- Eastman House: Why Basements Are Bad For Film
- American Folk Art: Mural Painting in Rural NY
- LG Mirror: Lumbering the North Woods, 1890
- Adirondack Almanack: Dannemora-Clinton Prison
- American Folk Art: Elmira Reformatory
- Brooklynology: The Grapes of Brooklyn
- John McLaughlin: Am Revolution Black Loyalists
- NY Times: Short History of Superbowl Hype
Atlantic World Literacies: Before and After Contact
Atlantic World Literacies: Before and After Contact will be a an international, interdisciplinary conference sponsored by the Atlantic World Research Network, October 7-9, 2010 at The University of North Carolina at Greensboro’s Elliott University Center. Featured Speakers will include
Laurent DuBois (Professor of French and History, Duke University), Susan Manning (Professor of English, University of Edinburgh), Peter Mark (Professor of Art History and African-American Studies, Wesleyan University), and Julio Ortega (Professor of Hispanic Studies, Brown University). Read more
Old NYS Ornithological Association Journal Online
With a hat tip to the outstanding birding blog The Zen Birdfeeder we point readers to an interesting new online database of 57 years of the New York State Ornithological Association’s (NYSOA) quarterly journal The Kingbird. 229 issues of the journal are currently online, along with 4 ten-year indices- four new issues will be added each year. The journal includes commentary of historic bird lists, natural history field observation reports, an archive of NYSOA development and history, and a lot more.
Here are a few gems I found in the collection – warning – these are all pdfs!
Merriam’s Adirondack List
Stanley Lincoln’s History of the Federation of New York State Bird Clubs
John M.C. Peterson’s Report of the Great 1995 Blowdown from the Bouquet Valley
Conference: Preservation in New York – The Next Generation
The New York City Historic Districts Council has announced the Sixteenth Annual Preservation Conference, “Preservation in New York: The Next Generation” which will examine the future of preservation in New York City as a movement, both in terms of the types of buildings we should be preserving and the audiences we must engage in order to be successful. What will be the landmarks for the next generation and who will be fighting to preserve them?
The conference which runs March 5-7, 2010, will be preceded by an Opening Night Reception on Friday, March 5th. The Sunday following the Conference will feature a series of walking tours of historic areas throughout New York City. Participants can register online.
March 5: Opening Night Reception
This year the Opening Reception will be held in the LGBT Community Center, housed in an historic 19th-century school. As with last year’s event, in addition to refreshments and good preservation-minded conversation, this festive kick-off event will feature presentations on proposed historic districts and preservation campaigns across the city.
Friday, March 5, 6:00pm, at The LGBT Community Center, 208 West 13th Street between Seventh and Greenwich Avenues. Tickets for this event are $35/person, $30 for Friends of HDC, seniors and students. Reservations required. Please call (212) 614-9107 or visit our website.
March 6: “The Next Generation” Conference Panels
This year’s Conference Panels will bring together a distinguished group of preservationists, educators, community activists and non-profit leaders from New York City’s five boroughs to present their views in a series of panel discussions: “New Landmarks: Modern, Vernacular and Cultural Sites” and “New Audiences: Identifying and Partnering with Diverse Populations” and a keynote address delivered by Fran Leadon, architect, professor, and co-author of the forthcoming AIA Guide to New York City, Fifth Edition.
Saturday, March 6, 8:30am-4:30pm, at St. Francis College, 180 Remsen Street between Court and Clinton Streets, Brooklyn. Full day admission is $45/person, $35/person for Friends of HDC and seniors. Fee also includes continental breakfast, box lunch, and afternoon snack. Entrance fee will be waved for students with valid university ID (meals are not included). For reservations, please call (212) 614-9107 or visit our website.
March 7: Walking Tours
The final day of HDC’s Preservation Conference features six walking tours of neighborhoods throughout New York City:
The Grand Concourse: Ain’t It Grand!
A Walk Through Norwegian Brooklyn: Lapskaus Boulevard
Chelsea and Lamartine Place: A Cultural History
Modern in Midtown: Landmarks of the Recent Past
Parkchester: A City Within a City
West End Avenue: Way Out West
Space is limited, so reserve early. Meeting times and locations will be provided upon registration.
The Boston Area Seminar in Early American History
The Boston Area Seminar in Early American History invites proposals for sessions in its 2010-2011 series. Since 1989, the Seminar has been held at the Massachusetts Historical Society. Programs take place on the first Thursday evening of most months between September and May. The Seminar’s steering committee welcomes suggestions for papers dealing with all aspects of American history and culture from the era of first contact to the Civil War. Programs are not confined to Massachusetts topics, nor are they limited to the research of historians.
Each session focuses on the discussion of a pre-circulated paper. The essayist and an assigned commentator will each have an opportunity for remarks before the discussion is opened to the floor. Papers must be available for circulation electronically and by mail at least a month before the date of the seminar.
