This Weeks New York History Web Highlights

Brooklyn Museum Announces Visitor-Curated Event

For the first time the Brooklyn Museum is inviting visitors to get directly involved in choosing the programs that will be presented at its popular First Saturdays event. From July 1 to 31, members of the public may log on to www.brooklynmuseum.org and nominate performers, musicians, films, books, and DJs that they would like to see featured at the October 2, 2010, First Saturday.

Nominees should relate to the exhibition Extended Family: Contemporary Connections, an exhibition that embraces the shared values and diversity of contemporary Brooklyn. At the end of the one-month nomination period, the Museum’s First Saturday committee will narrow down the nominees in each category based on relevance to the theme and artist availability. Voting by the public will take place August 1 to 15. The winners will be announced after August 15.

First Saturdays are sponsored by Target and made possible by the Wallace Foundation Community Programs Fund, established by the Wallace Foundation with additional support from DLA Piper US LLP, the Academy of Motion Picture Arts and Sciences, The Ellis A. Gimbel Trust, National Grid, and other donors.

Poughkeepsie: Historic Family Homes Reunited

Historic Huguenot Street has announced that it has reached an agreement with Locust Grove in Poughkeepsie to transfer to it the properties and collections of Locust Lawn located in the town of Gardiner, New York. The agreement is result of months of planning to reunite the family homes of Annette Innis Young, who was responsible for establishing both estates as protected historic sites.

Transferring ownership and “reuniting” these two estates fulfills the original vision of Annette Young. It was Miss Young’s desire to jointly preserve the Locust Lawn and Locust Grove estates under one organizational umbrella hoping “the foundation will maintain these houses as an example of the lives of three generations of a wealthy and cultured Hudson Valley family.” Unfortunately, she was unable to achieve this during her lifetime.

As an alternative, she donated Locust Lawn to Historic Huguenot Street (which was then known as the Huguenot Historical Society), an organization in which she was already involved. Upon her death in 1975, Annette Young’s will established a not-for-profit educational corporation to preserve Locust Grove and its contents in perpetuity for the &#8220enjoyment, visitation, and enlightenment of the public.&#8221

The Locust Grove Estate was purchased by Annette Young’s father, William Young in 1901. The Young family cherished Locust Grove’s extensive grounds and historic buildings and added their own important collections of furniture, paintings and ceramics.

Locust Lawn is located on Route 32 South in Gardiner. It features an historic federal-style home was built in 1814 by Josiah Hasbrouck, a businessman and gentleman farmer whose ancestors were among those that founded New Paltz. Josiah Hasbrouck was Annette Young’s great-great grandfather and a U.S. congressman. The Hasbrouck family left Locust Lawn in 1885, leaving behind 70 years of finery and furnishings. The house was a repository of family history for another 70 years until it was donated to Historic Huguenot Street by Annette Young in 1958.

In addition to transferring the property and collections of Locust Lawn, Historic Huguenot Street will donate its adjoining properties, which include the historic Terwilliger stone house as well as the Little Wings Bird Sanctuary and Meadow. The Terwilliger House will continue to be protected as a historic building, open to the public. The existing protections on the Little Wings Bird Sanctuary and the Conservation Agreement on the Meadow also will remain in place with the transfer of the properties. Together, all of these properties preserve the core of the estate created by Josiah Hasbrouck.

The executive directors of the respective organizations have cooperated over the years to ensure that the collections and history have stayed linked to each other. These connections led to the formal transfer that is now taking place.

It is anticipated that Locust Grove will assume ownership and management of Locust Lawn by the end of August. Under the terms of the transfer, which has already been approved by the boards of both organizations, all restrictions placed on the property by Annette Young at the time she gifted the site will remain in effect. In the short term, the site will continue to be open to the public by appointment. Locust Grove plans an expanded program of public events in the future.

Photo: Locust Lawn Front Facade Courtesy of Historic Huguenot Street.

Perceiving Buffalo Autistic Artists Exhibit

The Buffalo & Erie County Historical Society (BECHS) has announced &#8220Perceiving Buffalo,&#8221 an exhibit of works by artists from Autistic Services, Inc. (ASI). The show opened in BECHS’ second-floor Community Gallery on July 1st and will run through Sunday, August 22, 2010. The exhibit is open to the public, and free with regular museum admission.

In addition, there will be a celebratory reception sponsored by Autistic Services Inc., on Thursday, July 22, from 5 to 8 p.m. at the Historical Society. The reception is free and open to the public.

The exhibit, curated by BECHS Museum Educator Tara Lyons, and facilitated by ASI staff members Veronica Federiconi, Dana Ranke, Todd Lesmeister, and Brian Kavanaugh features work by Aaron B., Dan C., Stacey M. and Neil S., four artists from ASI’s Arts Work Program.

