The Hyde Collection in Glens Falls (Warren County) is offering visitors an unprecedented opportunity to see the remarkable Portrait of Walt Whitman (1887-1888) by Thomas Eakins (1844-1914).
The Whitman portrait is considered one of Eakins’s finest paintings, and only rarely leaves Philadelphia, where it is a featured work in the collection of the Pennsylvania Academy of Fine Arts (PAFA). The image of one of America’s most influential poets, by one of the nation’s greatest artists, will be in Glens Falls for six months, as a second exchange for the year-long loan of The Hyde Collection’s Portrait of Henry Ossawa Tanner (ca. 1897) by Eakins. Tanner was one of Thomas Eakins’s students at the Pennsylvania Academy and the portrait has been lent to PAFA for their exhibition Henry Ossawa Tanner: Modern Spirit. That major retrospective celebrates Tanner’s position in American art as a pioneering African-American, as well as establishing him as one of our most significant expatriate artists of the late nineteenth and early twentieth centuries.
The Portrait of Walt Whitman will be exhibited in Hyde House where visitors can also see In the Studio (1884), another work by Eakins in the Museum’s collection.
Before returning to The Hyde, the Tanner portrait will have been exhibited in three national venues: PAFA, January 28 – April 15, 2012- Cincinnati Art Museum, May 26 – September 9, 2012- and then traveling to the Museum of Fine Arts, Houston, October 21 – January 13, 2013.
Illustration: Thomas Eakins, American (1844-1916), Walt Whitman (1819-1892), 1887-88, oil on canvas, Courtesy of the Pennsylvania Academy of the Fine Arts, Philadelphia.
A new exhibition has opened at the New York State Museum showcasing the works of Adirondack photographer and conservationist Seneca Ray Stoddard.
Seneca Ray Stoddard: Capturing the Adirondacks is open through February 24, 2013 in Crossroads Gallery and includes over 100 of Stoddard’s photographs, an Adirondack guideboat, freight boat, camera, copies of Stoddard’s books and several of his paintings. There also are several Stoddard photos of the Statue of Liberty and Liberty Island. These and other items come from the State Museum’s collection of more than 500 Stoddard prints and also from the collections of the New York State Library and the Chapman Historical Museum in Glens Falls.
Born in Wilton, Saratoga County in 1844, Stoddard was no doubt inspired by the Adirondacks at an early age. A self-taught painter, he was first employed as an ornamental painter at a railroad car manufacturer in Green Island, across the Hudson River from Troy in Albany County. He moved to Glens Falls (Warren County) in 1864, where he worked with sketches and paintings until his death there in 1917.
Early on he sought to preserve the beauty of the Adirondacks through his paintings but then became attracted to photography’s unique ability to capture the environment. He was one of the first to capture the Adirondacks through photographs. He used the then recently introduced wet-plate process of photography. Though extremely cumbersome by today’s standards, the technique was the first practical way to record distant scenes. It required Stoddard to bring his entire darkroom with him into the Adirondack wilderness.
His renown as a photographer quickly grew once he settled in Glens Falls, which also became his base camp for his explorations of the Adirondacks. He studied the Adirondacks intensely over a 50-year period.
Stoddard’s photos showed the challenges travelers faced in getting to the still undeveloped wilderness, along with their enjoyment of finally reaching their destination. His writings and photographs indicate that he was especially skilled at working with people from diverse economic backgrounds in a variety of settings. This was especially important as he used his photos to capture the changing Adirondack landscape as railroads were introduced and the area became an increasingly important destination for the burgeoning middle-class tourist, but also for the newly wealthy during the “Gilded Age.”
His work stimulated even further interest as he promoted the Adirondacks through his photographs and writings on the beauty, people and hotels of the region. Stoddard’s photographs showed the constancy of the natural beauty of the Adirondacks along with the changes that resulted from logging and mining, to hotels and railroads. As unregulated mining and logging devastated much of the pristine Adirondack scenery, Stoddard documented the loss and used those images to foster a new ethic of responsibility for the landscape. His work was instrumental in shaping public opinion about tourism, leading in part to the 1892 “Forever Wild” clause in the New York State Constitution.
