At 4pm, Nava Atlas will read from her latest book, The Literary Ladies’ Guide to the Writing Life, which explores the writing life of twelve celebrated women writers, including such renowned authors as Jane Austen, Charlotte Bronte, Madeleine L’Engle, Anais Nin, George Sand, Edith Wharton, and Virginia Woolf through their journals, letters, and diaries. On Saturday evening at 7, the Wallkill Valley Writers will read from their anthology which includes personal essays, poems, and stories.
Sunday, March 4 will feature two three-hour Wallkill Valley Writers Workshops led by Kate Hymes. Session 1 is from 9– 12pm and Session 2 is from 1-4 pm. Anyone with a desire to write, whether a beginner or experienced, is invited to attend these workshops which will be held in a safe environment. Sources culled from the HHS archives and other local history will serve as an inspiration for writing throughout the weekend.
Saturday includes a book signing and refreshments. Fees are as follows: Saturday Deyo House Edwardian tour and reading with Nava Atlas: $15. Saturday evening reading with Wallkill Valley Writers: $5. Sunday per session: $40. Full weekend including one workshop on Sunday: $50.
To register or for more information, call 845-255-1660, x103 or email Jan Melchior at email@example.com.
About the Presenters
Nava Atlas is the author and illustrator of visual books on family themes, humor, and women’s issues, including The Literary Ladies’ Guide to the Writing Life (2011), exploring first-person narratives on the writing lives of twelve classic women authors, and commenting on the universal relevance of their experiences to all women who love to write. Secret Recipes for the Modern Wife (2009) is a satiric look at contemporary marriage and motherhood through the lens of a faux 1950s cookbook. Nava Atlas is also the author and illustrator of many books on vegetarian cooking, a book on leafy greens will be on the shelves in the spring of 2012. An active fine artist specializing in limited edition artist’s books and text-driven objects, her work is shown and collected by museums and universities across the U.S.
Kate Hymes, a poet and educator living in the Hudson Valley, leads weekly writing workshops and writing retreats. She has over twenty years experience as an educator with experience teaching writing on college level, and over ten years leading workshops for people who make writing an artistic practice. Kate is certified to lead workshops using the Amherst Writers and Artists method. She has co-led trainings with Pat Schneider and other AWA instructors to teach others how to lead workshops. Kate and Pat also lead the workshop: If We Are Sisters: Black and White Women Writing Across Race. Kate serves as Executive Director of the Hudson Valley/Catskill Partnership: Regional Adult Education Network providing technical assistance and staff development to adult educators in a ten-county region of New York State. Kate currently serves as a member of the Dutchess County Arts Council and as panelist for Special Project, New York State Council on the Arts. She has a Master of Arts in American Literature from SUNY Stony Brook.
Author David McCullough describes “like Shelby Foote unfolding the drama of the Civil War, Richard M. Ketchum writes of the Revolution as if he had been there . . . No novelist could create characters more memorable than the protagonists on both the American and British sides”
I had the pleasure of meeting Mr Ketchum, ten years ago in Olympia Hall in Schuylerville. He volunteered to speak one night as one of the activities commemorating the 225th Anniversary of the Battles of Saratoga. He and his wife were very generous with their time. He mentioned that night that there were others in the room that knew more about the Battles. I remember thinking then that they may be knowledgeable, however there is not a better writer and storyteller of this history than Richard Ketchum. I know that my community and all those with an interest in the American Revolution will be forever grateful for the writing of Richard Ketchum.
To learn more about Richard Ketchum visit this
A full obituary can be read in the
Sean Kelleher is the Historian for the Town of Saratoga and Village of Victory in the Upper Hudson Valley. He has a particular interest in colonial history, being active as a reenactor for 34 years and has served as a Commissioner on the New York State French and Indian War 250th Anniversary Commemoration Commission.
The editor is responsible for supervising the entier editorial process: soliciting articles, editing, and shaping each individual issue. Assisted by an associate editor, book review editor, and editorial board, the editor is appointed by and works closely with the PHA’s governing council. The editor receives an honorarium and office and travel support to advance the interests of the journal. Modest institutional support is necessary.
