Finger Lakes Museum Adds Three Trustees

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Finger Lakes Museum board president John Adamski announced that three new members have been elected to the organization’s board of trustees. The addition of Nancy Rees and Susan van der Stricht, and Texas businessman George Slocum brings the current number of board members to 12.

Rees, a retired Xerox senior vice president, currently coaches and speaks on practical approaches to leading organizations through change, and business process improvement. She also serves on the advisory board of Forte Capital Wealth Management and chairs the Garth Fagan Dance Company, an internationally renowned modern dance group.

She is a founding board member of Moonshadow’s Spirit, a non­profit organization benefiting people who are seeking treatment for eating disorders. She earned a bachelor’s degree in music education and a master’s degree in computer science from Ball State University, and a management certificate from Smith College. Rees and her husband, Michael, live in Farmington and on Keuka Lake.

Susan van der Stricht is a Pittsford and Canandaigua Lake resident and former paralegal who worked for three major law firms during her 28­year career. She is a graduate of Union College with a bachelor’s degree in American Studies and she also attended the Simon School of Business at the University of Rochester. Van der Stricht is an outdoor enthusiast who serves on the boards of The Nature Conservancy and the Genesee Country Museum and is active in conservation and preservation initiatives. She was recently involved in the transfer of title of the 7,000­ acre Hemlock and Canadice Lake watersheds from the City of Rochester to the State of New York. The new Hemlock­ Canadice State Forest will now be preserved in a forever ­wild state, immune from development.

Houston, TX entrepreneur George Slocum was elected to the board of trustees in October. Slocum grew up in the Finger Lakes Region but moved to Houston early in his career. He and his wife, Priscilla, live on Cayuga Lake for six months each year, where Slocum owns and operates the 1,200­ acre Cayuga Lake Farm. Slocum is a private investor and entrepreneur engaged in proactive investments in agriculture, energy, and venture capital. In his former corporate executive career, he served as CFO and CEO of Transco Energy Company, now part of the Williams Companies. Before that he was a vice
president in charge of energy project financing at Citibank.

Slocum is presently a trustee of Wells College in Aurora and a former trustee of University Council at Cornell University, where he is an active member. He has also chaired the Houston Council of Boy Scouts of America and served as a vice­chair of United Way of Houston. The Slocums have three grown children and eight grandchildren.
Adamski said, “George brings the business acumen and fundraising expertise that we need to keep the museum project on course. And he knows a little something about staying on course. His grandfather was the first person to sail around the world solo.”

New NY Military History: Empires in the Mountains

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Meeting Russell Bellico, as I did briefly several years ago, you’d think you were in the presence of an old sea captain spending his retirement in the softer wind and spray of Lake George. You’d be surprised to know that he spent 35 years in the economics department at Westfield State College in Massachusetts.

You’d be glad to hear that Bellico spent his time away from Westfield at Lake George, where as a summer resident he invested himself in local history. He has spent over three decades photographing shipwrecks and historic sites on Lake George and Lake Champlain. He served as a consultant on the National Park Service’s Champlain Valley Heritage Corridor, a trustee of the Lake George Battlefield Park Alliance, and a board member of Bateaux Below, the organization founded by the archaeological team (which included Bellico) that documented the 1758 radeau Land Tortoise which lies underwater at the southern end of Lake George.

Bellico is the author of a score or more articles and five books on the maritime and military history of Lake George and Lake Champlain published by Purple Mountain Press. His first two projects were Chronicles of Lake George (1995) and Chronicles of Lake Champlain (1999). Both were aptly subtitled Journeys in War and Peace, as they were mostly drawn from primary sources by diaries, journals, and other early first hand accounts. His third major effort, Sails and Steam in the Mountains: A Maritime and Military History of Lake George and Lake Champlain, earned a place as the go-to resource on the region’s maritime history.