The State Museum purchased over 500 historic Stoddard prints in 1972 in the process of acquiring historic resources for the Museum’s Adirondack Hall. They included albumen prints from Stoddard’s own working files, many with penciled notes. Nearly all are of the landscapes, buildings and people of the Adirondacks taken primarily in the 1870s and 1880s.
The State Museum will present several programs in conjunction with the Stoddard exhibition. There will be guided tours of the exhibition on September 8 and December 8 from 1-2 p.m. Stoddard will also be the focus of Family Fun Day on September 15 from1-4 p.m.
Established in 1836, the New York State Museum is a program of the State Education Department’s Office of Cultural Education. Located on Madison Avenue in Albany, the Museum is open Monday through Saturday from 9:30 a.m. to 5 p.m. except on Thanksgiving, Christmas and New Year’s Day. Admission is free. Further information can be obtained by calling (518) 474-5877 or visiting the Museum website at www.nysm.nysed.gov.
Photo: Stoddard’s “Indian Encampment, Lake George, 1872″-.
When Sally Svenson, an summer resident of Lake Luzerne and occasional contributor to Adirondack Life magazine, was writing Adirondack Churches: A History of Design and Building (2006, North Country Books) , she stumbled upon the life of Eliza Warren Price, known as Lily, Duchess of Marlborough.
Lily, who was born in Troy, NY in 1854, was reported in an old history to have provided the funds for a chapel at st. Mary’s Episcopal Church in Lake Luzerne. That turned out to be a questionable assertion, but Svenson found Lily’s obituary in the New York Times and was hooked on her incredible life story which is told in Lily, Duchess of Marlborough (1854-1909): A Portrait with Husbands (2011, Dog Ear Publishing). Continue reading →
It’s probably safe to say most everyone who has ventured into Adirondack woods or waters in the last 50 years has at some time used a Coleman product.
The company once sold Skiroule snowmobiles, Hobie Cat sailboats, and even its on pop-up trailers, but most recreationists are familiar with some of the smaller Coleman products: coolers, canoes and other small boats, sleeping bags, tents, backpacks, and the ubiquitous camp stoves and Coleman lanterns.
The company was founded in 1900 by William Coffin Coleman, known as “W. C.”, and a former school school principal working as a typewriter salesman who founded the company while earning money for law school. Coleman’s obsession with a lantern that burned a bright white light is matched by legions of Coleman collectors, who pour over the company’s American made designs (Coleman was born in Columbia County, NY and moved to the mid-west) and trade stories and knowledge.
The International Coleman Collectors Club will hold it’s 20th Anniversary Convention at the Fort William Henry Convention Center in Lake George on June 28th and 30th [link]. The event, the first convention to be held in the Northeast, will feature collectors from throughout the United States and Canada and as far away as Germany, Denmark, and The Philippines. Thirty-eight tables filled with Coleman products from the early 1900s onward, some for sale, and a seminars on lantern restoration, how mantles are made, and the Coleman Model 202 Professional lantern, a nickle-plated beauty made from the mid-1950s to the early 1960s. A highlight of the event will be two outdoor Coleman “light-ups”. Steve and Robin Miller of Queensbury are serving as hosts of the gathering. “I thought this would be a perfect place to hold a camping equipment show, right here in Lake George,” Steve Miller told me. “We thought that this would be a great place for the collectors from around the world, as it is very beautiful here and there is so much to do,” he said, “Lake George also has the only Coleman outlet store in the northeast, just a few miles up the road from the convention center.”
The Millers have been collecting Coleman gear for about 25 years and have about 200 Coleman lanterns, stoves, gas irons, and more, but they are quick to point out that there will be even more knowledgeable “Coleman people” at the convention, including several who have worked at the Coleman company in Wichita, KS over the years.
