The Hyde Collection in Glens Falls (Warren County) is offering visitors an unprecedented opportunity to see the remarkable Portrait of Walt Whitman (1887-1888) by Thomas Eakins (1844-1914).
The Whitman portrait is considered one of Eakins’s finest paintings, and only rarely leaves Philadelphia, where it is a featured work in the collection of the Pennsylvania Academy of Fine Arts (PAFA). The image of one of America’s most influential poets, by one of the nation’s greatest artists, will be in Glens Falls for six months, as a second exchange for the year-long loan of The Hyde Collection’s Portrait of Henry Ossawa Tanner (ca. 1897) by Eakins. Tanner was one of Thomas Eakins’s students at the Pennsylvania Academy and the portrait has been lent to PAFA for their exhibition Henry Ossawa Tanner: Modern Spirit. That major retrospective celebrates Tanner’s position in American art as a pioneering African-American, as well as establishing him as one of our most significant expatriate artists of the late nineteenth and early twentieth centuries.
The Portrait of Walt Whitman will be exhibited in Hyde House where visitors can also see In the Studio (1884), another work by Eakins in the Museum’s collection.
Before returning to The Hyde, the Tanner portrait will have been exhibited in three national venues: PAFA, January 28 – April 15, 2012- Cincinnati Art Museum, May 26 – September 9, 2012- and then traveling to the Museum of Fine Arts, Houston, October 21 – January 13, 2013.
Illustration: Thomas Eakins, American (1844-1916), Walt Whitman (1819-1892), 1887-88, oil on canvas, Courtesy of the Pennsylvania Academy of the Fine Arts, Philadelphia.
On August 7, 1862, Henry Graves, physically exhausted from walking, fighting, and from four days detail digging trenches under a Petersburg, Virginia, sun and not “a breath of air stirring,” sat down and wrote to his wife, describing the importance of the imagination to survival.
He saw himself standing – not with spade in hand – but eating from a bowl of peaches in the midst of “homefolk” with his coat off, moving across the piazza, enjoying the cool breeze “that almost always is blowing fresh through there.” He told her that he often went into this place in his imagination to pass time swiftly and shared that “soldier mortals” would not survive if they were not “blessed with the gift of imagination and the pictures of hope.” The second “angel of mercy,” he said, was the night dream, which presented him even more vivid pictures of hope than any daydream. Continue reading →
Thousands of historical documents at The New York Public Library – including material handwritten by George Washington and Thomas Jefferson and papers from authors such as Mark Twain – will soon be accessible to the public online.
The project, which began in January and will continue through 2014, will digitize documents from the Thomas Addis Emmet Collection, located within the Manuscripts and Archives Division, and almost all the papers of several major American authors in the Henry W. and Albert A. Berg Collection of English and American Literature at The New York Public Library. “This exciting project is a key element in our goal of creating greater possibilities for our collections and expanding their accessibility worldwide,” said NYPL President Anthony Marx. “Digitizing collections featuring hand-written documents from Benjamin Franklin, George Washington and Mark Twain, among others, provides remarkable new opportunities for scholarly research, and creates new teaching applications for an international audience. The Library is grateful to The Polonsky Foundation and other generous supporters who assist us in this valuable work.”
Technicians at the New York Public Library have already begun digitizing the Thomas Addis Emmet Collection, which documents the founding and early years of the United States – the move towards independence, the Revolutionary War, and the establishment of the federal government. The approximately 11,000 manuscripts in the collection include letters and documents by nearly every patriot and statesman who distinguished himself during this period American history.
Their letters provide insight into important historic milestones, such as the Stamp Act Congress, the First and Second Continental Congress, and the Annapolis Convention- trace the genesis of the Declaration of Independence and the Articles of Confederation- and chronicle the successes and struggles of the first Federal Administration. The correspondence and letterbooks of generals and other officers detail their decisions, actions, and relationships during the Revolutionary War.
Highlights of the Emmet Collection include a copy of the Declaration of Independence in Jefferson’s hand, an engrossed copy of the Bill of Rights, and manuscript minutes of the Annapolis Convention. The collection has been a vital and repeatedly consulted resource for American historians since the Library acquired it in 1896.
