It now seems hard to believe that for most of the latter part of the 19th century, New York City was the cigar making capital of the United States.
New York State as a whole had 364 cities and towns with 4,495 cigar factories and 1,875 (41%) of these were operating in mid and lower Manhattan. The island which then comprised the City, made 10 times the number of cigars as Havana, Cuba.
At the city’s peak before WWI and the beginning of the Machine-Age, approximately 3,000 factories, including many of America’s largest, rolled cigars in Manhattan. Read more →
Thomas Cole (1801-1848) , English immigrant, is regarded as a father of the Hudson River School, the first national art expression of the American identity in the post-War of 1812 period. It was a time when we no longer had to look over our shoulder at what England was doing and could begin to think of ourselves as having a manifest destiny. Cole also was very much part of the birth of tourism which occurred in the Hudson Valley and points north and west. Read more →
Details of mid-19th-century life come alive in the letters of a German immigrant, translated by Sigrid Wilshinsky and recently published as My Life in America Before, During and After the Civil War.
Louis Hensel was born in 1817 and lived a life of travel and adventure, as colorfully described in letters to his granddaughter back in Germany. Wilshinsky translated them from Suderlein German into modern English. Read more →
The enormous thirteen-foot tall explorer is steering the Santa Maria right over Central Park. Tatzu Nishi’s “Discovering Columbus” allows visitors to climb 75 feet up the column in Columbus Circle to see the famous statue up close. Nishi has surrounded it with a living room stage set, furnished with modern accoutrements from Bloomingdale’s, that gives a truly odd twist to the experience of seeing the pock-marked monument set atop a coffee table. Read more →
Last week’s subject, iron miner George Davies (1892–1983) of Standish and Lyon Mountain, was a kindly gentleman with a powerful work ethic and a can-do, pioneer spirit. Interviews with him in 1981 were key to my second book, Lyon Mountain: The Tragedy of a Mining Town. Humble and matter of fact, he shared recollections from nearly 80 years earlier. Read more →
Fort Ticonderoga will present the Fifth Annual Scots Day on Saturday, June 16. The commemoration of Scottish heritage and their significant contributions to 18th century North American history runs from 9:30 am to 5 pm. Visitors can tour the Scottish Clan tents and vendors to discover more about your own connection to Scottish Culture, and explore the stories of centuries of Scottish soldiers in the British Army through a military timeline offered throughout the day.
Special Memorial CeremonyA special memorial ceremony honoring the 42nd Highland Regiment, also known as the Black Watch, will take place at the Scottish Cairn on the Carillon Battlefield located at Fort Ticonderoga. The procession to the Cairn will begin at 11 am at the Log House Welcome Center. The Memorial Ceremony will take place at 11:30 am and will remember the incredible bravery and discipline of the Black Watch against insurmountable odds at the 1758 Battle of Carillon.Bagpipe Performances
Hear the sounds of Scottish bagpipe music throughout the day as the Plattsburgh Police Pipes and Drums will perform during the day on the Fort’s historic Parade Ground at 12:30 pm and 2 pm. The Police Pipes and Drums of Plattsburgh, formed in 2005, perform at police and fire functions, as well as at events throughout the North Country. The Plattsburg Police Pipes and Drums performance is made possible, in part, by the Arts Council for the Northern Adirondacks CAP Grant, supported by the Essex County Board of Supervisors.
Participating Scottish Clans and organizations
· St. Andrews Society of Vermont · Clan Buchanan · Clan Campbell · Clan Forbes · Clan Hamilton · Clan Johnston/Johnstone · Clan MacIntyre · Clan MacPherson · Clan Murray · Clan Rose
Black Watch Military Living History Programs
Meet some of the present-day Scottish soldiers of the Canadian Black watch to learn about the modern legacy of Scottish military heritage and learn the history of the Black Watch Regiment through living history programs presented throughout the day by members of a Black Watch reenactor unit from Montreal. Highlighted programs include a living history time-line of the Regiment. The re-enacting group depicts its history from the 18th century through the early 21st century, with various members representing different significant points in the unit’s history. Learn about the incredible bravery and discipline of the Black Watch against insurmountable odds at the 1758 Battle of Carillon.
The 42nd Highland Regiment, also known as the Black Watch, played a crucial role at Ticonderoga during the Battle of Carillon on July 8, 1758. The regiment suffered over 50% casualties during the failed British assault on the French Lines at Ticonderoga during the French & Indian War. Ticonderoga continued to be an important part of the regiment’s history. During its involvement in the Iraq War, the Black Watch Regiment’s base near Basra was called “Ticonderoga.”
