Adirondack Museum Offers Passion in the Park

The Adirondack Museum in Blue Mountain Lake wants visitors to discover the romantic side of the Adirondack Park, by joining them for a special Valentine’s Day program that explores love stories happy, melodramatic, and tragic &#8211 all set in the North Country. Museum officials are suggesting you &#8220bring a special loved one and plenty of handkerchiefs&#8221 on Sunday, February 14, 2010 as the Adirondack Museum presents &#8220Passion in the Park&#8221 a Valentine’s Day edition of the Cabin Fever Sunday series with Curator Hallie E. Bond.

The presentation will be held in the Auditorium, and will begin promptly at 1:30 p.m. Cabin Fever Sunday programs are offered at no charge to museum members. The fee for non-members is $5.00. There is no charge for children of elementary school age or younger. Refreshments will be served. For additional information, please call the Education Department at (518) 352-7311, ext. 128 or visit the museum’s web site at
www.adirondackmuseum.org.

Some of the love stories that Bond will share are part of the established folklore and history of the region. Others have recently come to light through research in the Adirondack Museum’s fine collection of diaries and personal letters.

Bond will discuss how the reputation of the Adirondack Mountains as a romantic spot was established in the mid-nineteenth century and share the ways Valentine’s Day was celebrated before the era of cards from Hallmark. The program will be illustrated with charming images of vintage Valentines and photographs from museum collections.

Hallie Bond has been Curator at the Adirondack Museum since 1987. She has curated a number of popular exhibits including &#8220Common Threads&#8221 150 Years of Adirondack Quilts and Comforters,&#8221 &#8220A Paradise for Boys and Girls: Children’s Camps in the Adirondacks,&#8221 and &#8220Boats and Boating in the Adirondacks.&#8221 She has written extensively about regional history and material culture.

Photo: Valentine greeting, ca. 1910. Collection of the Adirondack Museum.

Met Offers Chronology Museum Exhibitions 1870-2010&#8242-

The Metropolitan Museum of Art Archives has announced the availability of a valuable new source of information on the Museum’s history. &#8220Museum Exhibitions 1870-2010&#8243- [pdf] is a chronological list of all special exhibitions held at the Museum from its founding in 1870 to the present. Although the document will be continually updated, for complete accuracy reserachers should verify information against primary source documents in the Museum Archives or publications in the Museum’s Watson Library.

Suggestions, corrections or information regarding any Museum exhibitions do not appear in the chronology should be directed to [email protected]@metmuseum.org.>

Birds of New York Opens At New York State Museum

Birds of New York and the Paintings of Louis Agassiz Fuertes opened at the New York State Museum on Saturday, showcasing the original watercolors painted a century ago by one of America’s foremost science artists. The exhibition, in the Museum’s Crossroads Gallery, will run through September 6th. It will feature 40 of more than 100 paintings that Fuertes created to illustrate Birds of New York, a monumental book that combined beautiful art and scientific scholarship. The first edition of the book will be on display, along with a print portfolio and specimens from the Museum’s ornithology collection.

The first volume of Birds of New York – Water Birds and Game Birds – was published to much acclaim in 1910. Volume Two – Land Birds – followed four years later. Birds of New York was collaboration between Fuertes and author Elon Howard Eaton and served as a model for ornithology books that followed. Fuertes’ watercolors celebrated the beauty of wild birds, while Eaton advocated for the stewardship and conservation of birds and their habitats. Produced by the State Museum and published by the University of the State of New York, the book inspired the citizens of New York to observe and care for the state’s birds.

The book was commissioned by former State Museum Director John Mason Clarke, who served from 1904 to 1925. When he began his tenure it had been 60 years since the last book on the state’s birds had been published, and he wanted a new study that would update scientific knowledge. He commissioned Eaton, a biology teacher in Rochester, to research and write the book. Eaton enlisted Fuertes, a famous bird artist from Ithaca, to provide the illustrations.

Clarke’s written correspondence with Eaton and Fuertes, preserved in the New York State Archives, reveals that Clarke was a guiding force in producing the book, sometimes attending to even small details.

Named for the naturalist Louis Agassiz, Fuertes’ interest in the natural world was encouraged and he began to draw birds at an early age. He attended Cornell University in Ithaca. While still a student, Fuertes met a prominent Smithsonian ornithologist who recognized and promoted his artistic talent. This helped launch an active career and, soon, he was considered to be the leading bird artist of his day.

Just as John James Audubon inspired bird painters in the early 1800s, Fuertes influenced artists a century later by skillfully capturing the lifelike poses and natural settings of birds. Roger Tory Peterson, an avian artist and author of well-known field guides, wrote that while Audubon was famous for his dramatic compositions Fuertes “caught more of the character of the bird itself.”

Eaton also was a lifelong student of natural history. As a young man he prepared bird mounts and studied skins after enrolling in a taxidermy course. He established the Department of Biology at Hobart College in Geneva, where he taught from 1908 until his death in 1934. In 1901 he became known statewide when the Rochester Academy of Science published a paper he had written on the birds of western New York.

The lasting scientific importance of Birds of New York stems from Eaton’s authoritative compilation of original research that is included in the book, such as distribution maps, migration surveys and detailed observations of nests, eggs, songs and behaviors. The book continues to be cited by ornithologists studying changes in bird abundance and distribution since that time.

It also has strengthened interest in the study and protection of birds, and spurred the formation of local birding clubs and bird sanctuaries. Sixteen thousand copies of a print portfolio, including all of the color illustrations in the book, were widely distributed and inspired “Bird Day” celebrations across the state.

The State Museum will sponsor a free program in connection with the exhibition. Creative Art Day will be held Sunday, March 28 from 1 to 3 p.m. Families will be invited to participate in artful activities based on the exhibition. More information is available by calling 518-473-7154 or e-mailing [email protected].

The Birds of New York book is available online through the New York State Library’s digital collections at http://www.nysl.nysed.gov. A video tour of the Museum’s biology range, that includes its bird collection, is available at http://www.youtube.com/nysmuseum.

The New York State Museum is a program of the New York State Education Department’s Office of Cultural Education. Founded in 1836, the museum has the longest continuously operating state natural history research and collection survey in the U.S. Located on Madison Avenue in Albany, the Museum is open daily from 9:30 p.m. to 5 p.m. except on Thanksgiving, Christmas and New Year’s Day. Further information can be obtained by calling (518) 474-5877 or visiting the museum website at www.nysm.nysed.gov.

Hodson-Brown Fellowship:Literature, History, Culture, Art Before 1820

The C.V. Starr Center for the Study of the American Experience and the John Carter Brown Library invite applications for the Hodson Trust-John Carter Brown Fellowship, a unique research and writing fellowship.

The Hodson-Brown Fellowship supports work by academics, independent scholars and writers working on significant projects relating to the literature, history, culture, or art of the Americas before 1830. Candidates with a U.S. history topic are strongly encouraged to concentrate on the period prior to 1801. The fellowship is also open to
filmmakers, novelists, creative and performing artists, and others working on projects that draw on this period of history.

The fellowship award supports two months of research (conducted at the John Carter Brown Library in Providence, R.I.) and two months of writing (at Washington College in Chestertown, Md). Housing and university privileges will be provided. The fellowship includes a stipend of $5,000 per month for a total of $20,000.

Deadline for applications for the 2010-11 fellowship year is March 15, 2010.

For more information and application instructions, please visit the Starr Center’s website at http://starrcenter.washcoll.edu.