Following the completion of digitization of the Emmet Collection, nearly all the papers from the Berg Collection’s holdings of Nathaniel Hawthorne, his wife Sophia Peabody Hawthorne, Henry David Thoreau, Mark Twain and Walt Whitman will be digitized. An estimated 35,000 pages will be scheduled for digitization beginning in January 2013 and be made available through the Library’s website. Items slated for digitization will include:
Hawthorne’s correspondence with President James Buchanan, educator Horace Mann, and fellow authors Oliver Wendell Holmes, Ralph Waldo Emerson and Herman Melville, as well as the diaries of his wife, Sophia Peabody Hawthorne that chronicle her own work as a writer and the literary work of her husband-
An original pencil map of Walden Pond, as well as several Thoreau manuscripts, including Faith in a Seed, about which the novelist Annie Proulx wrote in the Library’s Centennial celebration volume, Know the Past, Find the Future: The New York Public library at 100-
Mark Twain’s manuscripts of A Connecticut Yankee in King Arthur’s Court and Following the Equator, and correspondence with such influential American icons as Andrew Carnegie, William Dean Howells, and Theodore Roosevelt-
Numerous poems by Walt Whitman and over 300 of his letters, most of them to his mother and to Union soldiers during the Civil War.
The total cost of the project including both collections is $1 million- a gift of $500,000 from The Polonsky Foundation is expected to be matched by similar donations.
Today’s traditions is to raise a glass and offer a toast to celebrate a wedding and a new year. In the 17th through the early 19th century, public toasting was very common and many of these toasts are documented in old newspapers. “Toasts were efforts to draw all present into an agreeable fellowship, whether they wanted to be drawn in or not. At the best. the practice knitted together people from different classes into a comity of good cheer,” explains historian Peter Thompson in And a Bottle of Rum: A History of the New World in Ten Cocktails. It was typical during the American War of Independence that 13 toasts were drunk, one for each State, however, the toast below number 18. These toasts were offered on July 5, 1775 by General David Wooster and the officers of the Connecticut forces, who were dining at Mr. Samuel Frances in the Fields with the members of the New York Military Club in New York City. The accounts in Rivington’s New York Gazetteer describe “the day was spent in the utmost harmony every thing conspiring to please being all of one mind and one heart. The following loyal toasts were drank:
1. The king better counselors to him
2. The hon Continental Congress
3. General Washington and the army under his command
4. The several provincial congresses and committees in the confederated colonies
5. A speedy union on constitutional principles between Great Britain and America
6. Conquest and laurels to all those heroes who draw their swords in support of freedom
7. Confusion and disappointment to the friends of despotism and the enemies of America
8. May the disgrace of the rebels against the constitution be as conspicuous as that of the rebels against the house of Hanover
9. All those worthies in both Houses of Parliament who stood forth advocates of America
10. The Lord Mayor and worthy citizens of London
11. The glorious memory of King William
12. The immortal memory of Hampden Sydney and every patriot who fell in defence of liberty
13. May the enemies of America be turned into saltpetre and go off in hot blasts
14. May Great Britain see her error before America ceases in affection
15. May America ever be the dread and scourge of tyrants
16. The daughters of America in the arms of their brave defenders only
17. Death and jack boots before dishonor and wooden shoes
18. The glorious nineteenth of April when the brave Americans convinced General Gage and the friends of tyranny that they dare fight and conquer also
There are a couple of notable items from these toasts. The toasts were drunk the same day as the Continental Congress passed the Olive Branch Petition. The Olive Branch Petition was the last effort of the Continental Congress to avoid war with Great Britain in 1775. Some delegates to the Continental Congress wanted to break with England at this time, but they yielded to the majority who weren’t as radical. Those who were more moderate wanted to explain their position clearly to King George, in hopes that he had been misinformed about their intentions. They made it clear that they were loyal subjects to Great Britain and they wanted to remain so as long as their grievances were addressed. The King refused to even receive their petition. This set the stage for the American Declaration of Independence a year later.