Qualifications: The editor should be a practicing historian with an established publication record and familiarity with the current state of the field. They should also be experienced in historical writing and editing and able to work cooperatively with and give direction to the editorial team.
Interested individuals should send a letter of intent that includes a statement of purpose and editorial vision, along with a current CV, to:
Dean Marion W. Roydhouse, School of Liberal Arts, Philadelphia University, School House Lane and Henry Avenue, Philadelphia, PA, 19144.
Review of applications will begin on March 1st, 2011. For questions, e-mail firstname.lastname@example.org.
Academic and public historians, graduate students, independent researchers and writers, and primary and secondary school teachers are encouraged to apply. Projects involving alternative uses of the State Archives, such as background research for multimedia projects, exhibits, documentary films, and historical novels, are eligible. The topic or area of study must draw, at least in part, on the holdings of the New York State Archives.
Information on the 2009 Larry J. Hackman Research Residency Program is available on?line at
Deadline for receipt of application: January 15, 2011.
Crime, Media, Culture
Critique of Anthropology
Games and Culture
History of Psychiatry
History of the Human Sciences
Journal of Consumer Culture
Journal of Contemporary Ethnography
Journal of Contemporary History
Journal of Family History
Journal of Material Culture
Journal of Peace Research
Journal of Planning History
Journal of Social Archaeology
Journal of Urban History
Labor Studies Journal
Law, Culture and the Humanities
Media, Culture & Society
Media, War & Conflict
New Media & Society
Race & Class
Studies in History
Television & New Media
Theory, Culture & Society
War in History
The dedication ceremony coincided with the stopover in Geneva of the Lois McClure, an 88-foot canal schooner moored for three days on the lakefront just west of the Chamber. The McClure is a full-scale working replica of an 1862 canal schooner, a unique example of working vessels that carried goods throughout Northeastern waterways during the 19th century.
“The scheduled arrival of the schooner Lois McClure in Geneva harbor this week is a wonderful reminder of the significant role the Cayuga-Seneca Canal played in the development of Geneva and the region beyond throughout the 19th century,” said Oben. “The last vestiges of the canal along the Geneva waterfront disappeared long ago as the old waterway was filled in to make way for the arterial highway. As we plan the future home of the Finger Lakes Boating Museum on the site of the original entrance to this historic canal, it’s appropriate to recognize this with placement of an enduring marker identifying the former location of this important transportation artery.”
Oben said the historical marker at the original canal entrance will be similar to others already along the waterfront that note significant people and places in Geneva’s history. Geneva Granite donated the granite base for the plaque.
The plaque on the marker will read as follows: “At this point in 1828, water from Seneca Lake was first released into the newly constructed Cayuga-Seneca Canal, forming a navigable link to the Erie Canal. This waterway enabled commerce to flow between Seneca and the Hudson River and soon became an economic engine that brought wealth and prosperity to the City of Geneva and other municipalities along its path. Eventually supplanted by rail and truck transportation, this channel was abandoned in the 1920s and ultimately filled in.”
The boating museum reached agreement with the City of Geneva last fall to establish a permanent home on the Geneva waterfront in association with the Visitor Center. The facility, which will be located on the current Chamber site, is being enabled by a $3.5 million grant provided to the city by State Sen. Michael Nozzolio.
The boating museum has assembled a collection of 100 wooden boats built in the Finger Lakes over the past 100 years, as well as numerous related artifacts and extensive reference material. The collection is being moved to a storage facility in the Geneva Enterprise Development Center on North Genesee Street arranged by the Geneva Industrial Development Authority.
Portions of the collection will be displayed on a rotating basis within the new facility. Also planned are interactive workshops and displays to engage visitors in the design, construction and use of the boats and an active on-water program including sailing and small boat handling.
The boating museum is a 501c3 not-for-profit corporation and was chartered by the New York State Department of Education in 1997 to “research, document, preserve and share the boating history of the Finger Lakes region.”