The event will be open to the public on Saturday only, from 9 am to 1 pm, but it’s not too late to register for the convention (pdf).
Two “light-ups” will be held. The first in the Fort William Henry parking lot on Thursday at 8:30 pm, and the second on Friday night at the Georgian Resort’s beach, beginning about 7-8:00 pm (bring your lanterns!).
Photos: Above, Steve and Robin Miller, Coleman Collectors- Below, part of the Millers’ large Coleman lantern collection.
Summer means warm weather and visits to the amusement parks. This year, The Comet, a classic wooden roller coaster and without a doubt the most beloved ride at the Six Flags Great Escape in Queensbury, NY, turns 85. The Comet is such an icon that it was named a Roller Coaster Landmark three years ago by the American Coaster Enthusiasts.
“The Comet is truly a special roller coaster that was able to get a ‘second lease on life’ (or in this case, a third as it was part of a previous roller coaster at Crystal Beach). The coaster is fast paced from beginning to end, featuring tremendous ‘air-time’ (that ‘out of your seat feeling’) that coaster lovers craze the most,” explains Dave Hahner, the Historian with American Coaster Enthusiasts (ACE) organization. “We are indeed fortunate to be able to still ride the Comet years after its original park had closed forever.”
“The Comet continues to be our most popular attraction at the Park,” explains Rebecca Close, Communications Manager for the Six Flags Great Escape. “Each year there are over 400,000 rides on the Comet, above all other rides. Another measure of the Comet popularity is that it has been the setting for many weddings for park goers and coaster enthusiasts.”
The Comet was first constructed in 1927 by legendary coaster builder Harry Traver. It was first named the Cyclone, and was thought by many to be the most intense coaster ever. “A nurses station was built near the exit of the ride to assist riders who may have been overcome by some of that ride’s intensity!” said Hahner. It had a laminated wood track and a steel superstructure, but was considered to be a wooden coaster by definition. The Cyclone’s first home was Crystal Beach Amusement Park, a short distance from Buffalo, NY in Ridgeway, Ontario, Canada. The Cyclone enjoyed a robust life until 1946 when decreased park patronage and increased ride maintenance led the Park to dismantle it.
Crystal Beach then contracted with the Philadelphia Toboggan Company (PTC) and Herbert Schmeck, considered one of the best coaster designers of all time, for the design and construction of a new, larger coaster. To save money, the new coaster was built with steel salvaged from the Cyclone. It featured a low-profile layout, which saved on materials, and produced the unbridled speed that riders crave. Unveiled in 1948 as The Crystal Beach Comet, the new coaster was thought by many to be the best of its kind because of its classic profile and thrilling interplay of G-forces.
When Crystal Beach Amusement Park closed in 1989 after its 101st season, enthusiasts mourned the loss of The Comet. A month later, the coaster was rescued from destruction when legendary Charles R. Wood, owner of The Great Escape Fun Park in Lake George, NY, purchased The Comet for a record $210,000.
After a lengthy approval process and several years of storage, reconstruction of this world-class wooden coaster began in earnest in October, 1993. More than 49 tractor-trailer loads of steel crossed New York state, while more than 1,000 concrete footers were poured at The Great Escape. The complex process of sandblasting, restoring, priming, and reassembling thousands of steel subassemblies was handled entirely in-house by park personnel. Hahner explains, “the ride reopened to the public in June of 1994 and is considered a great act of historic coaster preservation, which is also one of the reasons that ACE chose to classify it as a landmark roller coaster.
“This is our signature attraction and each year we invest significant dollars to keep it running smoothly,” said Close. “In the last two years we have replaced a significant portion of the wooden track to maintain its fantastic ride.”
The Comet stands 95 feet tall and reaches speeds up to 60 mph never ceasing to surprise riders with its gut-wrenching hills and drops along its 4,197 foot long track. The Comet is an icon, a classic, a universal favorite that perennially is chosen as one of the top ten roller coasters in the world.