The selected paintings and drawings mesh the works of the artists with BECHS’ mission to tell the stories of people and places in the region. The show highlights the artists’ interests in and creative interpretations of iconic Buffalo landmarks and community figures. Portraits include those of Ani DiFranco, Tim Russert, and one featuring three local newscasters. In addition, there is a series of drawings of Buffalo public school buildings. A short film of artist Neil S. will describe the artists’ creative process and his deep personal connection to the subject matter.

Autistic Services Inc. is a community organization that promotes the awareness of autism and provides treatment, education, and care for individuals with autism spectrum disorders. The Arts Work Program, through which the works in &#8220Perceiving Buffalo&#8221 were created, is part of the ASI’s individual therapy rooted in the creation of visual arts.

The reception will be held in the State Court of the Historical Society, and will feature a performance by No Words Spoken, a group of musicians which also evolved through Autistic Services programming. Wine and cheese will be served, and the public is invited to attend this free evening event.

Albany Institute Lecture on Clarks Picasso Exhibit

This Thursday, July 15, at 6:00 pm, the Albany Institute of History & Art will host a free lecture by Sarah Lees, Associate Curator of European Art at the Sterling and Francine Clark Art Institute in Williamstown, Massachusetts. Lees will discuss The Clark’s current exhibition, Picasso Looks at Degas, which opened on June 13 and will close on September 12.

Picasso Looks at Degas is a fascinating exhibition including work from both artists. The first of its kind to explore the relationship between the two masters, the exhibition mainly focuses on Pablo Picasso’s work made in response to or inspired by the work of Edgar Degas, who was his Parisian neighbor in the early 20th century. Picasso admired Degas, though it is not clear whether the two ever met. The exhibition illustrates how Picasso’s work often echoes imagery and devices typical of Degas without blatantly imitating him. Picasso Looks at Degas traces the development of both artists and includes a broad array of mediums, including paintings, sculptures, and etchings.

The lecture will take place at the Albany Institute, 125 Washington Ave., Albany, and is free and open to the public. Call (518) 463-4478 for more information.

Illustration: Nude Wringing her Hair, 1952, Pablo Picasso, oil on plywood, 154 x 120 cm, private collection, Acquavella Gallery, New York. © 2010 Estate of Pablo Picasso/Artist Rights Society (ARS), New York.

231st Anniversary of the Storming of Stony Point

On the seemingly calm night of July 15, 1779, an unusual chill drifted through the summer air at Stony Point. The British garrison stationed there was confident in their position on the Hudson River and unaware of American plans to invade. Just before midnight, the stillness of the fort was broken as Brigadier General Anthony Wayne and his Light Infantry took the British by storm with a surprise attack. By 1 A.M., the garrison had surrendered, marking an important triumph for America and the last major battle in the north.

Visit Stony Point Battlefield State Historic Site on Friday, Saturday and Sunday, July 16th-18th, to celebrate the 231st anniversary of this bold victory as reenactors from British, American, and Loyal American regiments recreate soldier and family life during the Revolutionary War.

The Battlefield will come alive with demonstrations of 18th century warfare and performances of tactical demonstrations and mock skirmishes. Musket and artillery drills are planned throughout the weekend, showing visitors how weaponry was used in combat. Learn about the kinds of currency circulating through the colonies from our camp paymaster and witness a demonstration of the mail system by our colonial postmaster. Reserve a place on the Battlefield Lantern Tour Saturday evening and witness a recreation of the midnight assault while you take a guided walking tour through the battleground.

A range of activities are planned which will provide fun for the whole family. Children will love enlisting in Washington’s army at the camp recruitment table (where they will receive a certificate signed with a quill pen) and anyone can collect a reward for discovering the renegade hiding in the camp. Enjoy a Tea Party with staff dressed in colonial costume and learn about 18th century fashions and etiquette. Talk to our working blacksmiths to discover how tools were repaired or created to meet the needs of the army.

On Saturday and Sunday afternoons, Tom Hanford will present a family show of 18th century entertainment with music, stories and dramas from life &#8220In the Good Old Colony Days.&#8221

There will be a $5 parking fee. For more information and directions, please call the site office, 845-786-2521.

Illustration: Storming of Stony Point by J. Rogers (ca. 1770-ca. 1880).

Archives Partnership Trust to Honor Richard Dreyfuss

The New York State Archives Partnership Trust and the History channel will host a conversation with Academy Award-winning actor and passionate advocate for strengthening history education in our schools Richard Dreyfuss and nationally prominent Lincoln Scholar Harold Holzer to be held on Tuesday, September 28, 2010 at 7:30-8:30pm at The Egg, Center for the Performing Arts, Empire State Plaza, Albany, New York. Mr. Dreyfuss will then be presented with the Empire State Archives and History Award.

