eighteen to twenty-four months from now. She sees the Customs House as having “enormous potential” for NARA. One example is that being near the Circle Line terminal for Ellis and Liberty Island visits, there is increased possibility to attract tourists to the Customs House and thus to NARA.

According to Ms. LeBlanc, NARA-NYC currently has about 40,000 cubic feet of textual records at Varick Street, but with limited space in the Customs House, only about 5300 cubit feet of records can be housed there. (The 5000 square feet reported earlier as being the total of the new space was a misunderstanding about room for the textual records- NARA will actually have about 20,000 total square feet that includes public and office space, storage room, and so forth.)

Apparently, NARA looked at a number of possible new locations and chose the Customs House as the best of the bunch. The main argument for settling for the much-reduced storage space is that patron usage is down. What cannot fit in the new space will go to a new storage facility in Philadelphia. Ms. LeBlanc says the off-site material will have the “same access” by shuttle to New York City that is now provided for other off-site materials. The frequency of the shuttle service is still under discussion.

Similarly, because of less storage space, NARA will also not be able to take all its current microfilm collection to the Customs House. Ms. LeBlanc says there is room for only about twenty percent of the film. What becomes of the other eighty percent of the microfilm has not been determined, but Ms. LeBlanc said there may be some possibilities for keeping it in New York City, if some other repository can take it. She thought New York Public Library’s microfilm collection nearly duplicated that at NARA-NYC. I told her this is not the case.

In order to determine what textual records and microfilm will likely be moved to the Customs House, NARA staff and volunteers will be “assessing” customer usage—what material, textual and microform, gets the most on-site use. (A large amount of NARA-NYC’s collection, mostly voluminous court records, is already stored off-site in Lee Summit, Missouri.) I reminded Ms. LeBlanc that much of the more-used microfilm is self-serve, that patrons take and replace microfilms themselves. This limits what staff and volunteers may be able to determine about usage. They are more aware of the usage of specific microfilms they must retrieve for patrons from the back “stacks.”

Ms. LeBlanc clarified that certification of copies of records at NARA-NYC will still be possible. Certifications needed from microfilm that will no longer be at NARA-NYC can be requested to be done at NARA-Pittsfield, or the microfilm can be brought in from Pittsfield to be certified at NARA-NYC.

She also said that over time, what textual records are actually kept on-site in the new facility could change, based on patron usage. For example, if there was increased call for ships’ original passenger lists, they might be brought in from off-site storage and less-requested material sent off site.

Two other things need clarification. First, volunteers will continue to be needed and they, in addition to helping patrons, will be involved with projects. There will be designated space for projects in the new facility, with textual records brought in from off-site for such projects as needed.

Second, the expansion at NARA-Waltham mentioned in my first letter is for public programming space. Some of this new space was formerly used to store microfilm, a large amount of which was given to the library in Plano, Texas, because, as Ms. LeBlanc explained, “no one else wanted it.”

I wrote my first letter in reaction to the response a colleague received who suggested to NARA that some of the more frequent patrons might be consulted for input about the upcoming mov
e, records use, and so forth. The person was told that no one was going to tell NARA what to do. NARA staff has told me that, following former Archivist John Carlin’s attempt to move large amounts of material out of the regional facilities, that NARA has became more sensitive to public wants, needs, and so forth. So the response to my colleague was out of line and certainly was not good business. We expect better from an agency that has long been one of our primary repositories for the research we do.

Ms. LeBlanc agreed. In acknowledging that my first letter got NARA’s attention, she stated, “We will do this better than we did in the past.” The move to the Customs House seems set, and while my opinion is that user involvement before that decision would have been helpful and should have been sought, NARA-NYC is holding two public meetings about the move (see the announcement). I hope those of you who are interested in the move and have concerns and questions will attend. It is not clear if whatever is voiced at these meetings will change any of NARA’s plans at this point, but those of us who are concerned should go and speak up.

Here are just two of the many concerns about which some of you have written to me.

“It’s all online.” And many of us doubt it ever will be. But even with all that is available on the Internet, we have all experienced problems that take us back to the original sources, or at least back to the microfilm, for a variety of reasons, including legibility, printing, missed material, even speed. Can we be content with loosing easy access to what we now have so readily available?

Out of sight, out of mind, or never in mind at all. Ms. LeBlanc agreed that this is one area where NARA can use a lot of improvement. Many patrons have no idea what else there is beyond the Federal censuses, passenger lists, and a few other microfilmed records. With less microfilm in the public space for users to actually see some examples of what resources there are, there need to be ways of letting researchers know about the wealth of other records that might help them—microfilm and textual.