“There are currently 28 roller coasters designated as an ACE Roller Coaster Landmark, with a 29th, Whizzer, an Anton Schwarzkopf steel coaster at Six Flags Great America, to be dedicated in August at our national ACE Preservation Conference,” said Hahner. “The purpose of the landmark award is to make the public aware of the historical significance of those rides that we feel are important to the evolution of roller coaster design or of special historical significance to the amusement industry.”
“We are honored to have such a high profile and historical attraction on our Park. The Great Escape loves to hear the feedback from park guests each year,” said Close. “Guests from all over the world come to ride the Comet and tell us about their first trip, when it was here or while it was at Crystal Beach. The Comet means a lot to The Great Escape and we look forward to providing many more years of thrills at The Great Escape.”
Sean Kelleher is the Historian for the Town of Saratoga in the Upper Hudson Valley.
On Tuesday, June 5, 7 p.m. at Thurman town hall underwater archaeologist Joseph W. Zarzynski will present a talk on Bateaux Below’s study of “The Sunken Fleet of 1758,” a notable event at Lake George during the French & Indian War (1755-1763).
In the autumn of 1758, the British sank over 260 warships in Lake George to protect the vessels over the winter of 1758-1759 from their enemy, the French and their Native American allies. Many of the sunken warships were recovered in 1759 and reused by the British. However, over 40 sunken warships were never retrieved by the British forces in 1759 and they offer underwater archaeologists an excellent opportunity to study these shipwrecks to find out about the colonial soldiers that used them. Zarzynski’s talk will give details on Bateaux Below’s 24-year-long study (1987-2011) of “The Sunken Fleet of 1758.”Zarzynski is co-founder of Bateaux Below, co-author (with Bob Benway) of the book Lake George Shipwrecks and Sunken History, and co-authored the documentary Search for the Jefferson Davis: Trader, Slaver, Raider. The documentary, written with Dr. Samuel Turner, was a 2012 Peabody Awards nominee, and an “Official Selection” in the Orlando Film Festival (2011), Amelia Island Film Festival (2012), and the Buffalo Niagara Film Festival (2012). The documentary was named one of three finalists for “Best Documentary” in the 6th Buffalo Niagara Film Festival.
Zarzynski’s June 5th program, hosted by the John Thurman Historical Society, is free and open to the public, and refreshments will be served. Thurman town hall is located at 311 Athol Road, Athol, NY, about 6 miles from the Warrensburg Health Center via route 418 and Athol Road. For more information, call 518-623-9305.
Photo: Joseph W. Zarzynski holds a model of the type of 18th century radeau that plied the waters of Lake George during the French and Indian War (Photo courtesy Peter Pepe).
Over 600 local travel suggestions have been submitted to the Lakes to Locks Passage website, just in time for the summer travel season. The site, which is co-branded with National Geographic, emphasizes travel and tourism opportunities that are submitted by local residents and locally-owned business owners.
A national advertising and marketing campaign is currently underway to promote the Lakes to Locks Passage, which stretches from Albany to Quebec, along the interconnected waterway of the Hudson River, Champlain Canal, Lake George and Lake Champlain and includes Albany, Rensselaer, Saratoga, Washington, Warren, Essex and Clinton Counties. The site is built on the principles of Geotourism, which is defined as tourism that contributes to the economic health of communities by enhancing the geographical character of a place – its environment, culture, aesthetics, heritage and well-being of its residents.
The site is as appealing to visitors as it is to people that live within the Lakes to Locks Passage according to Executive Director Janet Kennedy, who says “This website shines a spotlight on the region’s hidden gems, those places that provide local character to a destination. It is exciting to see the local commitment to delivering a distinctive travel experience.”
Lakes to Locks Passage is a New York and Federally designated byway, dedicated to stewardship of the natural, cultural, recreational and historic resources along the waterway. The collaboration with National Geographic unifies the region as a single destination, where users can pinpoint places of interest on a map and then learn about what the region offers in terms of nature, history, special events and outdoor experiences.