“Activist New York,” the inaugural exhibition in the Museum of the City of New York’s new Puffin Foundation Gallery, will examine the ways in which ordinary New Yorkers have advocated, agitated, and exercised their power to shape the city’s – and the nation’s – future. Centuries of activist efforts, representing the full spectrum of political ideologies, will be illuminated through a series of installations featuring 14 New York movements ranging from the mid-17th century to today.
The exhibition will feature historic artifacts and images from the museum’s collection as well as pieces on loan from other collections, along with interactive elements that enable visitors to explore and express their own views. For the first three weeks of the exhibition attendees will have a chance to view the original “Flushing Remonstrance,” the 1657 landmark document protesting restrictions against Quakers in New Amsterdam.
“Activist New York” begins and ends with questions of religious freedom, from the struggle for religious tolerance in Dutch New Netherland, to today’s debate over a Muslim Cultural Center near Ground Zero. In between, the exhibition examines a wide range of social movements that transformed laws and assumptions regarding race, gender, class, sexuality, economic justice, and other issues.
The Puffin Foundation Gallery is situated in a newly renovated and climate-controlled 2000 square foot south gallery on the Museum’s second floor, and named for the foundation that has supported the gallery with a gift of $3.25 million.
The exhibition unfolds through a series of 14 examples of New York activism:
1. Let Us Stay: The Struggle for Religious Tolerance in Dutch New Netherland, 1650-1664
The exhibition features the Flushing Remonstrance, one of the earliest arguments for religious liberty and tolerance in American history.
2. Beware of Foreign Influence: Nativists and Immigrants, 1830-1860
This section explores efforts to prohibit or limit immigration and contain its impact on 19 th -century New York. Nativists fought to curtail the largely Catholic immigrant community’s access to citizenship, the vote, and public office. The section also illustrates the ways Catholic New Yorkers combated nativism by establishing their own independent institutions to support their community.
3. What Has New York to Do with Slavery? 1827-1865
While New York City was a center of the abolitionist movement, it was also home to many people who sided with the Southern slave owners. This conflict was dramatically revealed in the Draft Riots of July 1863, where the issues of class and race came to a head in a harrowing, violent confrontation. The exhibition chronicles the efforts of both sides of the debate.
4. New York is the Battleground: Woman Suffrage, 1900-1920
In the early 20 th century,New York became the epicenter for organizational activity of the national woman suffrage movement, with suffragists pioneering new methods of behind-the-scenes organizing and media-savvy publicity. The installation also documents the movement against woman suffrage through anti-suffrage images and messages published by aNew York lithograph firm.
5. Houses of Welcome: The Settlement House Movement, 1890-1925
Immigrants in New York at the turn of the 20th century faced overcrowding, illness, and poverty. This section of the exhibition shows how a new type of agent for change—the settlement house worker—combated those conditions by moving into slum neighborhoods to provide instructions in parenting, health, and citizenship.
6. I Am a Working Girl! Upheaval in the Garment Trades, 1909-1915
This installation examines the events that led to reform and improvement of deplorable workplace conditions, including the 1909 “Uprising of the 20,000,” an industry-wide strike by workers affiliated with the fledgling International Ladies’ Garment Workers Union, and the 1911 Triangle Waist factory fire tragedy.
7. Art for the Masses: An Activist Theater, 1930-1945
This movement looks at the politically engaged New Yorktheater groups that used their art to confront Depression-era poverty, labor exploitation, political corruption, racial tension, and the rise of Fascism and Nazism in Europe.
8. We Shall Not Be Moved:New York and Civil Rights, 1945-1964
This installation revealsNew York City’s role in the early Civil Rights struggle of the post-World War II era, from the “Boycott Jim Crow” and anti-lynching movements through the emergence of CORE and SNCC, to the Black Power era of the mid-1960s.
9. What’s Wrong with New York? Conservative Activism, 1962-1973
This segment of the exhibition looks at groups, such as “Parents and Taxpayers,” that were unhappy with a leftward drift in the city and blamed it for an increase in disorder, crime, and the swelling municipal budget. Many joined a new third party, the Conservative Party of New York, formed in 1962.
10. Stop the Wrecking Ball! Preserving Historic New York, 1955-1970
This case study shows how the loss of some of the city’s greatest cultural and architectural landmarks fed the efforts of the early historic preservation movement and eventually led to the creation of New York’s groundbreaking Landmarks Preservation Law.
11. “Gay Is Good”: Civil Rights for Gays and Lesbians, 1969-2012
This installation shows how the Stonewall Riots galvanized the modern gay rights movement in New York and led to the creation of Gay Men’s Health Crisis, ACT UP, and other organizations. The installation brings the story up to date with the successful campaign to secure the legalization of gay marriages in New York State.
