To celebrate Warren County’s Bicentennial the Chapman Museum in Glens Falls is partnering with the Warren County Clerk’s Records Center to feature an exhibit of rare manuscripts, maps and legal documents, many of which date back to the early days of the county.
Parchments, Papers &- Prints: 200 Years of History from the Warren County Archives will be on display at the museum, located at 348 Glen Street, Glens Falls, NY through September 1. Read more →
When you discuss Negro baseball, most people think of names like Satchel Paige, Josh Gibson, and Cool Papa Bell. These were some of the biggest stars in the professional Negro leagues. However, this was not the only place where you could see Negro teams play. Throughout the country there were independent teams, like the Mohawk Colored Giants.
The Giants got their start in 1913 under the organization of Bill Wernecke. Although this was seasonal work for these ball players, they were full time paid players. By offering full time jobs, Wernecke was able to lure players into Schenectady from all over the country. The Giants would play their home games at the nicest ball field in Schenectady, Island Park. Read more →
The Chapman Historical Museum in Glens Falls, NY will host a talk on changing perceptions of the suburbs on Thursday, November 1, 2012, at 7 pm.
From Leave It to Beaver to Desperate Housewives, viewers have been presented with visions of suburbia that are simultaneously pastoral and gothic, nostalgic and repressive. Using still photos and video, Professor Keith Wilhite, Assistant Professor of English, Siena College, will show how popular culture constructs specific images of suburbia, as well as how those images change along with postwar suburban development. Read more →
The Board of Trustees of The Hyde Collection has announced the appointment of two interim co-directors to oversee and direct the Museum following the departure of the current executive director, David Setford, in August.
Hyde chief curator Erin B. Coe and Hyde financial officer Lynne Mason will share responsibilities for running the institution until a new director is found. As of August 24, 2012, the current director, David F. Setford, will resign his position to be the managing executive of International Fine Art Expositions, Miami and West Palm Beach, Florida.
Coe has been with The Hyde since 1999 and during her tenure she has been responsible for many exhibitions and publications related to nineteenth and twentieth-century American art. In addition to serving as the head of the curatorial department, she has authored several publications and many successful grants. Erin had held previous positions at The Metropolitan Museum of Art, Shaker Museum and Library, and University Art Museum (University at Albany), holds a B.A. and M.A., and is currently finishing her Ph.D. in the history of art at Boston University.
At the Museum since September of 2001, Lynne Mason manages both finance and human resources. She came to The Hyde with over 20 years of business and accounting experience. Mason completed a graduate business administration program in accounting, was named to the business honor society, earned the Graduate Achievement award, and passed the CPA exam. Ms. Mason holds a B.A. and M.S.
The Board of Trustees has retained executive search consultant Marilyn Hoffman of Museum Search and Reference, Londonderry, New Hampshire. Inquiries regarding the Museum’s search should be directed to Hoffman at 603-432-7929.
The Hyde Collection in Glens Falls (Warren County) is offering visitors an unprecedented opportunity to see the remarkable Portrait of Walt Whitman (1887-1888) by Thomas Eakins (1844-1914).
The Whitman portrait is considered one of Eakins’s finest paintings, and only rarely leaves Philadelphia, where it is a featured work in the collection of the Pennsylvania Academy of Fine Arts (PAFA). The image of one of America’s most influential poets, by one of the nation’s greatest artists, will be in Glens Falls for six months, as a second exchange for the year-long loan of The Hyde Collection’s Portrait of Henry Ossawa Tanner (ca. 1897) by Eakins. Tanner was one of Thomas Eakins’s students at the Pennsylvania Academy and the portrait has been lent to PAFA for their exhibition Henry Ossawa Tanner: Modern Spirit. That major retrospective celebrates Tanner’s position in American art as a pioneering African-American, as well as establishing him as one of our most significant expatriate artists of the late nineteenth and early twentieth centuries.
The Portrait of Walt Whitman will be exhibited in Hyde House where visitors can also see In the Studio (1884), another work by Eakins in the Museum’s collection.