Long considered beautiful photographs of the Adirondack landscape, Seneca Ray Stoddard’s views also serve as documents of the plants that inhabited the region in the 19th century. Since he was rediscovered in the late 1970s, Stoddard’s work has been featured in numerous exhibits that explored the history of 19th century life in the Adirondacks. A survey of the 3,000 images in the Chapman Historical Museum archives, however, revealed hundreds of images that are purely natural landscapes. The subject matter is the Adirondack environment – not great hotels, steamers, camp scenes or other obvious evidence of human activity. The Chapman’s summer exhibit, S.R. Stoddard’s Natural Views, features forty enlarged photographs of varied Adirondack settings – lake shores, marshes, meadows, riverbanks and mountainsides. Included are such locations as Surprise Falls on Gill Brook, Indian Pass, Lake Sanford, Ausable Chasm, Wolf Pond and Paradise Bay on Lake George. The exhibit examines these photographs as documents of the history of ecological habitats, providing an opportunity to consider the issue of environmental change – an issue as relevant in Stoddard’s time as it is today.
To address this issue the museum consulted with Paul Smith’s College biologist, Daun Reuter, and Don Leopold of SUNY-ESF, who identified botanical species in Stoddard’s photographs. Plants that they discovered in Stoddard’s photographs —- from small flowers to shrubs and trees – are highlighted in modern color images supplied by Ms. Reuter and others and in digital reproductions of period specimens from the herbarium at the New York State Museum. These show details of the plants in their various stages – details rarely visible in Stoddard’s photographs many of which were taken late in the year after the plants had lost their flowers and started to wither.
By bringing attention to this group of Stoddard photographs, the exhibit will give visitors the opportunity to discover and reflect on the changing environment – a topic of urgent concern in the region. Through their experience visitors will gain greater appreciation for not only Stoddard’s photographic vision but also the natural world of the Adirondacks. The exhibit is funded by grants from the Leo Cox Beach Philanthropic Foundation and the Waldo T. Ross & Ruth S. Ross Charitable Trust Foundation and sponsored by Glen Street Associates and Cooper’s Cave Ale Co.
For those who wish to learn more, the Chapman Historical Museum has scheduled a series of programs (detailed below) to be held at both the museum at and other sites. The museum is located at 348 Glen Street, Glens Falls, NY. For more information call (518) 793-2826 or go to www.chapmanmuseum.org.
Wednesday, May 30, 7 pm Talk: “UNWANTED: Invasive species of the Adirondacks” Speaker: Hilary Smith, Director, Adirondack Park Invasive Plant Program At the Chapman. Free.
Saturday, June 9, 8:30 -11:30 am Bird Walk in Pack Forest, Warrensburg Guide: Brian McAllister, Adirondack Birding Center
Bird watch along the nature trail to the old growth forest. Bring binoculars, field guide, water, snack, bug repellant, hiking shoes, and appropriate dress. For birders of all levels. Call (518) 793-2826 for directions.
Wednesday, June 20, 2012, 7 pm Talk: “Go Native! An Introduction to Gardening with Native Plants” Speaker: Emily DeBolt, Fiddlehead Creek Farm & Native Plant Nursery At the Chapman. Free.
Thursday July 12, 9:30-11:30 am. A plant paddle at Dunham’s Bay. Guide: Emily DeBolt, Lake George Association.
Part of the 7th annual Adk Park Invasive Species Awareness Week Bring your own canoe or kayak. Meet at Dunham’s Bay Marina For reservations call the LGA at (518) 668-3558
Saturday, August 4, 1 – 3 pm Guided Bog Walk of Native Adirondack Plants Guide: Daun Reuter, Dept Biology, Paul Smith’s College
At Paul Smith’s Visitor Interpretive Center. Reservations: $20. Call the VIC at (518)327-6241
Saturday, August 18, 8 am Guided alpine plant hike up Wright Peak Guide: Sean Robinson, Dept Biology, SUNY Oneonta
Meet at ADK LOJ parking lot. Parking $. Info & Reservations: Call the museum at (518) 793-2826
Photos: Above, Silver Cascade, Elizabethtown by S.R. Stoddard, ca. 1890.