12. “Don’t Move, Improve”: Reviving the South Bronx, 1970-2012
The South Bronx became an international icon of urban blight in the 1970s. This section of the exhibition examines grassroots advocacy groups, community organizations, and church congregations that took ownership of the rebuilding of their neighborhoods into livable, affordable communities.
13. Love Your Lane: Bicycle Advocacy, 1965-2011
Amid concerns about ecology, traffic congestion, and pollution, pioneering activists lobbied for changes in the traffic laws. Today, as part of the Bloomberg administration PlaNYC’s effort to build a greener, more sustainable city, bike lanes proliferate, as does agitation against for and against them, as this installation documents.
14. Park 51: 2010-2012
This section provides a detailed exploration of the controversy over the construction of an Islamic cultural center near Ground Zero in Lower Manhattan, which is reminiscent of the long and turbulent saga of activism surrounding issues of religious expression in New York City.
Interactive elements throughout the exhibition provide opportunities to dig more deeply and bring the historic stories up to date. A series of touch screens present a timeline of the history of activism in the city, with more than two hundred examples ranging from slave revolts of the 18th century to the Newsboys’ Strike of 1899 to the woman behind the movement that led to New York’s 1978 “pooper scooper” law. Additional kiosks with touch screens invite visitors to explore the work of contemporary activist groups and send email messages to these groups expressing the visitors’ views on current activism. In addition, members of the general public may submit photographs of contemporary activist in the city to a photo blog housed on the Museum’s website (www.mcny.org) and carried live in the Puffin Foundation Gallery.
“Activist New York” has been organized by an exhibition team led by Sarah M. Henry, the Museum’s Deputy Director and Chief Curator. Steven H. Jaffe served as guest curator, and Christina Ziegler-McPherson as associate guest curator. The exhibition team was aided by the Puffin Foundation Gallery Advisory Committee, chaired by Peter G. Carroll, Executive Director, Abraham Lincoln Brigade Archives, and comprising scholars and activists Esther Cohen, Joshua Freeman, Victor Navasky, Bruno Quinson, Christopher Rhomberg, Tom Roderick, and Perry, Gladys, and Neal Rosenstein.
Photo: Picketers during a 1910 garment workers strike (Library of Congress)
The Statue of Liberty-Ellis Island Foundation has announced the recipients of its annual Ellis Island Family Heritage Awards, which honor distinguished Americans who trace their ancestry through Ellis Island, and the B.C. Forbes Peopling of America Award recognizing individuals who themselves immigrated to America. The Awards will be presented on April 19th at a ceremony to be held in the historic Great Hall on Ellis Island. The 2012 honorees are: Angela Lansbury – The B.C. Forbes Peopling of America Award – Entertainment
This London-born actress, who returns to Broadway this year in Gore Vidal’s The Best Man, began her ascendancy up the ranks of American entertainment ladder shortly after her family evacuated to New York City in 1940, just days before the London blitz. Her first of over 50 films, Gaslight, won her an Oscar nomination. Since then, she has been a star of film, stage and television for seven decades, garnering her five Tonys, six Golden Globes, three Oscar nominations, and over 15 Emmy nominations. In 1994, Queen Elizabeth II appointed her Commander of the Order of the British Empire for services to the dramatic arts. She is also a recipient of the National Medal of Arts and the Kennedy Center Honors in 2000. Lansbury became a naturalized U.S. citizen in 1951.
Richard Meier – Ellis Island Family Heritage Award – The Arts/Architecture
Born in Newark, New Jersey, Richard Meier is a Pritzker Prize-winning architect who designed the Getty Center in Los Angeles. His distinct minimalist style of has garnered him 10 honorary degrees, numerous design awards as well as the American Institute of Architects Gold Medal in 1997. He has taught at many universities including Princeton, Harvard and UCLA. With current projects underway in Asia, Europe, Latin America, North America and his hometown, he serves on the Board of Directors of the Cooper-Hewitt National Design Museum and the American Academy in Rome. His maternal grandfather – a leather tannery owner – Joseph Kaltenbacher, emigrated from Germany through Ellis Island in 1896.