Before returning to The Hyde, the Tanner portrait will have been exhibited in three national venues: PAFA, January 28 – April 15, 2012- Cincinnati Art Museum, May 26 – September 9, 2012- and then traveling to the Museum of Fine Arts, Houston, October 21 – January 13, 2013.
Illustration: Thomas Eakins, American (1844-1916), Walt Whitman (1819-1892), 1887-88, oil on canvas, Courtesy of the Pennsylvania Academy of the Fine Arts, Philadelphia.
Long considered beautiful photographs of the Adirondack landscape, Seneca Ray Stoddard’s views also serve as documents of the plants that inhabited the region in the 19th century. Since he was rediscovered in the late 1970s, Stoddard’s work has been featured in numerous exhibits that explored the history of 19th century life in the Adirondacks. A survey of the 3,000 images in the Chapman Historical Museum archives, however, revealed hundreds of images that are purely natural landscapes. The subject matter is the Adirondack environment – not great hotels, steamers, camp scenes or other obvious evidence of human activity. The Chapman’s summer exhibit, S.R. Stoddard’s Natural Views, features forty enlarged photographs of varied Adirondack settings – lake shores, marshes, meadows, riverbanks and mountainsides. Included are such locations as Surprise Falls on Gill Brook, Indian Pass, Lake Sanford, Ausable Chasm, Wolf Pond and Paradise Bay on Lake George. The exhibit examines these photographs as documents of the history of ecological habitats, providing an opportunity to consider the issue of environmental change – an issue as relevant in Stoddard’s time as it is today.
To address this issue the museum consulted with Paul Smith’s College biologist, Daun Reuter, and Don Leopold of SUNY-ESF, who identified botanical species in Stoddard’s photographs. Plants that they discovered in Stoddard’s photographs —- from small flowers to shrubs and trees – are highlighted in modern color images supplied by Ms. Reuter and others and in digital reproductions of period specimens from the herbarium at the New York State Museum. These show details of the plants in their various stages – details rarely visible in Stoddard’s photographs many of which were taken late in the year after the plants had lost their flowers and started to wither.
By bringing attention to this group of Stoddard photographs, the exhibit will give visitors the opportunity to discover and reflect on the changing environment – a topic of urgent concern in the region. Through their experience visitors will gain greater appreciation for not only Stoddard’s photographic vision but also the natural world of the Adirondacks. The exhibit is funded by grants from the Leo Cox Beach Philanthropic Foundation and the Waldo T. Ross & Ruth S. Ross Charitable Trust Foundation and sponsored by Glen Street Associates and Cooper’s Cave Ale Co.
For those who wish to learn more, the Chapman Historical Museum has scheduled a series of programs (detailed below) to be held at both the museum at and other sites. The museum is located at 348 Glen Street, Glens Falls, NY. For more information call (518) 793-2826 or go to www.chapmanmuseum.org.
Wednesday, May 30, 7 pm Talk: “UNWANTED: Invasive species of the Adirondacks” Speaker: Hilary Smith, Director, Adirondack Park Invasive Plant Program At the Chapman. Free.
Saturday, June 9, 8:30 -11:30 am Bird Walk in Pack Forest, Warrensburg Guide: Brian McAllister, Adirondack Birding Center
Bird watch along the nature trail to the old growth forest. Bring binoculars, field guide, water, snack, bug repellant, hiking shoes, and appropriate dress. For birders of all levels. Call (518) 793-2826 for directions.
Wednesday, June 20, 2012, 7 pm Talk: “Go Native! An Introduction to Gardening with Native Plants” Speaker: Emily DeBolt, Fiddlehead Creek Farm & Native Plant Nursery At the Chapman. Free.
Thursday July 12, 9:30-11:30 am. A plant paddle at Dunham’s Bay. Guide: Emily DeBolt, Lake George Association.