The Hyde Collection has announced that David F. Setford has informed the Board of Trustees that he intends to leave his post as Executive Director in August. A nationwide search will be conducted to identify a successor.
Setford, who has led the Hyde for four and a half years, spearheaded high-profile exhibitions including Degas and Music in 2009 and Andrew Wyeth: An American Legend in 2010 and oversaw a successful $3 million capital campaign. He has accepted a position with International Fine Art Expositions in Florida, as Managing Executive directing international art fairs in Palm Beach and Miami. “Leading The Hyde Collection has been one of the greatest professional experiences of my career, and I leave with both deep affection for this spectacular collection and great expectations for its future,” Setford said. “The Hyde is one of the most distinguished regional art museums in the United States, respected both for its profound cultural impact and its economic importance to the Greater Glens Falls and Capital Regions.”
Candace Wait, chair of The Hyde Collection Board of Trustees, said: “We are indebted to David for his steady leadership and vision, especially in helping the Board of Trustees and our staff carefully chart the future of one of the most important cultural institutions in Upstate New York. He has led us through the process of updating The Hyde Collection’s long-term strategic plan and to the near completion of our Facilities Master Plan. David’s leadership, good humor and enthusiasm will be missed.”
“During the next four months, as we prepare for David’s departure, our Board will engage in a careful national search for a successor who shares our commitment to thttp://www.blogger.com/img/blank.gifhe mission of The Hyde and our passion for bringing The Hyde experience to an even broader audience throughout New York and New England,” Wait added.
The Hyde Collection attracts thousands of visitors annually. Its collection of more than 3,000 objects of European and American art includes works by Rembrandt, Rubens, Picasso, Renoir, and Hassam. Its holdings are regularly in high demand by art museums around the world. Its “Christ with Folded Arms” by Rembrandt was loaned to the Louvre last year.
The museum is located at 161 Warren Street in Glens Falls, where it was founded in 1963 in the historic American Renaissance mansion of Charlotte Pruyn Hyde and Louis Fiske Hyde. Mrs. Hyde was the daughter of the co-founder of the Finch Paper mill in Glens Falls. Hyde House, as the residence is known, is on the National Register of Historic Places. More information is available at www.hydecollection.org.
What follows is a guest essay by Glenn L. Pearsall who recently confirmed the birthplace of Civil War photographer Mathew Brady in Warren County, NY. The essay originally appeared in the Warren County Historical Society newsletter.
On November 10, 2011 the Town of Johnsburg Historical Society commemorated the birthplace of famed Civil War photographer Mathew Brady. They had a cast iron historic marker made and placed at the entrance of the C. Ernest Noxon Community Center in Wevertown, Warren County, NY. Brady was born in Johnsburg Township about 4 miles south of Wevertown in 1822 or 1823. A story of that dedication ceremony was featured in the Glens Falls Post Star and then picked up by the Associated Press. From there the story was distributed nationally and online versions of the story appeared across the country including the Wall Street Journal, New York Daily News and the New York Times. The research into documenting Brady birthplace in Johnsburg began in 2006 and reads like a detective story or an episode of the PBS show “History Detectives”.
Mathew (only one “t”) Brady was an internationally known figure and much of what we know of the Civil War and famous leaders of the 19th Century comes from his photographs. Mathew Brady’s photographs of the dead at the battle of Antietam, featured in his New York City Gallery on October 1862, brought home to America for the first time the true horror of the Civil War. His corps of photographers documented that war with tens of thousands of photographs. His February 9, 1864 picture of Abraham Lincoln was featured on the U.S. $5 bill since 1928 and when that bill was re-designed in March of 2008 a new picture of Lincoln was used, taken by Brady that same day in 1864. Although most famous for his Civil War work, Brady’s Gallery of Illustrious Americans featured luminaries from Andrew Jackson to Andrew Carnegie. Brady’s work helped record and preserve American history, and yet, until just recently, the birthplace of this famous American remained a mystery.