General David Wooster was an American general who served in the French and Indian War and in the American War of Independence (AWI). He died of wounds sustained during the Battle of Ridgefield, Connecticut on May 2, 1777. Cities, schools, and public places were named after him. He has been called “a largely forgotten hero of the Revolution.” A masonic history of Wooster is:
“DAVID WOOSTER was born near Stratford, Conn., March 2nd, 1710-11. After graduation from Yale in 1738, he served as a Lieutenant of the Connecticut Colony sloop “Defense” cruising between Cape Hatteras, Virginia, and Cape Cod, Mass., protecting fishermen and traders against the depredations of Spanish raiders and privateers in “the War of Jenkin’s Ear”. In May 1742 he was promoted to the command of the “Defense”. In the Louisbourg expedition he served as a Captain, commanding a company in the Connecticut contingent, becoming senior Captain at the end of the siege. He was one of an escort of twenty who accompanied the prisoners to France, being assigned to the flag-ship “Launceston” which transported the officers and their families, leaving on July 4th, 1745, in a convoy of eleven ships. This ship proceeded to London where he and his brother officers were feted and honoured in recognition of the great achievement of the colonial troops in the capture of Louisbourg. He was also appointed in December 1745 a Captain in Pepperrell’s new Regiment. It would seem probable that while in London (September to November 9, 1745) he was made a Freemason. On his return to Connecticut he was employed on recruiting service in that State and in December 1745 married a daughter of the President of Yale, Mary Clap, then 15 years of age, his own age being thirty-five. Wooster was on duty with his Regiment at Louisbourg from April 1747 to February 1749 and on the cession of that city back to France in 1748, he returned to New Haven in July 1749. On August 12th, 1750, the Grand Lodge at Boston “At Ye Petition of sundry Brothers (including Whiting) at Newhaven in Connecticut” the charter for the present-day Hiram Lodge, No. 1 was granted, naming David Wooster as first Master. Among his associates were Nathan Whiting and Joseph Goldthwaite, brother officers at the first siege of Louisbourg, at Louisbourg during the period 1747 to 1749. In 1755 he was made a Colonel in the Provincial Army and served in the Campaign of 1755-63 against the French including Quebec in 1759. He took a leading part in the Revolutionary War, and succeeded to the command of Montgomery’s Army at Quebec, after the death of the latter. He was later appointed Major-General in the Connecticut militia and fell mortally wounded while leading an attack at Ridgefield, near Norwalk. A memorial bearing the Square and Compasses stands over the spot where he fell April 27, 1777, while harrying the rear guard of the British troops that had raided Danbury and New Haven. He died May 2, 1777.”
An irony is that General Wooster was an acquaintance of the African-American poet Phillis Wheatley. Phillis Wheatley shared with his widow, Mary (Clap) Wooster, on 15 July 1778, an elegy poem on the death of General David Wooster. This poem is known for its lines concerning slavery in the hero’s prayer at the end: “But how, presumptuous shall we hope to find/ Divine acceptance with th’ Almighty mind —- / While yet (O deed ungenerous!) they disgrace/ And hold in bondage Afric’s blameless race…-” A contrast to the 18 toasts which do not mention slavery, but do reference “Conquest and laurels to all those heroes who draw their swords in support of freedom”.
Toasts are truly a wonderful area of research. They provide an opportunity to see what our forefathers valued. Toasts are how a community tried to draw in a community in fellowship and celebration.
Illustration: A Birmingham toast, as given on the 14th of July by the–revolution society from Library of Congress Prints and Photographs Division
Sean Kelleher is the Historian for the Town of Saratoga and Village of Victory in the Upper Hudson Valley.
The weekend of March 3rd and 4th, Historic Huguenot Street (HHS) is presenting Women’s Writes, a reading and writing workshop featuring two popular authors, Nava Atlas and Kate Hymes. The weekend kicks-off on Saturday, March 3, at 3pm with a guided tour of HHS’s Deyo House, which is set and interpreted in the Edwardian period, a popular time for many celebrated women authors. At 4pm, Nava Atlas will read from her latest book, The Literary Ladies’ Guide to the Writing Life, which explores the writing life of twelve celebrated women writers, including such renowned authors as Jane Austen, Charlotte Bronte, Madeleine L’Engle, Anais Nin, George Sand, Edith Wharton, and Virginia Woolf through their journals, letters, and diaries. On Saturday evening at 7, the Wallkill Valley Writers will read from their anthology which includes personal essays, poems, and stories.
Sunday, March 4 will feature two three-hour Wallkill Valley Writers Workshops led by Kate Hymes. Session 1 is from 9– 12pm and Session 2 is from 1-4 pm. Anyone with a desire to write, whether a beginner or experienced, is invited to attend these workshops which will be held in a safe environment. Sources culled from the HHS archives and other local history will serve as an inspiration for writing throughout the weekend.