Anthony “Tony” La Russa, Jr. – Ellis Island Family Heritage Award – Sports
Tony La Russa was born in Tampa, Florida, where his paternal grandparents had settled after arriving from Sicily thru Ellis Island in 1906. As an infielder, La Russa began his career with the Kansas City Athletics in 1963. Turning to managing in 1979, he became one of the longest tenured managers in the history of Major League Baseball. He spent 32 years at the helm of the Chicago White Sox, Oakland Athletics, and St. Louis Cardinals, where he topped the Cards’ managerial win list with 1,408 victories. He ranks third in all-time major league wins by a manager, holding six league championships and three World Series titles, most recently with the Cardinals in 2011. A staunch advocate for animal rescue, La Russa, his wife Elaine and their daughters founded ARF (Animal Rescue Foundation) in 1991, which aids homeless and abandoned animals and uses them to help people in need.
The ceremony will be hosted by journalist Meredith Vieira and will mark the 120th anniversary of the opening of Ellis Island on New Year’s Day 1892. Until it closed in 1954, Ellis would process 17 million immigrants. Forty percent of Americans today can trace their roots to an ancestor who was among them.
Throughout its 10 year history, the Ellis Island Family Heritage Awards have recognized more than 40 individuals, among them Dr. Madeleine Albright, Irving Berlin, Yogi Berra, Lee Iacocca, Jerry Seinfeld, Mike “Coach K” Krzyzewski, Mary Higgins Clark, General Colin Powell, Martin Scorsese, and Bruce Springsteen.
Rare and centuries-old liturgical objects, manuscripts, maps and other historic artifacts—including a Torah scroll rescued from the hands of British troops during the American Revolution — will be on loan to the New-York Historical Society beginning November 11, 2011, for the installations The Resilient City and Treasures of Shearith Israel. The presentations of Treasures of Shearith Israel and The Resilient City at the renovated and transformed New-York Historical highlight the history of religious freedom in New York City and honor the first Jewish congregation to have been established in North America—a congregation that remains vibrant and active today, and is a neighbor of New-York Historical.
Congregation Shearith Israel, the Spanish-Portuguese Synagogue, was founded in 1654 by the first Jews to settle in North America: a group of 23 immigrants who came to New Amsterdam from their previous place of residence in Recife, Brazil. From 1654 through 1825, Shearith Israel was the only Jewish congregation in New York City. The congregation met in rented quarters until 1730, when it constructed its first building, which was located in downtown Manhattan on Mill Street (now known as South William Street). Many of the furnishings from the 1730 building are now installed in an intimate chapel, called the Little Synagogue, in Shearith Israel’s current home, consecrated in 1897, on the Upper West Side.
The Torah Scroll will be on display in the Judith and Howard Berkowitz Sculpture Court in the Rotunda of the New-York Historical Society, where it will be surrounded by four late-20th-century views of the New York cityscape by artist Richard Haas. This installation will establish a dialogue between the city’s past and present and help reinforce the underlying themes of diversity, tolerance and resilience that are also addressed in inaugural installations presented in New-York Historical’s new Robert H. and Clarice Smith New York Gallery of American History, where visitors may explore the history of the United States as seen through the lens of New York. The many other significant objects on loan to New-York Historical from Shearith Israel will be displayed in the Henry Luce III Center for the Study of American Culture.
These loans have been facilitated Norman S. Benzaquen.
Photo: Congregation Shearith Israel, (founded 1655) New York, 1897 building. Courtesy Wikipedia.
The Statue of Liberty-Ellis Island Foundation and the National Park Service have opened the first phase of the Peopling of America Center, a major expansion of the Ellis Island Immigration Museum, which will explore arrivals before the Ellis Island Era. This 10,000 square foot experience focuses on the history of immigration from the Colonial Era to the opening of Ellis Island in 1892. Interpretative graphics and poignant audio stories tell first-hand accounts of the immigrant’s journey—from making the trip and arriving in the United States to their struggle and survival after they arrived and efforts to build communities and ultimately a nation.
“Until now, our exhibits have centered on the years when Ellis Island was open,” said Stephen A. Briganti, the Foundation’s President and CEO. “Of course the history of migration to America goes back to our nation’s beginnings right up to today, so there were many people whose stories weren’t told. The Peopling of America Center will fill an enormous gap in America’s understanding of its past, present, and future.”
Also recently unveiled was the American Flag of Faces, a large interactive video installation filled with a montage of images submitted by individuals of their families, their ancestors, or even themselves which illustrates the ever-changing American mosaic. A living exhibit, Flag of Faces accepts photo submissions and can also be viewed at www.FlagofFaces.org.
The Center’s second phase, which will open in Spring 2013, will present a series of interactive multi-media exhibits that focus on the immigration experience from the closing of Ellis Island in 1954 to the present day, including a dynamic radiant globe that illustrates migration patterns throughout human history. The Peopling of America Center was designed by ESI Design and fabricated by Hadley Exhibits, Inc.