The cost for the program is $10 per person (plus handling fees). Tickets are available August 1st. Reservations are required. Tickets can be purchased by calling The Egg Box Office at (518) 473-1845 or online at www.theegg.org.

In advance of the program, a reception to meet Mr. Dreyfuss will be held at The Egg, Center for the Performing Arts, from 5:30-7:00 pm. Reservations will be accepted starting August 2, 2010 by calling the Trust office at (518) 473-7091. Please see the Trust website for reception ticket prices.

History of American Musical Theater Program

The Franklin County Historical & Museum Society presents &#8220America’s Song: A History of American Musical Theater in Word and Music,&#8221 a collaboration between Drew Benware and members of the Ithaca College School of Music, on Tuesday, July 13, 2010 at 7 pm. Admission is $10.00 per person, to benefit the Franklin County Historical Society. The program of toe-tapping favorites will be held in the Bobcat Cafe in the Joan Weill Student Center at Paul Smith’s College.

Drew Benware is a native of the North Country, having grown up in Malone, New York. Upon graduation from Franklin Academy, he enrolled at the Ithaca College School of Music where he received a degree in Music Education with a concentration on Trumpet in 2003. For the next three years, Drew served as the Director of Instrumental Music at Saranac Lake High School where he worked with the Concert Band, Jazz Ensemble, Pep Band, Parade Band, and annual Musical Theater Productions. Drew returned to Ithaca College to pursue a Master of Music degree in Choral Conducting, working with the renowned Larry Doebler and Janet Galvan. Among the high points of this period was a performance of Verdi’s &#8220Requiem&#8221 at Alice Tully Hall in Lincoln Center in New York City. Drew’s choral degree was put to use during the 2008-9 academic year during which he served as Director of Choral Activities at the Peru Middle/High School. Since that
time, he has been on the faculty at the Ithaca College School of Music as an Assistant Professor of Music Education, instructing courses in woodwind and brass techniques, instrumental conducting, wind instrument pedagogy, and acting as supervisor to both Junior and Senior level teachers. Drew also works closely with the nationally acclaimed Ithaca College Department of Theatre Arts, serving as faculty accompanist for the Musical Theater Workshop and performing in Pit Ensembles. Drew continues to serve as an active pianist, performing as music minister at All Saints’ Church in Lansing and as a frequent artist-collaborator including the 2009 Saranac Lake First Night Celebration. He
is active as a singer also, performing with the Saranac Lake Madrigal Singers and the Cayuga Vocal Ensemble, Ithaca’s only professional choir. He has provided musical direction or pit performances for several works of Musical Theater, among them &#8220Children of Eden,&#8221 &#8220Parade,&#8221 &#8220A Little Night Music,&#8221 &#8220Once On This Island,&#8221 &#8220The Music Man,&#8221 and &#8220Les Miserables.&#8221

The program will also feature performers from the Ithaca College School of Music and Department of Theatre Arts.

&#8220America’s Song&#8221 is co-sponsored by The Franklin County Historical & Museum Society and Paul Smith’s College. The Franklin County Historical & Museum Society, founded in 1903, preserves the history of Franklin County, NY through its House of History Museum and Schryer Center for Historical & Genealogical Reseach, located in Malone. It is supported by membership dues and donations, grants, and municipal support. Paul Smith’s College, the College of the Adirondacks is the only four-year private college in the Adirondack Park and is commited to experiential, hands-on learning.

For more information, please contact Anne Werley Smallman at 518-483-2750. Visit the Paul Smith’s College website for directions.

18th-Century Day at the Historic Schuyler House

On Sunday, August 8 from noon to 5pm, the 1777 Schuyler House on Route 4 in Schuylerville, will be the setting for dozens of artisans demonstrating their crafts much as they were plied over 200 years ago when many things for the home were handcrafted. Visitors to the 32nd annual Eighteenth Century Day will be able to enjoy free tours of the Schuyler House, listen to music of the period, see Punch and Judy puppet shows, plus stroll around artisans demonstrating 18th century crafts and showing their wares. Tinsmithing, blacksmithing, broom-making, basket-making, rope-making, beer brewing, spinning, dyeing, weaving, rug-hooking, butter-making and carpentry are among some of the arts to be demonstrated. There will also be colonial-era farm life activities such as discussions of farming methods, medicinal treatments and leather-working. Free light refreshments will be available.

This traditional event is organized by the Old Saratoga Historical Association, a non-profit educational organization that provides furnishings for the Schuyler House and promotes interest in the history of Old Saratoga, Schuylerville, Victory and the Town of Saratoga areas, from Native American occupation, through modern times.

Saratoga National Historical Park presents special interpretive events and programs throughout the year. For further information about this and other programs, please call (518) 664-9821 ext. 224 or check their Web site at www.nps.gov/sara.