Saturday includes a book signing and refreshments. Fees are as follows: Saturday Deyo House Edwardian tour and reading with Nava Atlas: $15. Saturday evening reading with Wallkill Valley Writers: $5. Sunday per session: $40. Full weekend including one workshop on Sunday: $50.
To register or for more information, call 845-255-1660, x103 or email Jan Melchior at email@example.com.
About the Presenters
Nava Atlas is the author and illustrator of visual books on family themes, humor, and women’s issues, including The Literary Ladies’ Guide to the Writing Life (2011), exploring first-person narratives on the writing lives of twelve classic women authors, and commenting on the universal relevance of their experiences to all women who love to write. Secret Recipes for the Modern Wife (2009) is a satiric look at contemporary marriage and motherhood through the lens of a faux 1950s cookbook. Nava Atlas is also the author and illustrator of many books on vegetarian cooking, a book on leafy greens will be on the shelves in the spring of 2012. An active fine artist specializing in limited edition artist’s books and text-driven objects, her work is shown and collected by museums and universities across the U.S.
Kate Hymes, a poet and educator living in the Hudson Valley, leads weekly writing workshops and writing retreats. She has over twenty years experience as an educator with experience teaching writing on college level, and over ten years leading workshops for people who make writing an artistic practice. Kate is certified to lead workshops using the Amherst Writers and Artists method. She has co-led trainings with Pat Schneider and other AWA instructors to teach others how to lead workshops. Kate and Pat also lead the workshop: If We Are Sisters: Black and White Women Writing Across Race. Kate serves as Executive Director of the Hudson Valley/Catskill Partnership: Regional Adult Education Network providing technical assistance and staff development to adult educators in a ten-county region of New York State. Kate currently serves as a member of the Dutchess County Arts Council and as panelist for Special Project, New York State Council on the Arts. She has a Master of Arts in American Literature from SUNY Stony Brook.
Teaching the Hudson Valley (THV) has announced the winners of its first student writing contest. Three winning writers and their classmates will visit the places they wrote about with costs covered by a THV Explore Award.
Aayushi Jha, a fifth grader at Main Street School in Irvington, is the elementary school winner. Her essay, Tug of War, describes an experience aboard the Hudson River Sloop Clearwater. Aayushi’s teacher, Susan Wallace, responded to the announcement with this note, “WOW! We are so THRILLED! Thank you so much for offering this opportunity to the future environmentalists and writers of the world!” You can read Aayushi’s essay online. “Climbing up Bonticou Crag, I split open the wilderness,” is the provocative opening line of Looking Topside Down, a poem about the Mohonk Preserve by high school winner Nicole Yang. The middle school winner is seventh grader Emilie Hostetter who wrote a poem about Minnewaska State Park called I Did Not Know. Nicole and Emilie are students of Janine Guadagno at Tabernacle Christian Academy in Poughkeepsie. You can read both poems here.
“We received many wonderful and inspiring pieces of writing,” said THV coordinator Debi Duke. “Although we could have only three winners, we’re looking forward to publishing more student writers throughout the winter and spring. Essays about Eleanor Roosevelt’s Val kill in Hyde Park, the replica of Henry Hudson’s Half Moon, and Muscoot Farm in Westchester County are among those readers can watch for.”
As Associate Editor of The Hudson River Valley Review, published by The Hudson River Valley Institute (HRVI), I get to explore the region that I call home and to share these finds with our readers. While our website allows us to be as expansive as our associates and interns are interested in being, it is the journal that I find most rewarding with its approximately 150 pages per issue that forces us to focus our interests and energies into a concise product every six months. The Hudson River Valley Review is published each spring and autumn, alternating between thematic and open issues. Founded in 1984 at Bard College as The Hudson Valley Regional Review, it almost went out of print in 2001. HRVI negotiated to assume publication in 2002. We changed the name and added a number of features, but it continues in the spirit that it was founded. In addition to a wide variety of topics covered in the open issues, we have produced journals covering the American Revolution, the Civil War, Landscape Architecture, the recent Hudson-Fulton-Champlain Quadricentennial Celebration, and innovation and commerce. We have also worked with guest-editors to produce issues dedicated to the writings of Edith Wharton and John Burroughs as well as to the legacy of Eleanor Roosevelt.