Mathew Brady’s personal letters indicate that he was born north of Lake George, NY of “poor Irish immigrant parents”. Most Brady biographies are silent as to his exact place of birth. Others list his birthplace as Lake George, or just Warren County, New York. Local folklore here in the southeastern Adirondacks has said for years that he was born in Johnsburg, NY, but there was no documentation to substantiate that claim.
The Federal Census in the early 1800s does not include the names of children. I began, therefore, with Mathew Brady’s father. It is commonly acknowledged that Mathew Brady died in New York City January 15, 1896. With his name and date and place of death it was easy to obtain a certified copy of Mathew Brady’s death certificate from the New York City Dept of Health (New York City Death Certificate #1746). That certificate lists his father as Andrew and mother as Julia. The death certificate notes his place of birth only as “U.S.”.
An inspection of the 1830 Federal Census of towns north of Lake George indicated that the only Andrew Brady listed was in the Census for the Town of Johnsburgh (then spelled with a “h”). That census lists Andrew Brady with 5 children- three boys and two girls. Two of those boys are listed in that 1830 census between the ages 5 to 10. Most sources list Mathew Brady as being born in 1822 or 1823 so he would have been 7 or 8 in 1830. The only reference to an exact date of birth is on www.NNDB.com which lists his date of birth as January 15, 1823, but there is no documentation listed for this and the exact date of January 15th may be confused with his date of death on January 15, 1896, 72 years later).
The next challenge was to determine exactly where he might have been born. In the early 1980s I had visited regularly with Lewis Waddell, then Town of Johnsburg Historian (now long since deceased). Lewis had told me about where the old foundation site was, but we never got around to visiting it together so I was not sure of its exact location. In the Johnsburg Historical Society files, however, I found a sketch that Lewis Waddell had made as to the location of the foundation. It was not to scale, however, so it took some exploring. Bushwhacking around the base of Gage Mountain my wife Carol and son Adam and I located the old road that went from the Glen to Wevertown (the road was later straightened and is now NYS RT 28). Referencing the other foundations along that old road that Waddell had sketched in, we located what I believe to be the foundation of the house where Mathew Brady was born in 1822 or 1823.
The actual site of Brady’s birthplace lies 4.1 miles south of Wevertown off of NYS Rt 28. The house foundation lies about 275 yards off the west side of the road (GPS N 63 degrees 36’00.6”x W 73 degrees 52’44.4”) on private property.
It has been written that Brady left the area at age 16 (in 1838 or 1839). Some sources indicate that his first stop was Saratoga Springs, N.Y. where he met famed portrait painter William Page. Brady became Page’s student and in 1839 the two of them travelled to Albany, N.Y. In 1844 they continued south to New York City where Brady’s instructions were supplemented under the tutelage of Samuel F. B. Morse (portrait painter and inventor of the single wire telegraph system). Morse was enthusiastic about the new art of capturing images through daguerreotype having met Louis Jacques Daguerre in Paris in 1839. Soon Brady was also excited about the new process and established his first photographic studio at the corner of Broadway and Fulton Street. In 1849 he established a studio in Washington D.C. so that he could photograph the famous men of his time there.
In 1896, depressed by the death of his wife Juliet (“Julia” Handy) 9 years earlier and suffering from alcoholism and loneliness, Mathew Brady died in the charity ward of the Presbyterian Hospital in New York City. Penniless at the time of his death, his funeral was paid for by veterans of the famous 7th New York Volunteer Infantry. He is buried in Congressional Cemetery in Washington, D.C.
Photos: Above, Glenn Pearsall at the re-discovered Mathew Brady foundation in Johnsburg- middle, a hand drawn map by former Town of Johnsburg Historian Lewis Waddell showing the possible location of the Brady homestead (not to scale)- below, the newly installed historic marker in nearby Wevertown, NY. (Photos courtesy Glenn Pearsall).