His interest in boots on the ground history has no doubt contributed to some of Bellico’s most unique contributions to the region’s history &#8211 his careful looks at what remains. For example, Bellico weaves together histories of not just the events (through archaeology, primary sources, and first hand accounts) but of what remains of those events on the landscape.

Bellico’s latest effort, Empires in the Mountains: French and Indian War Campaigns and Forts in the Lake Champlain, Lake George, and Hudson River Corridor, is the fruit of three decades of the author’s work to understand the military and maritime importance of the region. His first volume to focus entirely on the campaigns and forts of the Great Warpath during the French & Indian War (1754-1763), Empires in the Mountains covers the epic battles of the war in the lake valleys, as well as the building of the fortresses and battleships in Northern New York’s wilderness.

And true to his authoritative and thorough style, Bellico explores this history with one eye toward what happened after those great events of 350 years ago. He reviews the history of the abandonment, the excavations, and the exploitation of French and Indian War sites from Bloody Pond (which Bellico seems to suggest may in fact be correctly marked on Route 9 south of Lake George) and Fort Gage (bulldozed by a local developer avoiding APA oversight) to the more popular spots like Fort Ticonderoga, Fort Edward, Fort William Henry, and Fort George.

It’s that concluding epilogue, &#8220Forts Revisited&#8221 that is perhaps the most valuable chapter of the book for local historians, and those interested in how we remember, and exploit, local history. For that chapter alone, this book belongs on the shelf of those interested in local history, regardless of your particular interest in the French and Indian War.

Note: Books noticed on this site have been provided by the publishers. Purchases made through this Amazon link help support this site.

This Weeks Top New York History News

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Each Friday morning New York History compiles for our readers the previous week’s top stories about New York’s state and local history. You can find all our weekly news round-ups here.

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Digital History Archive Adds Important Volumes

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Bob Sullivan, of the Schenectady Digital History Archive, has announced that the first two (historical) volumes of Nelson Greene’s four-volume history of Fulton, Herkimer, Montgomery, Oneida, Schenectady and Schoharie Counties, History of the Mohawk Valley: Gateway to the West 1614-1925 is now online.

Included are more than 300 photos and maps, and a biographical section &#8211 more than 2000 pages so far, are online. Greene’s History joins the Hudson-Mohawk Genealogical and Family Memoirs, a four-volume set with more than 1300 family entries from Albany, Columbia, Fulton, Greene, Montgomery, Rensselaer, Saratoga, Schenectady, Schoharie, Warren and Washington Counties.

This Weeks New York History Web Highlights

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Each Friday afternoon New York History compiles for our readers a collection of the week’s top weblinks about New York’s state and local history. You can find all our weekly round-ups here.

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Landscape of Memory: Prints by Frank Eckmair

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The first exhibition of its kind &#8212- “The Landscape of Memory: Prints by Frank C. Eckmair” &#8212- opens at the New York State Museum November 19 showcasing the works of one of the nation’s most accomplished printmakers.

Open until September 18, 2011 in Crossroads Gallery, the exhibition comes from the Museum’s own 386-piece collection, which is the largest museum collection of Eckmair’s works that exists. The Museum’s curatorial and exhibition team worked with Eckmair during the last few years to archive his lifework, document the way he makes the prints and develop the exhibition.

The exhibition features more than 80 works, mostly landscapes, which include framed woodcut prints, as well as wood engravings, sculptures and the original woodblocks that track Eckmair’s career as an artist and lifelong resident of Gilbertsville in central New York. Also included are wood engraving tools and an early 20th-century Poco Proof printing press, on loan from Eckmair.

While growing up in central New York, Eckmair developed an affinity for the quiet landscape of the rural areas of that part of the state. His subjects are its farm fields, stone walls, abandoned homes, and old barns.

Although he did all kinds of printmaking Eckmair preferred woodcuts, noting that “wood is a poor man’s material.”