The seminar’s steering committee would like to fill two or three sessions through this call for papers. If you wish to be considered for a slot, send your CV and a one-page precis of your paper by March 15 to Conrad E. Wright, Massachusetts Historical Society, 1154 Boylston Street, Boston, MA 02215, or to [email protected].
In your proposal, indicate when your paper will be available for distribution. If there are special scheduling conditions, such as a planned trip to Boston or an extended period when you cannot make a presentation, indicate in your proposal.
Adirondack Museum Offers Passion in the Park
The Adirondack Museum in Blue Mountain Lake wants visitors to discover the romantic side of the Adirondack Park, by joining them for a special Valentine’s Day program that explores love stories happy, melodramatic, and tragic – all set in the North Country. Museum officials are suggesting you “bring a special loved one and plenty of handkerchiefs” on Sunday, February 14, 2010 as the Adirondack Museum presents “Passion in the Park” a Valentine’s Day edition of the Cabin Fever Sunday series with Curator Hallie E. Bond.
The presentation will be held in the Auditorium, and will begin promptly at 1:30 p.m. Cabin Fever Sunday programs are offered at no charge to museum members. The fee for non-members is $5.00. There is no charge for children of elementary school age or younger. Refreshments will be served. For additional information, please call the Education Department at (518) 352-7311, ext. 128 or visit the museum’s web site at
www.adirondackmuseum.org.
Some of the love stories that Bond will share are part of the established folklore and history of the region. Others have recently come to light through research in the Adirondack Museum’s fine collection of diaries and personal letters.
Bond will discuss how the reputation of the Adirondack Mountains as a romantic spot was established in the mid-nineteenth century and share the ways Valentine’s Day was celebrated before the era of cards from Hallmark. The program will be illustrated with charming images of vintage Valentines and photographs from museum collections.
Hallie Bond has been Curator at the Adirondack Museum since 1987. She has curated a number of popular exhibits including “Common Threads” 150 Years of Adirondack Quilts and Comforters,” “A Paradise for Boys and Girls: Children’s Camps in the Adirondacks,” and “Boats and Boating in the Adirondacks.” She has written extensively about regional history and material culture.
Photo: Valentine greeting, ca. 1910. Collection of the Adirondack Museum.
Met Offers Chronology Museum Exhibitions 1870-2010′-
The Metropolitan Museum of Art Archives has announced the availability of a valuable new source of information on the Museum’s history. “Museum Exhibitions 1870-2010″- [pdf] is a chronological list of all special exhibitions held at the Museum from its founding in 1870 to the present. Although the document will be continually updated, for complete accuracy reserachers should verify information against primary source documents in the Museum Archives or publications in the Museum’s Watson Library.
Suggestions, corrections or information regarding any Museum exhibitions do not appear in the chronology should be directed to [email protected]
Birds of New York Opens At New York State Museum
Birds of New York and the Paintings of Louis Agassiz Fuertes opened at the New York State Museum on Saturday, showcasing the original watercolors painted a century ago by one of America’s foremost science artists. The exhibition, in the Museum’s Crossroads Gallery, will run through September 6th. It will feature 40 of more than 100 paintings that Fuertes created to illustrate Birds of New York, a monumental book that combined beautiful art and scientific scholarship. The first edition of the book will be on display, along with a print portfolio and specimens from the Museum’s ornithology collection.
The first volume of Birds of New York – Water Birds and Game Birds – was published to much acclaim in 1910. Volume Two – Land Birds – followed four years later. Birds of New York was collaboration between Fuertes and author Elon Howard Eaton and served as a model for ornithology books that followed. Fuertes’ watercolors celebrated the beauty of wild birds, while Eaton advocated for the stewardship and conservation of birds and their habitats. Produced by the State Museum and published by the University of the State of New York, the book inspired the citizens of New York to observe and care for the state’s birds.
The book was commissioned by former State Museum Director John Mason Clarke, who served from 1904 to 1925. When he began his tenure it had been 60 years since the last book on the state’s birds had been published, and he wanted a new study that would update scientific knowledge. He commissioned Eaton, a biology teacher in Rochester, to research and write the book. Eaton enlisted Fuertes, a famous bird artist from Ithaca, to provide the illustrations.
Clarke’s written correspondence with Eaton and Fuertes, preserved in the New York State Archives, reveals that Clarke was a guiding force in producing the book, sometimes attending to even small details.
Named for the naturalist Louis Agassiz, Fuertes’ interest in the natural world was encouraged and he began to draw birds at an early age. He attended Cornell University in Ithaca. While still a student, Fuertes met a prominent Smithsonian ornithologist who recognized and promoted his artistic talent. This helped launch an active career and, soon, he was considered to be the leading bird artist of his day.