If NARA is willing to let its users work with them to do better and not just be informed of what others have decided, is that not a positive thing?

Roger Joslyn

P.S. I realize that most people who learn “what we do” usually react with, “That’s very interesting!” or “My aunt was the family historian,” and so forth. But we also frequently encounter those who cannot fathom such an interest in the past. In these instances, I am always reminded of what is carved on the National Archives building in Washington, D.C., as you all know so well: “The Past is Prologue.”

This was brought home the other night as Leslie and I viewed (from Netflix) Masterpiece Theatre’s Shooting the Past, about a photo archives doomed to the trash and the staff’s struggle to save it. We were deeply moved and saw parallels with what has happened and will likely continue to happen in our field. For those of you who have not seen this wonderful BBC drama, I strongly recommend it. In the meantime, you can read a little bit about it at

http://en.wikipedia.org/wiki/Shooting_the_Past

and in this New York Times review

http://www.nytimes.com/1999/11/21/tv/spotlight-an-imperiled-muse-weaves-her-spell.html?pagewanted=1

Guide to the Schroon River at the Adk Museum

The Schroon River today is not well known. Parts such as Schroon Lake, &#8220a wide spot in the river,&#8221 have been tourist destinations for years. Yet how many campers on the shore realize that Adirondack river driving began on the little river in 1813? Thousands of logs once floated down the Schroon to the Hudson River and mills beyond.

On Sunday, April 11, 2010, Mike Prescott, a New York State Licensed Guide, will offer a program entitled &#8220Armchair Paddlers’ Guide to the Schroon River&#8221 at the Adirondack Museum at Blue Mountain Lake, N.Y. The presentation is the last of Cabin Fever Sunday series for the season.

The Schroon River is more than 60 miles in length, part of the Hudson River Watershed that flows south to the Atlantic Ocean passing within five miles of Lake George, part of the Lake Champlain Watershed flowing north towards the St. Lawrence River.

There are sections of the river for all recreational enthusiasts. Fisherman can enjoy the deep water fishing of Schroon Lake, while the faster waters of Tumblehead Falls challenge fly fisherman. Paddlers can drift along the lazy current of the upper Schroon and whitewater kayakers can play in the class III and IV rapids. Boaters can enjoy the 14-mile length of Schroon Lake. Hikers and wilderness adventurers are able to explore the mountains, lakes, and ponds of the Hoffman Notch, Dix Mountain, and the Pharaoh Lake Wilderness areas as well as the Hammond Pond Wild Forest area.

The history of human interaction with the Schroon River is rich with stories of logging, industry, tourism, and community development.

&#8220The Armchair Paddlers’ Guide to the Schroon River&#8221 will be illustrated with vintage photos and postcards, as well as contemporary photography that shows what a paddler today would experience along the river.

Mike Prescott is a retired secondary school principal and NYS Licensed Guide. He spent three summers working with the Adirondack Cooperative Loon Program and has logged many hours observing and photographing loons. He spent thirty-four years working with young people, first as a history teacher and then as a secondary school principal. He has always found nature to be healing and rejuvenating. Mike’s specializes in learning the
history of the lakes, rivers, and streams of the Adirondacks.

The program will be held in the Auditorium, and will begin promptly at 1:30 p.m. Cabin Fever Sunday programs are offered at no charge to museum members. The fee for non-members is $5.00. There is no charge for children of elementary school age or younger. Refreshments will be served. For additional information, please call the Education Department at (518) 352-7311, ext. 128 or visit the museum’s web site at
www.adirondackmuseum.org.

Photo: Schroon River at Thurman, ca. 1900. Collection of the Adirondack Museum.

New York Council for the Humanities Funding Risk

Four your information, I’m reprinting here a letter from the New York Council for the Humanities Executive Director Sara Ogger, regarding the threat to the Council’s funding:

The NY Council for the Humanities stands to lose a significant portion of its state funds, unless the Assembly and Senate rise to the occasion and demand restoration. With the budget resolution currently underway, there is not a moment to lose. We are counting on you to urge your legislators to restore these vital funds!

To tell your legislators how important the public humanities are to you and explain what your community stands to lose if funds are not restored, please click here: Write Your Legislators.

We’ve provided sample letters that will be sent to your State Assemblymember and Senator. You may customize the letters by telling your own story about the Council’s grants and programs &#8211 or just hit send! Each letter sent strengthens our case for restoration of much-needed state funds for FY2011 &#8212- funds that will help us to enrich communities like yours with reading and discussion series, lectures, exhibits, and more.

