In June 1874, music lovers in Northern New York were excited. For the second time in three years, Blind Tom, the world-renowned black pianist and entertainer and arguably the first black superstar to perform in the U.S., was coming to Malone. For years after the Civil War, he had been wowing audiences throughout the U.S., Great Britain, Canada, continental Europe, and South America with his one-man show which was part vaudeville and part classical piano music.
Tom had many talents including the ability to: play the piano, coronet, French horn and flute- sing and recite speeches of well-known politicians in Greek, Latin, German and French- mimic any music a member of the audience might offer for him to hear- and use his voice to make the sounds of locomotives, bagpipes, banjos and music boxes. While singing one song, he could play a second with his right hand, and a third with the left. Continue reading →
On New Year’s Eve the cigar smoke was thick on the sidewalk in front of the famed jazz club, the Lenox Lounge. Men in tuxes and women in clingy gowns stepped out of white stretch limos, three deep on Malcolm X Avenue, a.k.a Lenox Avenue in Harlem, as blue notes popped from the chromed doorway.
A huge bejeweled crowd could be glimpsed dancing and drinking through the wide octogon window. Continue reading →
Richard Whitby’s career in music had blossomed, and after years of hard work, he was offered Second Chair Trombone in John Philip Sousa’s band, and First Chair upon the lead trombonist’s imminent retirement. It was a tremendous honor, and highly regarded confirmation of his great talent, but there was a problem: Richard was still under contract to Carl Edouarde, who had no intentions of releasing him from a prominent run at New York’s Palace Theater. Continue reading →
Obituaries vary widely in their historical value. Sometimes they’re elaborate- at times they are understated- some leave out important facts- and some, well … some are just hard to explain. Like this one from March 1952: “Richard A. Whitby, a native of Warrensburg, died on Wednesday of last week at his home in Albany. Survivors are his wife, Mrs. Kathryn M. Waring Whitby- two sisters, Mrs. Frank Chapman and Miss Kate Whitby of Yonkers.” Continue reading →
The Churubusco Live-In, planned as the 1970 sequel to the historic Woodstock concert of 1969, was in deep trouble. The town of Clinton, which included Churubusco, sought legal help to shut the event down. J. Byron O’Connell, an outstanding trial attorney, was bombastic at times, and his aggressive quotes [if long-haired people came to the village, “they’re just liable to get shot”] appeared in major newspapers in Boston, New York, and elsewhere. As Churubusco’s representative, he sought to derail the concert and preserve the hamlet’s quiet, rural life, while the promoters, Hal Abramson and Raymond Filiberti, fought back. Continue reading →
We’ve all heard of Woodstock at one time or another—that famous (or infamous) concert held in August 1969. It was scheduled at different venues, but the final location was actually in Bethel, New York, about 60 miles from Woodstock. For many who lived through three major homeland assassinations, the Vietnam War, and the racial riots of the turbulent 1960s, Woodstock was an event representing peace, love, and freedom. It’s considered a defining moment of that generation, and a great memory for those who attended (estimated at 400,000). Continue reading →
Four Seasons, Four Years is a new Old Songs production featuring eleven singers and musicians from the Adirondacks performing a selection of songs extant in America between 1850 and 1865. This performance takes place at View (the former Old Forge Arts Center) this Saturday, September 29, 2012 at 7:30pm.
The show includes both popular songs of the period as well as songs composed in response to the Civil War itself and events leading up to it. The songs are interspersed with historical narrative specific to New York State and the New York Volunteer Regiments.
Old Songs’ presentation of Four Seasons, Four Years – The Civil War: A Musical Journey brings the songs and sounds of the Civil War back to life without stinting on the truth, the tragedy and the horror. Selections from letters, historical papers and soldier’s diaries are read between the musical passages, creating a seamless flow of narration and song.
The cast of singers and musicians include Greg Artzner, Dan Berggren, Betsy Fry, Steve Fry, Reggie Harris, Terry Leonino, John Roberts, Bill Spence, Toby Stover, Susan Trump and George Wilson. All known in their own right as fine working musicians, they have joined forces to present this unique show in observance of the 150th anniversary of the Civil War.
The songs of this period include Negro spirituals, shape-note hymns, marching songs, sentimental songs and songs and parodies written by 19th century writers such as Stephen Foster, George F. Root, the Hutchinson Family and Henry C. Work. The cast performs in individual and ensemble performances bringing these songs alive with great gusto, emotional impact and exceptional musicianship.
The production has been produced, compiled and directed by Old Songs, Inc. Executive Director Andy Spence in collaboration with the musicians. View their website at www.oldsongs.org to learn more.
You may purchase tickets by calling View at 315-369-6411 or via email info@ViewArts.org.
Tickets are $25/$20 members, and can be purchased by calling View at 315.369.6411. To learn more about View programming, visit www.ViewArts.org.