During the 1950s, printmaking grew in stature in New York with the rise of the New York School, a group of artists, poets, and musicians centered in the city. On Long Island, the influential Universal Limited Art Editions studio encouraged collaborations between artists and writers, provided

printmaking space, and brought prints to collectors, galleries, and museums. Finally, the explosive growth of State University of New York campuses during the postwar period led to the establishment of major printmaking programs that are still operating today.

Born in 1930, Eckmair spent his early years drawing and working at his father’s hotel in Gilbertsville, a small village in Otsego County, west of Cooperstown. He earned a Bachelor of Arts degree from the State University of Iowa, where he studied with Mauricio Lasansky, who is considered to be the “father of 20th-century American printmaking.” After teaching public school, Eckmair served in the U.S. Air Force in Korea, Japan, and the northwestern United States. He then received a Master of Fine Arts in printmaking from Ohio University. From 1963 to 1995 he was a key figure in the print studio of Buffalo State College, where he was a revered professor and influenced a generation of artists. While working in Buffalo, he maintained his family residence in Gilbertsville.

Eckmair’s work received its earliest recognition through American Associated Artists (AAA), a program founded to market affordable fine art prints to the American public. Like earlier artists such as Grant Wood, John Steuart Curry, and Thomas Hart Benton, Eckmair created prints of regional landscapes for AAA that had great populist appeal. Considered a master of the woodcut and represented in major collections around the world, Eckmair continues to create haunting works evoking rural life in upstate New York. He is the artistic director of Birch Book Press, a publisher of hand-crafted letterpress books and art.

Further information can be obtained by calling (518) 474-5877 or visiting the museum website at www.nysm.nysed.gov.

Civil War Nurse Dedication Ceremony

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In 1911, Civil War nurse Lucy Blanchard died in Fenton, Michigan. Her remains were brought back to Syracuse and she was buried in Oakwood Cemetery. For ninety-nine years, her grave was unmarked and the memory of her service faded. Thanks to the efforts of Michigan historian Len Thomas, Lucy’s life story has been researched in depth. With the help of the Daughters of Union Veterans of the Civil War, a government headstone has been placed on Lucy’s grave.

On Saturday morning, November 13 at 11 o’clock, all are invited to pay tribute to this courageous lady, so long forgotten. For more information and a map to the gravesite, go to:

Lecture: Red Jacket, Role of Six Nations in War of 1812

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Dr. Alan S. Taylor, a renowned and award-winning author and historian, will be at the Buffalo & Erie County Historical Society&#8216-s history museum this Saturday, November 13, 2010, at 1:30 p.m., for a talk entitled &#8220Red Jacket and the Role of the Six Nations in the War of 1812.&#8221 Local interest is mounting for the 2012 bicentennial of the War of 1812. In addition, the museum currently has an exhibit exploring Red Jacket in the context of John Mix Stanley’s monumental painting &#8220The Trial of Red Jacket.&#8221


Taylor is the author of six American history books, and has won the Pulitzer, Beveridge, and Bancroft prizes for his scholarly writing. His newest release is titled The Civil War of 1812: American Citizens, British Subjects, Irish Rebels, & Indian Allies (Random House). The book is available at the museum gift shop, and the author will be available to sign copies of it after the lecture.

Taylor is currently serving as a visiting professor, holding the prestigious Douglas Southall Freeman Chair in History at the University of Richmond, Virginia- he has been a professor of American History at University of California at Davis since 1994.

The lecture program is in support of the History Museum’s current exhibit, &#8220Fact, Fiction and Spectacle: The Trial of Red Jacket,&#8221 which uses as its starting point the huge canvas by John Mix Stanley. Attendees to the lecture are encourage to view the exhibit, which is in the Museum’s lower floor gallery, when they are here for the lecture.

VT: Native American Panel To Hold Meetings

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The group that will establish a process for state recognition of Native American tribes in Vermont is holding a series of public forums around the state.

The Vermont Commission on Native American Affairs will hold the first meeting at the Goodrich Memorial Library on Main Street in Newport on Tuesday, November 16 according to Giovanna Peebles, State Historic Preservation Officer and director of the Vermont Division for Historic Preservation.