Thank you for taking a moment to send letters to your legislators. Your support could not come at more crucial point.

Sincerely,

Sara Ogger, Ph.D.
Executive Director

Maple Festival at the Adirondack History Center

The Adirondack History Center Museum will hold its Maple Sugar Festival on Saturday April 17th from 9:00am – 1:00pm. Part of the Festival includes a Maple Dessert Contest for kids, youth and adults. Entries will be judged by a panel of five locals with expertise in the production and consumption of fine foods.

Entries must be made with real maple syrup, preferably New York made. Grade B Amber is suggested for its great maple flavor. Entries will be judged on taste, texture, quality, presentation and serve-ability. The winning creation will be featured for a week at the Deer’s Head Inn.

To enter, bring your creation to the Adirondack History Center Museum – top of the hill – in Elizabethtown – by 11:00 AM on Saturday the 17th. Volunteers will fill out your entry form and judging will start at noon. If refrigeration is necessary, please bring the entry in a cooler.

For more information, call the Adirondack History Center Museum at 873-6466 or email [email protected]. The museum is located at 7590 Court Street, Elizabethtown, NY 12932.

Iroquois Indian Museum Offers Early Technology Day

The Iroquois Indian Museum in Howes Cave, NY kicks off a celebration of our 30th Anniversary on Saturday, April 10 with the 1st Annual Early Technology Day, their annual Spring Party and a special screening of a new documentary on the museum’s history.

Early Technology Day highlights include: demonstrations of the process of flint knapping, fire making, atl-atl spear throwing, early archery and show-and-tell, and displays and demonstrations from the nearby Old Stone Fort Museum Complex. Flint knapping is the ancient art of making chipped stone tools. Activities take place on the Museum grounds from 10 to 3.

At 4 p.m. there will be a premier of “A Museum Is Born” a 40 minute documentary produced, videotaped, and edited by Dennis Shaw, Shaw Video Productions, of Richmondville. The DVD tells the museum’s history through interviews with the founding Director and current Trustee &#8211 Christina Johannsen Hanks, Curator &#8211 Stephanie Shultes, Native American Educator &#8211 Mike Tarbell, and Director &#8211 Erynne Ansel-McCabe. Native American artworks featured at the museum, old photographs, and past exhibits are also featured. The Documentary was made possible in part with public funds from the Decentralization Program of the New York State Council on the Arts, administered through the Tri-County Arts Council.

The celebration of Native American performers continues with an opening reception from 3 to 6 p.m. for the 2010 exhibition “Native Americans in the Performing Arts: From Broadway to Hollywood”. Countless Native actors have contributed to the success of stage and screen productions for well over a century. The 2010 exhibit presents the histories of the early Wild West performers, the Silent Movie Stars, the talented character actors, and today’s hot new prospects. Highlighted actors include, Jay Silverheels of “Tonto and the Lone Ranger” fame- Cherokee humorist Will Rogers- Alex Meraz who plays Paul in “New Moon” and “Eclipse”, and Elaine Miles who portrayed Marilyn on the popular television show “Northern Exposure”. The exhibition runs from April 1 to December 31.

For more information contact the Museum at: Iroquois Indian Museum, P.O. Box 7, 324 Caverns Road, Howes Cave, NY 12092, 518-296-8949, [email protected] or visit their web site at www.iroquoismuseum.org

Call For Artists: Fenimore Art Museums Art By The Lake

Fenimore Art Museum is now accepting submissions for its third annual outdoor, summer event Art By The Lake &#8211 formerly called A Taste of the Sublime. It will be held Saturday, August 7, 2010 on the museum’s spacious grounds overlooking Otsego Lake.

Art by the Lake is a juried art invitational that welcomes artists from across New York State in a celebration of the historic relationship between the artists and the landscape that surrounds us. The event features outstanding artists in all genres of landscape art, interactive demonstrations, educational programming, live entertainment, and tastings of some of the best food, wine, and beer from across the state.

Prizes will be awarded in the following categories:
• Best Interpretation of New York Landscape
• Most Outstanding Use of Color
• Most Original Style
• Audience Favorite

An artist’s information packet and application form can be found on the Fenimore Art Museum’s website at FenimoreArtMuseum.org.

Applications must be postmarked by May 3, 2010. (Late applications may be accepted at the discretion of the jury if space is available.) Artists will be notified of their acceptance by May 17, 2010, at which point they will receive detailed event information and an artist’s contract.

This Weeks New York History Web Highlights