Part of the 7th annual Adk Park Invasive Species Awareness Week Bring your own canoe or kayak. Meet at Dunham’s Bay Marina For reservations call the LGA at (518) 668-3558
Saturday, August 4, 1 – 3 pm Guided Bog Walk of Native Adirondack Plants Guide: Daun Reuter, Dept Biology, Paul Smith’s College
At Paul Smith’s Visitor Interpretive Center. Reservations: $20. Call the VIC at (518)327-6241
Saturday, August 18, 8 am Guided alpine plant hike up Wright Peak Guide: Sean Robinson, Dept Biology, SUNY Oneonta
Meet at ADK LOJ parking lot. Parking $. Info & Reservations: Call the museum at (518) 793-2826
Photos: Above, Silver Cascade, Elizabethtown by S.R. Stoddard, ca. 1890.
The Hyde Collection has announced that David F. Setford has informed the Board of Trustees that he intends to leave his post as Executive Director in August. A nationwide search will be conducted to identify a successor.
Setford, who has led the Hyde for four and a half years, spearheaded high-profile exhibitions including Degas and Music in 2009 and Andrew Wyeth: An American Legend in 2010 and oversaw a successful $3 million capital campaign. He has accepted a position with International Fine Art Expositions in Florida, as Managing Executive directing international art fairs in Palm Beach and Miami. “Leading The Hyde Collection has been one of the greatest professional experiences of my career, and I leave with both deep affection for this spectacular collection and great expectations for its future,” Setford said. “The Hyde is one of the most distinguished regional art museums in the United States, respected both for its profound cultural impact and its economic importance to the Greater Glens Falls and Capital Regions.”
Candace Wait, chair of The Hyde Collection Board of Trustees, said: “We are indebted to David for his steady leadership and vision, especially in helping the Board of Trustees and our staff carefully chart the future of one of the most important cultural institutions in Upstate New York. He has led us through the process of updating The Hyde Collection’s long-term strategic plan and to the near completion of our Facilities Master Plan. David’s leadership, good humor and enthusiasm will be missed.”
“During the next four months, as we prepare for David’s departure, our Board will engage in a careful national search for a successor who shares our commitment to thttp://www.blogger.com/img/blank.gifhe mission of The Hyde and our passion for bringing The Hyde experience to an even broader audience throughout New York and New England,” Wait added.
The Hyde Collection attracts thousands of visitors annually. Its collection of more than 3,000 objects of European and American art includes works by Rembrandt, Rubens, Picasso, Renoir, and Hassam. Its holdings are regularly in high demand by art museums around the world. Its “Christ with Folded Arms” by Rembrandt was loaned to the Louvre last year.
The museum is located at 161 Warren Street in Glens Falls, where it was founded in 1963 in the historic American Renaissance mansion of Charlotte Pruyn Hyde and Louis Fiske Hyde. Mrs. Hyde was the daughter of the co-founder of the Finch Paper mill in Glens Falls. Hyde House, as the residence is known, is on the National Register of Historic Places. More information is available at www.hydecollection.org.
Hyde Collection executive director David F. Setford announces two important celebratory milestones in 2012 and 2013. Hyde House, the cornerstone of our museum and the former home of museum founders Louis and Charlotte Hyde, is 100 years old this year.
On the National Register of Historic Places since 1984, the beautiful structure has stood the test of time and is a testament to both the Hydes and its architect, Henry Forbes Bigelow. And in 2013, look for more events as we will celebrate the 50th anniversary of The Hyde Collection as a public museum in Glens Falls, Warren County, with special programming to focus on that achievement. “The next two years offers us the opportunity to celebrate Mr. & Mrs. Hyde’s vision, their love of art and their strong relationship to our community, both from personal and historical perspective. As we look to the future, we are always reminded of their legacy and important role we play as caretakers of this magnificent collection, the buildings and campus as a whole,” says Setford.
Public events planned for this year include:
Hyde House Tour and Lunch Thursday, March 15, 2012 • Noon-1 pm With Erin Coe, Chief Curator, followed by lunch and discussion. Limit 12 people. Call 518-792-1761, ext. 27 to register by March 12- $20 members / $25 non-members (lunch is included).