Although the commission’s monthly meeting starts at 1:00 p.m., they have chosen to devote the noon hour to a less formal potluck to hear the needs and concerns of local Native people and answer questions, according to Chairman Luke Willard of Brownington. &#8220Different communities have different needs and interests,” Willard said. “We want to know what they are.”

The new commission, appointed by Governor Jim Douglas in September, is charged with executing a process for recognizing Native American Indian tribes in Vermont as called for in a Senate bill passed earlier this year. That legislation was introduced by the Senate Committee on General, Housing, and Military Affairs chaired by Senator Vince Illuzzi, who began working in the 1980s to obtain recognition for Native Americans in Vermont.

Willard said that he hopes educators will attend this meeting to learn about Title VII Indian Education, a federal program that could bring thousands of dollars into the school systems of Orleans County, and that this commission intends to focus on education and cultural awareness.

“I think they go hand in hand,” he said. “There are many Abenaki students in the schools of Orleans County but I think most are afraid to embrace and, in many cases, admit their own heritage because it could bring teasing from other students who are only taught a small piece of Abenaki history, and literally nothing about the contemporary Abenakis who sit at the desk right beside them.”

“This was a problem when I was a student and now I hear about it from my own children,” said Willard, a member of the Nulhegan Abenaki Tribe in Orleans County.

November is National American Indian Heritage Month and Governor Douglas recently proclaimed the month of November as Native American Heritage Month in Vermont. The signing of this proclamation is the kickoff of events held around the state to honor the contributions and heritage of Native Americans.

To learn more, visit the VCNAA website.

JAY-Z to Appear at Brooklyn Museum

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In a rare interview, multi-platinum, 10-time Grammy Award-winning artist and icon JAY-Z will speak with Charlie Rose, executive editor and anchor of the Charlie Rose Show, before a live audience in the Iris and B. Gerald Cantor Auditorium at the Brooklyn Museum on Thursday, November 18, at 7 p.m. The conversation, which will be taped to air nationwide at a later date on the Charlie Rose program, will focus on JAY-Z’s book DECODED, to be published on November 16 by Spiegel & Grau, a Random House imprint. DECODED recounts JAY-Z’s life from his childhood in Brooklyn’s Marcy housing projects to becoming a world-famous performer and songwriter, entrepreneur, and philanthropist.

Tickets to the event will go on sale TODAY, Wednesday, November 10, at noon. They may be purchased online at www.museumtix.com (two-ticket purchase limit for this program) or at the Brooklyn Museum Visitor Center in person. Ticket prices are $50 for the general public, older adults, and students and $45 for Brooklyn Museum Members. Become a member at www.brookklynmuseum.org/support/membership_plans.php. Ticket price includes a copy of DECODED by JAY-Z that will be provided to the patron upon admission to the program the night of the event.

Printouts of tickets will not be accepted. Patrons must check in at the will-call desk (the night of the event) at the Brooklyn Museum to receive hard copies of their tickets and must provide ID matching the name on the ticket. There will be no standby line for this event.

Decoded Book Cover In his conversation with Charlie Rose, JAY-Z will speak candidly about his journey from drug dealing to becoming one of the best known hip-hop artists of his time. He will explore issues that informed him and his songwriting, including how visual art and poetry influenced his craft, how he became involved in politics and business, and how he managed to stay true to himself in the midst of extraordinary fame.

&#8220When I first started working on this book, I told my editor that I wanted to do three important things. The first was to make the case that hip-hop lyrics-not just my lyrics, but those of every great MC-are poetry, if you look at them closely enough. The second was that I wanted the book to tell a little bit of the story of my generation, to show the context for the choices we made at a violent and chaotic crossroads in recent history. And the third piece was that I wanted the book to show how hip-hop created a way to take a very specific and powerful experience and turn it into a story that everyone in the world could feel and relate to.&#8221&#8211JAY-Z from DECODED