Adirondack Museum Offers Passion in the Park

The Adirondack Museum in Blue Mountain Lake wants visitors to discover the romantic side of the Adirondack Park, by joining them for a special Valentine’s Day program that explores love stories happy, melodramatic, and tragic &#8211 all set in the North Country. Museum officials are suggesting you &#8220bring a special loved one and plenty of handkerchiefs&#8221 on Sunday, February 14, 2010 as the Adirondack Museum presents &#8220Passion in the Park&#8221 a Valentine’s Day edition of the Cabin Fever Sunday series with Curator Hallie E. Bond.

The presentation will be held in the Auditorium, and will begin promptly at 1:30 p.m. Cabin Fever Sunday programs are offered at no charge to museum members. The fee for non-members is $5.00. There is no charge for children of elementary school age or younger. Refreshments will be served. For additional information, please call the Education Department at (518) 352-7311, ext. 128 or visit the museum’s web site at
www.adirondackmuseum.org.

Some of the love stories that Bond will share are part of the established folklore and history of the region. Others have recently come to light through research in the Adirondack Museum’s fine collection of diaries and personal letters.

Bond will discuss how the reputation of the Adirondack Mountains as a romantic spot was established in the mid-nineteenth century and share the ways Valentine’s Day was celebrated before the era of cards from Hallmark. The program will be illustrated with charming images of vintage Valentines and photographs from museum collections.

Hallie Bond has been Curator at the Adirondack Museum since 1987. She has curated a number of popular exhibits including &#8220Common Threads&#8221 150 Years of Adirondack Quilts and Comforters,&#8221 &#8220A Paradise for Boys and Girls: Children’s Camps in the Adirondacks,&#8221 and &#8220Boats and Boating in the Adirondacks.&#8221 She has written extensively about regional history and material culture.

Photo: Valentine greeting, ca. 1910. Collection of the Adirondack Museum.

Met Offers Chronology Museum Exhibitions 1870-2010&#8242-

The Metropolitan Museum of Art Archives has announced the availability of a valuable new source of information on the Museum’s history. &#8220Museum Exhibitions 1870-2010&#8243- [pdf] is a chronological list of all special exhibitions held at the Museum from its founding in 1870 to the present. Although the document will be continually updated, for complete accuracy reserachers should verify information against primary source documents in the Museum Archives or publications in the Museum’s Watson Library.

Suggestions, corrections or information regarding any Museum exhibitions do not appear in the chronology should be directed to [email protected]@metmuseum.org.>

Birds of New York Opens At New York State Museum

Birds of New York and the Paintings of Louis Agassiz Fuertes opened at the New York State Museum on Saturday, showcasing the original watercolors painted a century ago by one of America’s foremost science artists. The exhibition, in the Museum’s Crossroads Gallery, will run through September 6th. It will feature 40 of more than 100 paintings that Fuertes created to illustrate Birds of New York, a monumental book that combined beautiful art and scientific scholarship. The first edition of the book will be on display, along with a print portfolio and specimens from the Museum’s ornithology collection.

The first volume of Birds of New York – Water Birds and Game Birds – was published to much acclaim in 1910. Volume Two – Land Birds – followed four years later. Birds of New York was collaboration between Fuertes and author Elon Howard Eaton and served as a model for ornithology books that followed. Fuertes’ watercolors celebrated the beauty of wild birds, while Eaton advocated for the stewardship and conservation of birds and their habitats. Produced by the State Museum and published by the University of the State of New York, the book inspired the citizens of New York to observe and care for the state’s birds.

The book was commissioned by former State Museum Director John Mason Clarke, who served from 1904 to 1925. When he began his tenure it had been 60 years since the last book on the state’s birds had been published, and he wanted a new study that would update scientific knowledge. He commissioned Eaton, a biology teacher in Rochester, to research and write the book. Eaton enlisted Fuertes, a famous bird artist from Ithaca, to provide the illustrations.

Clarke’s written correspondence with Eaton and Fuertes, preserved in the New York State Archives, reveals that Clarke was a guiding force in producing the book, sometimes attending to even small details.

Named for the naturalist Louis Agassiz, Fuertes’ interest in the natural world was encouraged and he began to draw birds at an early age. He attended Cornell University in Ithaca. While still a student, Fuertes met a prominent Smithsonian ornithologist who recognized and promoted his artistic talent. This helped launch an active career and, soon, he was considered to be the leading bird artist of his day.

Just as John James Audubon inspired bird painters in the early 1800s, Fuertes influenced artists a century later by skillfully capturing the lifelike poses and natural settings of birds. Roger Tory Peterson, an avian artist and author of well-known field guides, wrote that while Audubon was famous for his dramatic compositions Fuertes “caught more of the character of the bird itself.”