Last Call: The Rise and Fall of Prohibition

During Prohibition my grandfather’s brother Denis Warren, a veteran of some of the bloodiest American battles of World War One, was left for dead on the side of Route 9N south of Port Henry on Lake Champlain. He was in the second of two cars of friends returning from Montreal with a small supply of beer. Going through Port Henry local customs agents gave chase and the car he was in hit a rock cut and he was badly injured in the accident. Figuring his was dead, or nearly so, and worried he would go to prison, one of Denis’s best friends rolled him under the guardrail, climbed into the other car, and sped off.

Joe Kennedy, never really enthusiastic about World War One, spent the war as an assistant general-manager of Bethlehem Steel and used the opportunity to buddy up to Franklin D. Roosevelt who was then Assistant Secretary of the Navy. During Prohibition Kennedy went to England and with the help of FDR’s eldest son James Roosevelt secured the exclusive American rights for Gordon’s Dry Gin and Dewar’s Scotch. Contrary to rumors, Kennedy wasn’t a bootlegger, he imported his British booze legally under a permit to distribute medical alcohol. Kennedy was of course, the father of John F. Kennedy.

The story of these two Irish-Americans serves as a kind of microcosm of the story of Prohibition, when all of America seemed upside down. &#8220In almost every respect imaginable, Prohibition was a failure,&#8221 Daniel Okrent writes in Last Call: The Rise and Fall of Prohibition. &#8220It deprived the government of revenue, stripped the gears of the political system, and imposed profound limitations on individual rights. It fostered a culture of bribery, blackmail, and official corruption. It also maimed and murdered, its excesses apparent in deaths by poison, by the brutality of ill-trained, improperly supervised enforcement officers, and by unfortunate proximity to mob gun battles.&#8221

The medical exemption to Prohibition, along with the sacramental wine exemption, and the fruit exemption for homemade wine and cider, meant that Prohibition was fairly doomed from the start according to Okrent. In fact it’s a wonder that Prohibition even got started. In the late nineteenth century drinking was at an all time high, a central part of American life. But immigration was also at an all time high, along with the Protestant Christian reformers, xenophobia, and racism. An unlikely alliance emerged to battle &#8220Demon Rum&#8221 that included racists (including the Klan), progressives, suffragists, and populists.

Okrent lays out the story of this coalition in a readable way, avoiding much of the political minutiae, while still illuminating the personalities &#8211 people like Mother Thompson, Frances Willard, axe-wielding Carry Nation, bible-thumping Billy Sunday, William Jennings Bryan (who helped bring the Democratic party on board), Wayne Wheeler (the long-forgotten man considered the father of Prohibition), and Mabel Willebrandt (the Assistant US Attorney General despised by the nation’s drinkers).

The usual suspects are all here: the rise of organized crime from scattered minor street gangs, the rum runners contributions to boat design, the rise of Sam Bronfman’s Seagrams empire. The most interesting parts of the book however, detail how leading suffragists sought the vote after being denied leadership positions in the temperance movement and then used that vote to secure first the income tax (considered crucial to weaning the government off the alcohol excise tax teet) and finally Prohibition. Okrent also clearly presents the brewers’ failure to band together with the distillers, and their lack of action against the Prohibitionist until it was too late. Mostly German-Americans, World War One sealed their fates.

Also illuminating is Okrent’s telling of how the Eighteenth Amendment, which along with the Thirteenth Amendment outlawing slavery is the only constitutional amendment to deal with personal property and the only one to have been repealed, came to be reversed. Last Call chalks it up to a few primary factors. The ease of access to booze which was no longer regulated, and so could be found everywhere, not just at bars (the old joke went &#8220Remember before Prohibition? When you couldn’t get a drink on Sunday?&#8221). The presidential campaign of solidly wet New York Governor Al Smith (defeated by mostly dry anti-Catholics) that changed the political mood of the country’s immigrants [video]. The Great Depression, and the need for the billions in excise tax (which helped fund the New Deal) that gave Repeal a push. But the biggest factor was perhaps the right-wing wealthy anti-tax (and future anti-Roosevelt) Pierre S. DuPont who believed so profoundly that Repeal would mean an elimination of the income tax that he bankrolled the fight himself. Fundamentally though, it was the Democratic title-wave that swept FDR into office [music] that changed the make-up of the Congress that allowed the crucial Repeal vote.

Okrent avoids the obvious comparisons to today’s Drug War, but even the causal reader, can’t miss them. The seemingly limitless supply, the institutionalized hypocrisy of legal tobacco and alcohol while pot smokers go to overcrowded prisons. The overzealous and expensive enforcement on the one hand (particularly in the inner cities), alongside marijuana buyers clubs and lax enforcement that amounts to a defacto local option.

It took about 10 years to understand that Prohibition only increased lawlessness, corruption, greed, and violence. Last Call leaves the astute reader wondering how long it will take us to come to the same conclusion about the War on Drugs.

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