Hyde House Tour and Lunch Thursday, April 19, 2012 • Noon-1 pm With David F. Setford, Executive Director, followed by lunch and discussion. Limit 12 people. Call 518-792-1761, ext. 27 to register by April 16- $20 members/$25 non-members (lunch is included).
The Hyde Celebrates! Lecture and Book Signing May, 2012 (date to be determined) A Museum of One’s Own: Private Collecting, Public Gift Anne Higonnet, author and professor of art history, Barnard College. Free with museum admission- free to members- Book available for purchase in Museum Store.
In one evacuated village, Florence Bullard’s (see Part 1 of the story) crew was forced to work from a hospital cellar, which she described as a cave. Under very harsh conditions, they treated the severely wounded soldiers who couldn’t be moved elsewhere. In a letter home, she noted, “I have not seen daylight for eight days now and the stench in this cave is pretty bad- no air, artificial light, and the cots so close together you can just get between them.
“The noise of the bursting shells is terrific at times. Side by side I have Americans, English, Scotch, Irish, and French, and apart in the corners are ‘Boche’ [a disparaging term applied to German soldiers]. They all have to watch each other die, side by side. I have had to write many sad letters to American mothers.” A bit later she wrote, “I have been three weeks now in this cave. It’s a dark, damp, foul-smelling place, but there is help to give and one must not complain. But it is terribly depressing and, for the first time, I find myself in a bit of a nervous state. The roaring of the cannon and the constant whizzing through the air of these terrible ‘obus’ [shells launched by a howitzer-type cannon], with never a thing to change the tension, is wearing.”
Florence went on to describe a sad evening where a man had to have both legs and an arm amputated, and a woman suffered severe burns from a bombing attack. “… every inch of her body was like an apple that had been baked too hard, and the skin all separated from the apple. That was all I could compare it to. You can imagine that she suffered until midnight, and then she died. I do not know what is to become of everyone if this war does not end pretty soon.”
Three times Florence’s group was evacuated just ahead of approaching German troops. When a friend came to check on her just as they were fleeing 13 straight hours of bombardment, a shell landed nearby at the moment they were shaking hands. The windows were shattered by the explosion, throwing shards of glass at their feet. It was that close.
In her own words, she described the ferocity of the attack: “The first shell broke on us at one a.m. on Monday, the twenty-seventh. It was a veritable hell broken loose! I know of no language of mine that could describe it.
“All that day and the following, it never let up a minute. Our hospital was struck nine times, corridors caving in and pillars falling. We were told at noon to make all the preparations to leave at any minute, taking as little baggage as possible.”
Such was the Bullard family’s concern that her brother sent Florence the money for passage home. When it arrived, she reminded him of her duty, and that she could not abandon the men in need. Her superiors told her the same—Florence’s training, skill, and experience were critical to their success, and she was needed to remain at the front.
Bullard’s commanding officer stated it succinctly: “… the next four months will be very tragic ones for us all. We cannot spare you, for we cannot refill your place, and when you explain just that to your family, they will be the first to see it as we see it.”
In another letter, Florence described the eerie, moonlit march of American troops: “It seemed as if miles of them went by. The grim, silent soldiers, the poor hard-worked horses, all going steadily toward that terrible noise of the cannon.”
The next day, a great number of those very same men were treated by her medical unit. It began with nearly a thousand in the morning, and as the battle raged, Florence noted, “That went on all day and night, new ones arriving as fast as others were out. It was a busy place, our ambulance drivers driving up one right after the other, and all the time the steady stream of artillery going past, and more troops.”
When the surgeries finally abated, Bullard quickly assumed other duties: “… I simply ran from one patient to the other. My chief gave me permission to give hypodermics at my discretion, and oh, how we all did work to make them live! …It was gruesome—the dying, the moans, the constant “J’ai soif” [I’m thirsty]. I cannot talk much about it now—too fresh in my memory.”
The next day was more of the same, and with the German’s looming, evacuation was called for. Given the option, Florence and several doctors opted to stay behind despite warnings they might be captured. A tearful good-bye ensued, with their pending death a stark reality.