The Fourth Annual Hobofest, an all-day music festival “at-the-tracks” in Saranac Lake NY celebrating railroad culture and the “hobo spirit,” is happening on Sunday, September 2nd. This year’s Hobofest will take place under the “big top,” to assure against the variables of weather, from noon until 11pm. Eat and Meet Grill & Larder will serve local fare, also a children’s activities booth and festival & artist merchandise tables.
This year’s special guest is Washington State legend, Baby Gramps. A former street musician and train buff, Gramps plays antique resonator National Steel guitars, and sings his own unique arrangements of rags, jazz, & blues songs from the 20′-s & 30′-s, and many originals with wordplay, humor, and throat singing. His appeal is to a wide range of audiences from “jam-band” – having toured with Phish and the Flecktones- to punk to old timey traditional and to kids of all ages. He has performed across the States, Canada, Europe, and Australia. Several unsigned, fully-realized ensembles, all “invested” in Hobofest, offer distinct takes on roots music: The intricate groove-grass pulse of Big Slyde, this year with the smoky vocals of Hanna Doan. The Adirondack-Brooklyn hybrid, Frankenpine, craft a modern take on bluegrass, with a colorful palette and original voicing. Crackin’ Foxy distinguish themselves with a post-vaudeville vintage of styled song, elegant female three-part harmony, and swinging arrangements. This year’s appearance of the young and grizzled Blind Owl Band, follows their recent romp through the Northeast, diving headlong into the mosh-pit of old-time as dance music.
The day traditionally kicks off with bluesman Steve Langdon hollerin’ and pickin’ ala John Henry against the din of the first arriving train. New to this stage this year are Eddy and Kim Lawrence, with their wry sense of humor, and deft fretwork from the Canadian border, Keene resident Stan Oliva, and Quinn Sands from Cleveland, OH.
When it comes to the performing arts, New York City may forever be synonymous with the Broadway musical, at least in the popular imagination.
However, while there’s a lot to be said for Broadway, New Yorkers and performing arts aficionados alike know that if you want to see the work of the most daring and innovative artists working in music, dance, and theatre today, you need to venture far away from the lights of the Great White Way. Continue reading →
Access to hundreds of audio recordings that reveal the rich histories of Clinton, Essex, and Franklin Counties are now available at SUNY Plattsburgh’s Feinberg Library’s Special Collections.
Recordings include Adirondack Folk Music- Clinton, Essex, and Franklin County oral histories, including those by local residents born prior to the American Civil War- SUNY Plattsburgh concerts- a 1963 recording of Edward “Doc” Redcay on piano and Junior Barber on dobro- and four-time Pulitzer Prize winner Robert Frost reading his works. The collection of recordings is the result of a collaborative effort by SUNY Plattsburgh Communications Professor Timothy Clukey and Feinberg Library’s Special Collections staff. According to a statement released to the press “copyright restrictions require that researchers visit Special Collections during open hours to listen to any of these recordings.” The recordings are available as mp3 files on a new Audio Station computer kiosk.
A Soundscriber Recorder was used in the mid-20th century by Marjorie Lansing Porter, historian for Clinton and Essex counties. Porter recorded 456 interviews with elderly local residents telling stories and singing traditional Adirondack folk music.
Among the folk music examples, Granma Delorme sang more than one hundred folk songs for Porter, including a Battle of Plattsburgh ballad composed by General Alexander Macomb’s wife. Included also is “Yankee” John Galusha singing “The Three Hunters,” “A Lumbering We Shall Go,” and “Adirondack Eagle.” Francis Delong sings “My Adirondack Home,” and “Peddler Jack.”
Many of the recorded songs deal with mining, lumbering, Adirondack folk tales, and other subjects, as well as traditional Irish and French folk music handed down through generations. The Porter Oral History Interviews cover many topics of historical interest in Clinton and Essex Counties, such as ferry boats, Redford glass, mining, and lumbering.
The Audio Station also includes 96 interviews conducted by William Langlois and Robert McGowan with elder Franklin County residents in the 1970s.Plans in the works for additions to the Audio Station include:
Rockwell Kent audio recordings (now on reel-to-reel tapes in Special Collections’ Rockwell Kent Collection)-
SUNY Plattsburgh Past President Dr. George Angell speaking on antiwar action in 1967—“Protest is Not Enough”-The 1965 SUNY Plattsburgh Students for a Democratic Society and S.E.A.N.Y.S. teach-in, “The Vietnam Question,” with introduction by Dr. Angell- A1964 speech by Senator-Elect Robert Kennedy on the Plattsburgh campus- and a 1964 meeting between Senator-Elect Kennedy and Dr. Angell, discussing various local and county concerns and other topics.For more information, contact Debra Kimok, Special Collections Librarian (email: email@example.com- telephone: 518-564-5206).
During the summer, the Feinberg Special Collections will be open on Mondays and Tuesdays, from 1 pm – 4 pm, and on Wednesdays, Thursdays, and Fridays, from 10 am – noon and 1 pm – 4 pm. Saturday appointments can be arranged with the Special Collections Librarian.