Eaton also was a lifelong student of natural history. As a young man he prepared bird mounts and studied skins after enrolling in a taxidermy course. He established the Department of Biology at Hobart College in Geneva, where he taught from 1908 until his death in 1934. In 1901 he became known statewide when the Rochester Academy of Science published a paper he had written on the birds of western New York.

The lasting scientific importance of Birds of New York stems from Eaton’s authoritative compilation of original research that is included in the book, such as distribution maps, migration surveys and detailed observations of nests, eggs, songs and behaviors. The book continues to be cited by ornithologists studying changes in bird abundance and distribution since that time.

It also has strengthened interest in the study and protection of birds, and spurred the formation of local birding clubs and bird sanctuaries. Sixteen thousand copies of a print portfolio, including all of the color illustrations in the book, were widely distributed and inspired “Bird Day” celebrations across the state.

The State Museum will sponsor a free program in connection with the exhibition. Creative Art Day will be held Sunday, March 28 from 1 to 3 p.m. Families will be invited to participate in artful activities based on the exhibition. More information is available by calling 518-473-7154 or e-mailing [email protected].

The Birds of New York book is available online through the New York State Library’s digital collections at http://www.nysl.nysed.gov. A video tour of the Museum’s biology range, that includes its bird collection, is available at http://www.youtube.com/nysmuseum.

The New York State Museum is a program of the New York State Education Department’s Office of Cultural Education. Founded in 1836, the museum has the longest continuously operating state natural history research and collection survey in the U.S. Located on Madison Avenue in Albany, the Museum is open daily from 9:30 p.m. to 5 p.m. except on Thanksgiving, Christmas and New Year’s Day. Further information can be obtained by calling (518) 474-5877 or visiting the museum website at www.nysm.nysed.gov.

Hodson-Brown Fellowship:Literature, History, Culture, Art Before 1820

The C.V. Starr Center for the Study of the American Experience and the John Carter Brown Library invite applications for the Hodson Trust-John Carter Brown Fellowship, a unique research and writing fellowship.

The Hodson-Brown Fellowship supports work by academics, independent scholars and writers working on significant projects relating to the literature, history, culture, or art of the Americas before 1830. Candidates with a U.S. history topic are strongly encouraged to concentrate on the period prior to 1801. The fellowship is also open to
filmmakers, novelists, creative and performing artists, and others working on projects that draw on this period of history.

The fellowship award supports two months of research (conducted at the John Carter Brown Library in Providence, R.I.) and two months of writing (at Washington College in Chestertown, Md). Housing and university privileges will be provided. The fellowship includes a stipend of $5,000 per month for a total of $20,000.

Deadline for applications for the 2010-11 fellowship year is March 15, 2010.

For more information and application instructions, please visit the Starr Center’s website at http://starrcenter.washcoll.edu.

Artists of the Mohawk-Hudson Region Call For Entries

The Hyde Collection announces the call for entries associated with the 2010 Artists of the Mohawk-Hudson Region Juried Exhibition, which will be on view at the Museum from October 1 through December 12, 2010.

Founded in 1936, the exhibition is one of the longest running annual juried exhibitions in the country. The Artists of the Mohawk-Hudson Region highlights the finest works of contemporary artists working along the Mohawk-Hudson corridor.

This is the first year that The Hyde Collection will host the exhibition, which rotates among three venues. The other two hosts are The Albany Institute of History and Art and the University Art Museum at the University at Albany.

Juror for the 2010 exhibition is Charles Desmarais, deputy director of art at the Brooklyn Museum. Desmarais leads a staff of eighteen curators and manages the collection, conservation, education, exhibition, and library departments at the museum. He previously served as director of the Contemporary Art Center in Cincinnati and was director of the Laguna Art Museum and the California Museum of Photography at the University of California.

&#8220The Hyde is thrilled to join the two Albany institutions in bringing the best of our region’s art to residents and visitors alike,” said Hyde Executive Director David F. Setford. &#8220Each year, the caliber of works submitted for this annual show is testament to the artistic community that thrives in the areas surrounding the Mohawk and Hudson Rivers.”

As many as 300 artists are expected to submit works, in a variety of media, from which approximately fifty will be selected for the exhibition. Eligible artists include those who reside within a 100-mile radius of either Glens Falls or the Capital Region. The deadline for entries is March 26, 2010. Awards will be announced at the exhibition’s opening reception scheduled for October 1, 2010.