The soldiers’ desperate escape was described by Bullard in moving prose: “It was the saddest sight I have ever seen. The stretcher bearers carrying all that were unable to walk … and the new arrivals who had come in, getting to the train the best way they could. For instance, a man with his head or face wounded would carry on his back a man whose feet were wounded, and one whose arm was wounded might be leading one whose eyes were bandaged.”
As the last men boarded, a new order for mandatory evacuation was issued. Enemy troops were preparing to overrun the area. But for that circumstance, it may have been Florence Bullard’s last day on earth.
The details of such harrowing events were unknown to all except her war companions and those back home who received letters from Florence. But the French government had long been aware of her great contributions, which they acknowledged in September 1918 by conferring upon Florence the Croix de Guerre medal (the Cross of War).
The official citation read: “She has shown imperturbable sangfroid [composure] under the most violent bombardments during March and May. Despite her danger, she searched for and comforted and assisted the wounded. Her attitude was especially brilliant on July 31, when bombs burst near.”
Just two months later, the war ended, and Florence returned home. In February 1919, she was treated to a grand reception at Glens Falls, where she received a donation of $600. A good long rest was in her plans, but by May she was on the battlefront again, this time in the United States. The Red Cross of America sent Florence on tour to Redpath Chautauqua facilities and other venues to promote good health and sanitation practices.
The mission was to improve community health across the country, incorporating much that had been newly learned during the war. Besides treating so many wounded soldiers, the medical corps had tended to refugees suffering from malnutrition, starvation, and a host of diseases, many of them communicable.
Among the issues addressed by Florence were home cooking, household hygiene, caring for the sick at home, and the work of the public health nurse. She was widely lauded for her speaking appearances as well as for the wonderful services she had provided during the war.
By 1920, Florence was again working as a private nurse. She later turned to hospital work, eventually becoming assistant superintendent at Poughkeepsie’s Bowne Memorial Hospital in Dutchess County, New York.
Florence Bullard—North Country native, nurse extraordinaire, dedicated humanitarian, and a true American hero—died in 1967 at the age of 87.
Photos: Above, WW I improvised field hospital in France- Middle, WW I Howitzer- Below, WWI French Red Cross ambulance.
Lawrence Gooley has authored ten books and dozens of articles on the North Country’s past. He and his partner, Jill McKee, founded Bloated Toe Enterprises in 2004. Expanding their services in 2008, they have produced 19 titles to date, and are now offering web design. For information on book publishing, visit Bloated Toe Publishing.
In Adirondack history, like in most other parts of America, war heroes abound. Traditionally, they are men who have lost limbs, men who risked their lives to save others, and men who fought valiantly against incredible odds. Some died, while others survived, but for the most part, they shared one common thread: they were all men. But in my own humble estimation, one of the North Country’s greatest of all war heroes was a woman.
Florence Church Bullard, the female in question, was “from” two places. Known for most of her life as a Glens Falls girl, she was born in January 1880 in New Sweden, a small settlement in the town of Ausable. By the time she was 20, Florence had become a schoolteacher in Glens Falls, where she boarded with several other teachers. Seeking something more from life, she enrolled in St. Mary’s Hospital, a training facility of the Mayo Brothers in Rochester, Minnesota. After graduating, she worked as a private nurse for several years.
In December 1916, four months before the United States entered World War I, Florence left for the battlefields of Europe. As a Red Cross nurse, she served with the American Ambulance Corps at the hospital in Neuilly, France, caring for injured French soldiers. They often numbered in the thousands after major battles.
On April 6, 1917, the United States officially entered the war, but the first American troops didn’t arrive in Europe until the end of June. Florence had considered the possibility of returning home by fall of that year because of potential attacks on the home front by Germany or Mexico (yes, the threat was real).
But with the US joining the fray in Europe, Florence decided she could best serve the cause by tending to American foot soldiers, just as she had cared for French troops since her arrival.
Until the Americans landed, she continued serving in the French hospital and began writing a series of letters to family and friends in Glens Falls and Ausable. Those missives provide a first-hand look at the war that took place a century ago.