Additional information about the boating museum may be found on its
The canal schooner Lois McClure, whose homeport is Lake Champlain, is making a 1,000-mile journey across New York’s canals as it stops in 20 ports of call. The tour will culminate in September with a trip to the World Canals Conference in Rochester. The schooner also stopped in Geneva in 2007 on a similar tour.
The expedition is made possible by a partnership between the New York State Canal Corporation, the Erie Canalway National Heritage Corridor, the Lake Champlain Maritime Museum, and the Champlain Valley National Heritage Partnership. This voyage is an opportunity for the public to learn more about the region’s interconnected waterways and the many activities found along the New York State Canal System and Erie Canalway National Heritage Corridor, highlighting the Canal System’s roles in transportation, recreation and tourism. Tours of the boat with interpretive presentations, wayside exhibits and educational materials will be provided free of charge to the public at each stop.
The schooner is a full-scale replica of an 1862 sailing canal boat. Constructed in Burlington, Vt., and launched in 2004, the Lois McClure is an exact replica of canal schooners found shipwrecked in the waters of Lake Champlain. The unique sailing-canal boats were the tractor-trailers of the 19th century, designed to sail from lake cities to canal ports using wind power. Upon reaching a canal, the masts were lowered and centerboards raised, transforming the vessel into a typical canal boat.
The schooner is named for Lois McClure, who was born in 1926 and grew up in Burlington, Vt. In 1954, McClure married James Warren McClure, an owner and publisher of the Burlington Free Press, and later a major stockholder and Vice President of the Gannett Company, Inc. In 1971, the McClures left Burlington for Rochester, where Lois McClure continued her education. In 1978, after J. Warren McClure retired, they moved to Key Largo, Fla., spending summers in Charlotte, until they returned to Vermont in 2002.
In the 1970s, the McClures began to make significant financial contributions to organizations in the Burlington area and elsewhere. After her husband became ill in the 1990s, Lois McClure took on the leadership role in their philanthropy, a role she has continued since her husband’s death in 2004. The schooner was named in McClure’s honor for her major contribution to the schooner construction and support of many other community projects.
Photo: Bill Oben (left), president of the Finger Lakes Boating Museum, presents Geneva Mayor Stu Einstein with a copy of the historical marker that the boating museum donated to the city to mark the entrance to the Cayuga-Seneca Canal. In the background is the Lois McClure, a replica of a canal boat that stopped in Geneva on a tour of New York State canal waterways.
Colin Wells has been interested in history since his undergraduate days at UCLA, and has published widely, from Sailing from Byzantium: How a Lost Empire Changed the World, to The Complete Idiot’s Guide to Understanding Saudi Arabia. Reviewing Sailing from Byzantium, the American Library Association’s Booklist said, “Wells brings vividly to life this history of a long-lost era and its opulent heritage.” His most recent book is called A Brief History of History: Great Historians and the Epic Quest to Explain the Past. The book brings together evocative sketches of the great historians with concise summaries of their most important works. Wells demonstrates how brilliant minds have changed our understanding of history, how history itself moved forward over time as a way of approaching the past, and why “history” is a startlingly fluid concept, with an evolutionary course–a story–all its own.
In addition to works of popular history, Wells has published a children’s mystery titled Stick Like Glue and is working on a new book called The Invention of God: The Origins of Faith in the Rise of Reason. He lives with his two Samoyeds and a crew of cats in Westport, where he writes for the local paper.
The Reading Series will also feature novelist Steve Stern in Glen Falls, NY on August 26 and poet Jay Rogoff on September 21st at the Saratoga Arts Center.
The Adirondack Center for Writing is an independent non-profit, 501(c)3 organization dedicated to promoting literature and providing educational opportunities and support to both aspiring and established writers in the Adirondack region. We provide workshops, conferences, and readings throughout the year in locations all around the Adirondack Park. ACW is based at Paul Smith’s College and is supported by a strong membership and public funds from the New York State Council on the Arts, a state agency.
For complete information, including download instructions, visit the Wagner College