Artists interested in receiving information on the exhibition are asked to call (518) 792-1761 ext. 35. Submission entry forms and additional information are available on the Museum’s website at www.hydecollection.org.

The Row House Reborn:Architecture and Neighborhoods in NYC, 1908-1929

The New York City Historic Districts Council is co-sponsoring a lecture on row houses at the Museum of the City of New York (1220 Fifth Avenue) on Monday, February 8 at 6:30 pm.

In the decades just before and after World War I, a group of architects, homeowners, and developers pioneered innovative and affordable housing alternatives. They converted the deteriorated and bleak row houses of old New York neighborhoods into modern and stylish dwellings.

Join Andrew S. Dolkart, author of The Row House Reborn: Architecture and Neighborhoods in New York City, 1908&#82111929, as he traces this aesthetic movement from its inception in 1908 to a wave of projects for the wealthy on the East Side to the faux artists’ studios for young professionals in Greenwich Village.

RESERVATIONS REQUIRED

$6 tickets when you mention the Historic Districts Council!
*A two dollar surcharge applies for unreserved, walk-in participants.

To reserve your discounted ticket, please call 212.534.1672, ext. 3395 or e-mail [email protected] and mention HDC.

This Weeks Top New York History News

Thomas Cole Historic Site Seeks Paid Guides

Applications are now being accepted for Visitor Center Guides, a seasonal paid position from April 1 through October 31, 2010, at the Thomas Cole Historic Site. Responsibilities include welcoming visitors to the historic site and orienting them to the opportunities that are available to them including guided tours, the orientation film, and the educational kiosks. The Guide operates the visitor center front desk including the cash register, and sells tickets and shop merchandise. The successful candidate will have excellent people skills, as he or she will be a visitor’s first impression of the organization. Applications are due February 5th.

The hourly pay is $13.41, and the hours are Thursday through Sunday, 9:30am to 4:30pm, April through October. Please note: weekend work is required, and candidates must be available for the entire seven months. More information and an application can be found online.

Do not send applications to the Thomas Cole Historic Site directly. The application process is being handled by the National Park Service, and applications can only be accepted through USAJOBS.

The National Park Service will rank candidates based on their amount of training and work experience that relates to the position, therefore it is very important to include the exact dates of employment when you apply. For example, do not list the start date of a recent job as &#8220January 2009&#8243-. Instead, include the actual day, for example &#8220January 10, 2009.&#8221

See their EMPLOYMENT page on their website.

This Weeks New York History Web Highlights

Brooklyn Museum To Host Major Andy Warhol Exhibit

Andy Warhol: The Last Decade is the title of a major touring exhibition that will run June 18 to September 12, 2010 at the Brooklyn Museum (Robert E. Blum Gallery, 1st floor, and Morris A. and Meyer Schapiro Wing, 5th floor). The exhibit is the first U.S. museum survey to examine the late works of American artist Andy Warhol (1928–1987). With nearly fifty works, the exhibition reveals the artist’s vitality, energy, and renewed spirit of experimentation. During this time Warhol produced more works, in a considerable number of series and on a vastly larger scale, than at any other point in his forty-year career.

It was a decade of great artistic development for Warhol, during which a dramatic transformation of his style took place alongside the introduction of new techniques. He continued to create his screen-printed portraits, but he also reengaged with
painting. In the late 1970s, Warhol developed a new interest in abstraction, first with his Oxidations and Shadows series, and later with his Yarn, Rorschach, and Camouflage paintings. His return to the hand-painted image in the 1980s was inspired by collaborations with Jean-Michel Basquiat, Francesco Clemente, and Keith Haring.
The exhibition concludes with Warhol’s variations on Leonardo da Vinci’s The Last Supper, one of the largest series of his career. Andy Warhol: The Last Decade provides an important framework for understanding Warhol’s work by looking at how he simultaneously incorporated the screened image and pursued a reinvention of
painting.

The exhibit is being organized by the Milwaukee Art Museum. The exhibition was
curated by Joseph D. Ketner II, Henry and Lois Foster Chair of Contemporary Art, Emerson College, Boston. The Brooklyn Museum presentation is organized by Sharon Matt Atkins, Associate Curator of Exhibitions, Brooklyn Museum.

A catalogue published by Prestel accompanies this exhibition.

Tour: Milwaukee Art Museum, September 26, 2009–January 3, 2010- Museum of Modern Art, Fort Worth, February 14–May 16, 2010- Baltimore Museum of Art, October 17, 2010–January 9, 2011.

Photo: Andy Warhol at the Jimmy Carter White House during a reception for inaugural portfolio artists in 1977. Courtesy the National Archives.