The US had strongly resisted involvement in the conflict, but when Congress voted to declare war, Florence described the immediate reaction in Europe. Her comments offer insight on America’s role as an emerging world power and how we were viewed by others back then.
“I have never known anything so inspiring as Paris has been since the news came that America had joined the Allies. Almost every building in Paris is flying the American flag. Never shall I forget last Saturday evening. I was invited to go to the opera … that great opera house had not an empty seat. It was filled with Russians, Belgians, British, and French, with a few Americans scattered here and there. Three-quarters of the huge audience was in uniform.
“Just before the curtain went up for the second act, the wonderful orchestra burst out into the ‘Star Spangled Banner.’ In a flash, those thousands were on their feet as if they were one person. One could have heard a pin drop except for the music. The music was played perfectly and with such feeling. Afterwards, the applause was so tremendous that our national anthem was repeated.
“The tears sprang to my eyes and my heart seemed to be right in my throat. It seemed as if I must call right out to everyone, ‘I’m an American and that was my national anthem!’ I have never witnessed such a demonstration of patriotism in my life. The officers of every allied nation clad in their brilliant uniforms stood in deference to our country.”
The work she had done thus far received strong support from the folks back home. In a letter to her sister in Ausable, Florence wrote, “Try to know how much gratitude and appreciation I feel to you and all the people of Glens Falls who have given so generously of their time and money. It was such fun to help the committee open the boxes and to realize that the contents had all been arranged and made by people that I know personally.
“The committee remarked upon the splendid boxes with hinged covers and the manner in which they were packed. When the covers were lifted, the things looked as if they might have been packed in the next room and the last article just fitted into the box. I was just a little proud to have them see how things are done in Glens Falls. Again, my gratitude, which is so hard to express.”
Florence’s credentials as a Mayo nurse, her outstanding work ethic, and connections to some important doctors helped ease her transition into the American war machine. The French, understandably, were loathe to see her go, so highly valued was her service.
In a letter to Maude, her older sister, Florence expressed excitement at establishing the first triage unit for American troops at the front. They were expected to treat 5,000 to 10,000 soldiers every 24 hours. Upon evaluation, some would be patched up and moved on- some would be operated on immediately- and others would be cared for until they were well enough to be moved to safer surroundings.
Florence’s sensitive, caring nature was evident when she told of the very first young American to die in her care. “He was such a boy, and he told me much about himself. He said that when the war broke out, he wanted to enlist. But he was young, and his mother begged him not to, so he ran away. And here he was, wounded and suffering, and he knew he must die.
“All the time, that boy was crying for his mother … he was grieving over her. And so I did what I could to take her place. And during the hours of his delirium, he sometimes thought I was his mother, and for the moment, he was content.
“Every morning, that lad had to be taken to the operating room to have the fluid drawn from off his lungs because of the hemorrhage. When finally that last day the doctor came, he knew the boy’s time was short and he could not live, so he said he would not operate. But the boy begged so hard, he said it relieved him so, that we took him in.
“And then those great, confident eyes looked into mine and he said, ‘You won’t leave me mother, will you?’ And I said, ‘No, my son.’ But before that simple operation could be completed, that young life had passed out. And I am not ashamed to tell you that as I cut a curl of hair to send to his mother, my tears fell on that young boy’s face-—not for him, but for his mother.”
Working tirelessly dressing wounds and assisting the surgeons, Bullard displayed great capability and leadership. She was offered the position of hospital superintendent if she chose to leave the front. It was a tremendous opportunity, but one that Florence Bullard turned down. Rather than supervise and oversee, she preferred to provide care directly to those in need.
Next week: Part 2—Nurse Bullard under hellish bombing attack.
Photos: Above, Florence Church Bullard, nurse, hero- Middle, World War One Red Cross poster- Below WWI wounded soldier in France.
Lawrence Gooley has authored ten books and dozens of articles on the North Country’s past. He and his partner, Jill McKee, founded Bloated Toe Enterpr ises in 2004. Expanding their services in 2008, they have produced 19 titles to date, and are now offering web design. For information on book publishing, visit Bloated Toe Publishing.