While the thematic issues stand well as overviews of certain aspects of the region, it is often more fun to assemble the open issues, comprised of those submitted articles that pass peer review on any variety of topics in a range of disciplines. Our Spring 2006 issue included articles that discussed the seventeenth-century Leislerian Rebellion, the nineteenth-century voyage of a Dutch visitor from Brooklyn to the Catskill Mountain House (including a portion of his translated journal), and the Twentieth-Century creation of Black Rock Forest as an educational preserve.
Whenever a new issue is released, we place a PDF of the introduction, History Forums, New and Noteworthy books, and full reviews on our website. We do not post the main articles until the issue goes out of print.
We also received copies of most of The Hudson Valley Regional Review when we took over publication, and have many of those as well as our own back-issues still available. There is a list of out-of-print issues on our subscription page: http://www.hudsonrivervalley.org/review/subscribe.html.
Washington Irving’s The Legend of Sleepy Hollow is one of the best-known works of American literature. But what other myths lie hidden behind the landscape of New York’s Hudson Valley? Imps cause mischief on the Hudson River- a white lady haunts Raven Rock, Major Andre’s ghost seeks redemption and real headless Hessians search for their severed skulls.
Local storyteller Jonathan Kruk relates the other myths that lie hidden behind the landscape of the Lower Hudson Valley in Legends and Lore of Sleepy Hollow and the Hudson Valley (History Press, 2011). Kurk reveals the origins of the Washington Irving’s Headless Horseman and how the Legend of Sleepy Hollow was shaped and shifted by Henry Hudson, George Washington, Aaron Burr, Joseph Plumb Martin, Sir Walter Scott, Gottfried August Burger, Martin Van Buren, Walt Disney, Tim Burton, Johnny Depp, and a former slave. The author also provides new primary source evidence of the ghostly “Galloping Hessian” and similar tales including the full story of Sleepy Hollow’s other ghosts- Major Andre, White Ladies, Mother Hulda, the Imps, and more.
Note: Books noticed on this site have been provided by the publishers. Purchases made through this Amazon link help support this site.
The Adirondack Mountain Club (ADK) has released the third edition of The Adirondack Reader in paperback. The collection of writings about the Adirondacks, which is also available in hardcover, spans more than 400 years of the region’s history and literature and reflects our nation’s changing attitudes toward wilderness. Edited by the late Paul Jamieson with Neal Burdick, this edition includes the work of some 30 new writers as well as the classic entries of Adirondack explorers and philosophers for which the book is known. A glossy, 32-page, color insert features classic and contemporary Adirondack paintings, illustrations, etchings and photographs. The paperback edition retails for $24.95 and the hardcover lists for $39.95. “Adirondack literature is an unparalleled mirror of the relations of Americans to the woods,” Jamieson writes. “This is a book about what Americans have sensed, felt, and thought about our unique heritage of wilderness.”
The release of the third edition in 2009 coincided with 400th anniversary of the voyages of Samuel de Champlain and Henry Hudson and the European discovery of the waterways that bear their names. The Adirondack Reader opens with Francis Parkman’s account of Champlain’s voyage. But much of the historical material is contemporary: Isaac Jogues on his capture by the Mohawks, Ethan Allen on the taking of Fort Ticonderoga, William James Stillman on the 1858 “Philosopher’s Camp” at Follensby Pond, and Bob Marshall on scaling 14 Adirondack peaks in a single day. The Adirondack Reader also features writings by James Fenimore Cooper, Robert Louis Stevenson, Theodore Dreiser, Joyce Carol Oates, Henry David Thoreau, Theodore Roosevelt, Richard Henry Dana Jr. and Ralph Waldo Emerson.
Newcomers to the third edition include Bill McKibben, Russell Banks, Chris Jerome, Barbara McMartin, Elizabeth Folwell and Philip Terrie. Visual artists represented in its pages include Winslow Homer, Rockwell Kent, Seneca Ray Stoddard and Harold Weston, as well as more contemporary artists such as Anne Diggory, Lynn Benevento, John Gallucci, Laura von Rosk and Don Wynn.