Just as John James Audubon inspired bird painters in the early 1800s, Fuertes influenced artists a century later by skillfully capturing the lifelike poses and natural settings of birds. Roger Tory Peterson, an avian artist and author of well-known field guides, wrote that while Audubon was famous for his dramatic compositions Fuertes “caught more of the character of the bird itself.”
Eaton also was a lifelong student of natural history. As a young man he prepared bird mounts and studied skins after enrolling in a taxidermy course. He established the Department of Biology at Hobart College in Geneva, where he taught from 1908 until his death in 1934. In 1901 he became known statewide when the Rochester Academy of Science published a paper he had written on the birds of western New York.
The lasting scientific importance of Birds of New York stems from Eaton’s authoritative compilation of original research that is included in the book, such as distribution maps, migration surveys and detailed observations of nests, eggs, songs and behaviors. The book continues to be cited by ornithologists studying changes in bird abundance and distribution since that time.
It also has strengthened interest in the study and protection of birds, and spurred the formation of local birding clubs and bird sanctuaries. Sixteen thousand copies of a print portfolio, including all of the color illustrations in the book, were widely distributed and inspired “Bird Day” celebrations across the state.
The State Museum will sponsor a free program in connection with the exhibition. Creative Art Day will be held Sunday, March 28 from 1 to 3 p.m. Families will be invited to participate in artful activities based on the exhibition. More information is available by calling 518-473-7154 or e-mailing [email protected].
The Birds of New York book is available online through the New York State Library’s digital collections at http://www.nysl.nysed.gov. A video tour of the Museum’s biology range, that includes its bird collection, is available at http://www.youtube.com/nysmuseum.
The New York State Museum is a program of the New York State Education Department’s Office of Cultural Education. Founded in 1836, the museum has the longest continuously operating state natural history research and collection survey in the U.S. Located on Madison Avenue in Albany, the Museum is open daily from 9:30 p.m. to 5 p.m. except on Thanksgiving, Christmas and New Year’s Day. Further information can be obtained by calling (518) 474-5877 or visiting the museum website at www.nysm.nysed.gov.
Hodson-Brown Fellowship:Literature, History, Culture, Art Before 1820
The C.V. Starr Center for the Study of the American Experience and the John Carter Brown Library invite applications for the Hodson Trust-John Carter Brown Fellowship, a unique research and writing fellowship.
The Hodson-Brown Fellowship supports work by academics, independent scholars and writers working on significant projects relating to the literature, history, culture, or art of the Americas before 1830. Candidates with a U.S. history topic are strongly encouraged to concentrate on the period prior to 1801. The fellowship is also open to
filmmakers, novelists, creative and performing artists, and others working on projects that draw on this period of history.
The fellowship award supports two months of research (conducted at the John Carter Brown Library in Providence, R.I.) and two months of writing (at Washington College in Chestertown, Md). Housing and university privileges will be provided. The fellowship includes a stipend of $5,000 per month for a total of $20,000.
Deadline for applications for the 2010-11 fellowship year is March 15, 2010.
For more information and application instructions, please visit the Starr Center’s website at http://starrcenter.washcoll.edu.
Artists of the Mohawk-Hudson Region Call For Entries
The Hyde Collection announces the call for entries associated with the 2010 Artists of the Mohawk-Hudson Region Juried Exhibition, which will be on view at the Museum from October 1 through December 12, 2010.
Founded in 1936, the exhibition is one of the longest running annual juried exhibitions in the country. The Artists of the Mohawk-Hudson Region highlights the finest works of contemporary artists working along the Mohawk-Hudson corridor.
This is the first year that The Hyde Collection will host the exhibition, which rotates among three venues. The other two hosts are The Albany Institute of History and Art and the University Art Museum at the University at Albany.
Juror for the 2010 exhibition is Charles Desmarais, deputy director of art at the Brooklyn Museum. Desmarais leads a staff of eighteen curators and manages the collection, conservation, education, exhibition, and library departments at the museum. He previously served as director of the Contemporary Art Center in Cincinnati and was director of the Laguna Art Museum and the California Museum of Photography at the University of California.
“The Hyde is thrilled to join the two Albany institutions in bringing the best of our region’s art to residents and visitors alike,” said Hyde Executive Director David F. Setford. “Each year, the caliber of works submitted for this annual show is testament to the artistic community that thrives in the areas surrounding the Mohawk and Hudson Rivers.”
As many as 300 artists are expected to submit works, in a variety of media, from which approximately fifty will be selected for the exhibition. Eligible artists include those who reside within a 100-mile radius of either Glens Falls or the Capital Region. The deadline for entries is March 26, 2010. Awards will be announced at the exhibition’s opening reception scheduled for October 1, 2010.
Artists interested in receiving information on the exhibition are asked to call (518) 792-1761 ext. 35. Submission entry forms and additional information are available on the Museum’s website at www.hydecollection.org.