First published in 1964, The Adirondack Reader was lauded for its scope and its success in capturing and conveying the region’s spirit. Jamieson organized the collection into 10 sections and wrote an introduction for each that also imparts a great deal about the Adirondacks’ culture and character. His preface describes a place he knew well and gives readers a context for understanding the Adirondack Park’s unique role in the nation’s development and literature.
In the years that followed, Jamieson and editor Neal Burdick watched with interest the emergence of new voices in Adirondack writing. It is these authors, many of whom live in the region they write about (a marked change from earlier Reader contributors), who Jamieson and Burdick took particular care to include in the current edition. “There has been a remarkable flowering of writing about the Adirondacks in the last two and a half decades,” notes Burdick in his preface to the third edition. “A regional literature of the Adirondacks has come into its own.”
Neal Burdick is associate director of university communications for St. Lawrence University and editor-in-chief of Adirondac magazine. An essayist, reviewer, poet and fiction writer, his writing has appeared in numerous publications. Burdick is also past editor of ADK’s eight-volume Forest Preserve Series trail guides. A native of Plattsburgh, he holds a B.A. in English from St. Lawrence University and a Ph.D. in American studies with a concentration in environmental history from Case Western Reserve University.
Born and raised in Des Moines, Iowa, Paul Jamieson was inspired by the discovery of “uneven ground” in the nearby Adirondacks when he joined the faculty of St. Lawrence University in 1929. It was there, in Canton, that he became a hiker, paddler, author and prominent figure in regional and national preservation efforts. He is widely credited with the opening of many tracts of land and paddling routes to the public. Jamieson lived in Canton until his death in 2006 at the age of 103.
The Adirondack Reader is 544 pages and is available at book and outdoor supply stores, at ADK stores in Lake George and Lake Placid and through mail order by calling (800) 395-8080.
The Adirondack Mountain Club, founded in 1922, is a nonprofit organization dedicated to protecting the New York Forest Preserve and other parks, wild lands and waters through conservation and advocacy, environmental education and responsible recreation. ADK publishes more than 30 titles, including outdoor recreation guidebooks and maps and armchair traveler books, and conducts extensive trails, education, conservation and natural history programs. Profits from the sale of ADK publications help underwrite the cost of these programs. For more information, visit www.adk.org.
Note: Books noticed on this site have been provided by the publishers.
“Newspaper Fiction: The New York Journalism of Djuna Barnes, 1913-1919,” an exhibition of 45 objects including drawings, works on paper, documentary photographs, and stories in newsprint by the celebrated writer and early twentieth-century advocate for women’s rights Djuna Barnes (American, 1892-1982), will be presented in the Herstory Gallery of the Brooklyn Museum’s Elizabeth A. Sackler Center for Feminist Art from January 20 through October 28, 2012. Among the works on view will be eight illustrations Barnes composed to accompany her newspaper columns. The Herstory Gallery is devoted to the remarkable contributions of the women represented in The Dinner Party by Judy Chicago, on permanent view in the adjacent gallery. Barnes is one of 1,038 women honored in Chicago’s iconic feminist work.
Prior to publishing the modernist novels and plays for which she is now remembered, such as Ryder (1928), Nightwood (1936), and The Antiphon (1958), which present complex portrayals of lesbian life and familial dysfunction, Barnes supported herself as a journalist and illustrator for a variety of daily newspapers and monthly magazines, including the Brooklyn Daily Eagle, McCall’s, Vanity Fair, Charm, and the New Yorker.
Brought up in an unconventional household, Barnes developed an outsider’s perspective on “normal” life that served her well as a writer. Her liberal sexuality fit in perfectly with the bohemian lifestyle of Greenwich Village and, later, the lesbian expatriate community in Paris. From her first articles in 1913 until her departure for Europe in 1921, Barnes specialized in a type of journalism that was less about current events and more about her observations of the diverse personalities and happenings that gave readers an intimate portrait of her favorite character-New York City. Attempting to capture its transition from turn of the century city to modern metropolis, Barnes developed her unique style of “newspaper fictions,” offering impressionistic observations and dramatizing whatever she felt to be the true significance or subtexts of a story.
Image: Djuna Barnes, Sketch of a woman with hat, looking right, for “The Terrorists,” New York Morning Telegraph Sunday Magazine, September 30, 1917. Ink on paper. Djuna Barnes Papers, Special Collections, University of Maryland Libraries